はてなキーワード: time.とは
# 赤いきつねCM炎上騒動におけるソーシャルメディア分析と非実在型炎上論争の検証
Citations:
[1] ttps://note.com/adeliae_note/n/ncae8ffbb1202
[2] ttps://news.yahoo.co.jp/expert/articles/cbd76fef3b99ae65557e10493afd396c19cd5e8e
[3] ttps://note.com/kakuyosan/n/n6a58bef56b06
[4] ttps://b.hatena.ne.jp/entry/s/news.yahoo.co.jp/expert/articles/cbd76fef3b99ae65557e10493afd396c19cd5e8e
[5] ttps://www.itmedia.co.jp/news/articles/2406/12/news110.html
[6] ttps://note.com/m_takuya/n/n687b0d559044
[7] ttps://agora-web.jp/archives/250219211135.html
[8] ttps://www.onecruise.co.jp/degiodegiko/x-post-like-search/
[9] ttps://news.yahoo.co.jp/articles/0c4fa2b4bc18deca78b24006e561edf3e5f40af4
[10] ttps://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q14311131584
[11] ttps://blog.goo.ne.jp/shimatyi/e/92185851805c5317e540668073fbb867
[12] ttps://www.jprime.jp/articles/-/35686?display=b
[13] ttps://news.yahoo.co.jp/pickup/6529933
[14] ttps://twitter.com/momotaro_a_gogo/status/1891490562584252443
[15] ttps://x.com/riddi0908/status/1891496168774844479
[16] ttps://x.com/LawyerFunabashi/status/1891512361640771871
[17] ttps://diamond.jp/articles/-/359689
[18] ttps://realtime.yahoo.co.jp/realtime/search/tweet/1708135198075040237?ifr=tl_tw
[19] ttps://x.com/2jisoko/status/1891596121820078270
[20] ttps://search.yahoo.co.jp/web/savepref?ei=UTF-8&pref_done=https%3A%2F%2Fsearch.yahoo.co.jp%2Frealtime%2Fsearch%3Fp%3D%25E8%25B5%25A4%25E3%2581%2584%25E3%2581%258D%25E3%2581%25A4%25E3%2581%25AD%26ei%3DUTF-8&rtsrch_img=1
[21] ttps://x.com/joymanjoyman/status/1590633588198113283
[22] ttps://shueisha.online/articles/-/253129
Citations:
[1] ttps://www.corporate-legal.jp/news/6013
[2] ttps://www.soumu.go.jp/main_content/000981130.pdf
[3] ttps://news.yahoo.co.jp/expert/articles/cbd76fef3b99ae65557e10493afd396c19cd5e8e
[4] ttps://news.livedoor.com/article/detail/28188001/
[5] ttps://finance.yahoo.co.jp/news/detail/ac7596aa9c5fdd983a645bed70a63642effbc4a9
[6] ttps://ja.wikipedia.org/wiki/%E3%82%B3%E3%83%9E%E3%83%BC%E3%82%B7%E3%83%A3%E3%83%AB%E3%83%A1%E3%83%83%E3%82%BB%E3%83%BC%E3%82%B8
[7] ttps://toyokeizai.net/articles/-/859513?display=b
[8] ttps://coki.jp/article/news/46917/
[9] ttps://toyokeizai.net/articles/-/731031
[10] ttps://www.caa.go.jp/policies/policy/representation/meeting_materials/assets/representation_cms216_221006_02.pdf
[11] ttps://diamond.jp/list/feature/p-civilservant2024
[12] ttps://www.mipro.or.jp/Document/hti0re0000000vi2-att/pdf_publications_115_1103p.pdf
[13] ttps://note.com/advertising/n/n62fec38116cc
[14] ttps://toyokeizai.net/articles/-/115663
[15] ttps://toyokeizai.net/articles/-/706257
[16] ttps://toyokeizai.net/articles/-/847673
[17] ttps://toyokeizai.net/articles/-/284560?display=b
[18] ttps://toyokeizai.net/articles/-/633037
[19] ttps://www.soumu.go.jp/main_sosiki/joho_tsusin/d_syohi/shohi.htm
[20] ttps://note.com/m_takuya/n/n687b0d559044
[21] ttps://toyokeizai.net/articles/-/741042
[22] ttps://news.biglobe.ne.jp/economy/0221/prt_250221_2709893155.html
[23] ttps://www.risktaisaku.com/articles/-/100063
[24] ttps://news.yahoo.co.jp/articles/be6fa9e15eb3b41706c7ddf32a75f9b540b9d603
[25] ttps://note.com/megamarsun/n/n393c1cd2a963
[26] ttps://finance.yahoo.co.jp/news/detail/d7e35e4d6fda4d5f1abc4cdb00c54fc5e9cb9f25
[27] ttps://diamond.jp/articles/-/359689
[28] ttps://www.nissin.com/jp/about/history/columns/1875
[29] ttps://www.risktaisaku.com/articles/-/100054
[30] ttps://coki.jp/article/column/47374/
[31] ttps://diamond.jp/articles/-/359836
[32] ttps://www.dentsu.co.jp/knowledge/ad_nenpyo.html
[33] ttps://www.excite.co.jp/news/article/Joshispa_1345764/
[34] ttps://news.livedoor.com/article/detail/28200079/
[35] ttps://diamond.jp/articles/-/195239
[36] ttps://www.jiaa.org/katudo/gdl/keisaikijun/
[37] ttps://diamond.jp/articles/-/359689?page=3
[38] ttps://news.yahoo.co.jp/pickup/6530095
[39] ttps://news.yahoo.co.jp/articles/9d5995f5b75d24cc9abd677a8370151cfef6d6af
[40] ttps://news.biglobe.ne.jp/economy/0217/prt_250217_1740866668.html
[41] ttps://news.yahoo.co.jp/articles/4da3dbd95e212a0aa6adefafe24ca756df7a2347
[42] ttps://b.hatena.ne.jp/entry/s/www.itmedia.co.jp/news/articles/2502/19/news071.html
[43] ttps://www.iza.ne.jp/article/20250221-OIO2FRQSEZEVZIJNTW4ZIBZ5PM/
[44] ttps://news.livedoor.com/article/detail/28196062/
[45] ttps://toyokeizai.net/articles/-/218155
[46] ttps://www.city.inabe.mie.jp/_res/projects/default_project/_page_/001/002/463/71-01-20.pdf
[47] ttps://news.yahoo.co.jp/articles/9c4cbac087e8e5798e6fc386b4f6b7d5fcfa4731
[48] ttps://toyokeizai.net/articles/-/857193?display=b
[49] ttps://diamond.jp/articles/-/359671
[50] ttps://news.livedoor.com/topics/detail/28198614/
[51] ttps://www.iwate-np.co.jp/article/oricon/2369494
[52] ttps://toyokeizai.net/articles/-/854772?display=b
[53] ttps://www.soumu.go.jp/menu_hourei/s_houritsu.html
[54] ttps://detail.chiebukuro.yahoo.co.jp/qa/question_detail/q13311248908
[55] ttps://news.yahoo.co.jp/pickup/6529966
[56] ttps://www.sankei.com/article/20250221-5QUZLINU2VJALN2RLTVDTSA7XU/
[57] ttps://news.yahoo.co.jp/articles/ebbf096ddbe442d079c6e0104511a798fcc541e7
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
有名どころだと、
MCUのエンドゲームの最後で傲慢不遜男のトニーが自分の命を犠牲に指パッチンするときに
(私がアイアンマンだ)]
って言うやつ。
これってMCU1作目アイアンマンのラストのセリフと全く同じなんだよね。
I am Iron Man.で始まって、I am Iron Man.で最後の戦いが終わる。
泣いちゃうよね。
他にはワイスピシリーズで、ダブル主演の一人ポール・ウォーカーがなくなってしまったスカイミッションの最後で
ポールに対して、もう一人の主役のヴィンが
I used to say I lived my life a quarter mile at a time.
And I think that's why we were brothers. Because you did, too.
とモノローグで語り掛けるシーンがあるんだけど、
これもワイルドスピード1作目でヴィンがポールに対して自分の人生を語るときに言った
I live my life a quarter mile at a time. Nothing else matters:
not the mortgage, not the store, not my team and all their bullshit. For those ten seconds or less, I’m free.
最初は利用し合う敵対関係で始まった二人が理解を深め、兄弟だと思うようになって別れていく。
このへんは日本語吹き替えだけ見てるとわかんないんだけど、作品愛にあふれたいいセリフだなって思う。
Description
Every web user has at least once encountered loss of internet connection. This happens for a variety of reasons, such as a dysfunction in the cellular network or a broken internet cable. However, regardless of the reason, every Google Chrome user sees the Dino game (when there is no internet) instead of a plain blank error page. This game can be played without an internet connection.
Play game: Dinosaur T-Rex Game
Despite the fact that the game is just a plain runner that’s built into the Google Chrome browser, the developers behind it still deserve a round of applause. The peculiar monochrome graphics and the simplicity make the game even better, and it has gained a lot of worldwide fans since its launch.
The main character of the game is a classic dinosaur, a Tyrannosaurus rex, the species we usually see in movies and books about dinosaurs. It’s a carnivorous type of dinosaur from the Cretaceous. In the game it runs through the desert, encountering pterodactyls and cactuses that need to be avoided by jumping or ducking. As the distance the dinosaur has traveled increases, so does its speed, which is why it’s quite difficult for an inexperienced player to get a high score, even though the game itself seems easy.
Surely, all of you are curious about the development of the Chrome Dinosaur Game Online, so let’s take a little trip back in time.
The development of the T-Rex game dates back to September 2014, however, the final improvements were completed only in December of that same year. The adjustments supported earlier versions of the Android operating system.
Sebastien Gabriel, one of the designers of the game, says that the T-rex was chosen as a funny reference to "prehistoric times", when highspeed internet wasn’t so widely spread.
The T-rex was also not an accidental choice. The offline Chrome Dino game (without internet) was also called "Project Bolan", referring to the popular singer Mark Bolan from the 70s band "T-Rex". While creating the game the programmers also thought about making Dino growl or kick. Eventually these features were rejected in order to keep the game simple and "prehistoric".
How to open the T-Rex Chrome Dino Game?
In order to open the game you can simply type chrome://dino/ in the address bar. The game will open even if you’re connected to the internet, so there’s no need to disconnect.
The majority of internet users have Chrome as their default browser. However, if you’re using a different one, our website can help. Here you can play the T-Rex Dinosaur Game using any browser and any device, like a desktop computer or even your cell phone.
Media made us restrict our movements during COVID-19, and it had a very big impact. I checked Twitter and TV every day to see how many people were getting COVID-19, being hospitalized, and dying. Japanese TV showed videos of people on artificial respirators in hospitals, which was shocking and made me afraid to go out. I worried that if I got COVID-19, I would end up in the hospital on a respirator and might die. After watching those shows, I couldn't watch regular news on TV because I was so scared of COVID-19.
I stayed home for a long time, but I caught the virus from my father in September 2023. He had been coughing a lot since 2020 because of another disease, so I thought it was just that. But in the middle of September, his cough sounded different, so I thought it might be COVID-19. I was planning to go to Canada at that time, but things turned out badly. Both my mother and I got COVID-19 and had a very tough time. It was hard to breathe, but after a month, my symptoms weren't as bad. I didn't need to be hospitalized. I think that sometimes watching social media or TV can give us negative information that restricts our movements, but in this case, it was too much.
直訳版
A long time ago, in a certain country, there was a bastard named Cinderella. The reason why she is called Cinderella is because she sprinkled her own ashes on her own head at her mother's funeral, which led to her being called the ash-coverer, which is why her real name is Cinderella. I lost
The husband who lost his wife was also a bastard, and the day after the funeral he cheated on a woman three years younger than him, had sex with her, and even got married.
I have decided. Then, to her Cinderella
She now has an older sister and a younger sister who are not related by blood.
Her sister was a bitch too, she came to Cinderella's house
After a few days, she thought, ``Wouldn't it be more convenient to have an outbuilding?'' and cut down Cinderella's mother's grave in her garden and the hundreds of years old tree that was next to her grave, and built an outbuilding. We forced construction.
One day, the bastard's family receives news of a ball from the castle. But before Cinderella could read it, her sister broke the news and said, ``There's no way you can go.'' Cinderella didn't seem to have any intention of going either, saying, ``I had no intention of going in the first place.I'd rather go to hell.''
Then, on the day her mother was admitted to the hospital to give birth, her sister went to the ball. In the garden, the construction of an outbuilding was progressing as usual.
“Let’s light a fire here and make a bonfire.”
She thought about that, but Cinderella stopped her. Suddenly, a witch appeared
``Cinderella, why aren't you going to the ball?'' asked the witch.
"What's the point of telling Teme?"
Cinderella returned with an ax in her hand
Then, for some reason, Cinderella was wrapped in a jewel-like dress.
"If you don't go to the ball, that dress will kill you. Now go."
Cinderella doesn't want to die in a place like this, so she reluctantly decides to go to the castle.
In the castle, some asshole like her sister was looking for a one-night stand and was dancing wildly. No one really praised others, and in their hearts they all seemed to think that they were the center of the world.
Cinderella didn't dance, but killed her time by smoking a cigarette at the end of her room. There, she was approached by a man wearing formal clothes that were flashier and more expensive than anyone else, and said to her, ``Miss, won't you dance?''
She is Cinderella with a cigarette in her mouth
She said, ``I only dance with the Grim Reaper and bad luck.''
she answered. For some reason, the man fell in love with her at first sight, and she said, ``Let's have some fun in the other room.Here, come.'' She tried to force Cinderella to take her to another room in the castle. However, Cinderella pressed the cigarette she was holding into her hand.
"Her hand slipped," she laughed.
When she pressed the cigarette, the sound in her voice was so pitiful that no one tried to get close to him or dance with him. Of course, no one even knows that such a pitiful man is the prince who owns this castle.
Eventually, she had enough, Cinderella threw her shoes on her stairs and went back to her house in her bare feet. Her shoes were made of glass, so they shattered into pieces.
The next day, while her servant was cleaning the castle, she found one shoe on the stairs. Obviously thinking this was strange, she secretly examined her shoes and discovered that they had been smeared with a deadly amount of poison.
Rumors spread within the castle that this must be an attempt to kill the prince, and soon a large-scale investigation was conducted. Even though it's a survey, it's simple.
The idea was to create a replica of a shoe and imprison the person who matched it perfectly as a suspect.
And one after another, people were imprisoned just because of their size. Some of them had not been to the ball, but they thought it must be a lie and were forcibly taken away.
Eventually, an investigation came to Cinderella's house. That's when we all looked at her mother and child after she was discharged from the hospital, and of course her sister didn't fit.
So all that was left was Cinderella. Then, her sister said to Cinderella, ``Hell suits you better than this world.''
She was of course the perfect size for Cinderella.
However, she protested her innocence, saying that I hadn't gone to the ball and there was no dress anywhere in the house to prove it.
However, the prince showed him an empty pack of cigarettes that had been discarded in a trash can and said, ``This is the same brand that the criminal was smoking that time.Why?''
I unbuttoned all the buttons on her jacket.
She said, ``After all, I feel like dancing with the Grim Reaper. Right, little prince?'' she said.
By the time the princes realized it, it was already too late.
The grenade that fell at his feet blew up Cinderella and the prince.
The time was around noon. Bells rang throughout the city and residents prayed for lunch.
The flying fragments of the shoe became a weapon, a sad fragment that could only hurt someone, and no one could imagine its original form.
end
System error: Your request could not be processed. Please retry after some time.
https://twitter.com/maro_machizawa/status/1742177725979476189
”Literally zero tsunami. Thousands or more unnecessarily evacuated. I hope experts n media swiftly interpret the condition and deliver accurate info. Quake, collapsing houses and fire were the major damage this time. The warning was effective if the call for tsunami was correct.”
"文字通り津波ゼロです。数千人以上が不必要に避難した。専門家やメディアが速やかに状況を解釈し、正確な情報を伝えてくれることを願っています。今回は地震、家屋の倒壊、火災が大きな被害でした。津波警報が正しければ、警報は有効だった" ( グーグル翻訳)
こんます~
2023年も残すところわずかとなりましたが、皆様方におかれましてはいかがお過ごしでしょうか。
一年間の振り返りなどはされましたでしょうか。
2423件の日記を綴っており、
頂いた総ブクマ数は1893、総トラバ数は1060となりました。
本年も大変お世話になりました。
最期に、ポンコツの私がChatGPTの手となり足となり作成した増田集計コードを掲載します。
各日記のURL、タイトル、投稿日時、文字数、被ブクマ数、被トラバ数を取得しCSVファイルに出力するものです。
お暇な方はお使いください。
それではよいお年をお迎えください。
import requests from bs4 import BeautifulSoup import time import csv import os import re # ログインURL login_url = 'https://hatelabo.jp/login' # ログイン情報 login_data = { 'key': 'あなたのユーザ名またはメールアドレス', 'password': 'あなたのパスワード', 'mode': 'enter' } user_name = 'あなたのユーザ名' # User-Agent ヘッダー(例:Google Chrome) headers = { 'User-Agent': 'Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/58.0.3029.110 Safari/537.3' } # セッションを開始 session = requests.Session() # ログイン response = session.post(login_url, data=login_data, headers=headers) print('login',response.status_code) # 集計データ item = { 'url': '', # URL 'title': '', # タイトル 'datetime': '', # 投稿日時 'characters': '', # 文字数 'bookmark': '', # 被ブクマ数 'trackback': '', # 被トラバ数 } # CSVファイル名 output_file = 'masuda_output.csv' # CSVファイルが存在しない場合はヘッダーを書き込む if not os.path.exists(output_file): with open(output_file, 'w', newline='', encoding='utf-8') as file: writer = csv.DictWriter(file, fieldnames=item.keys()) writer.writeheader() # 集計 page_start = 1 page_end = 3 for i in range(page_start, page_end+1): # 待機 time.sleep(3) # 増田一覧取得 page = session.get(f'https://anond.hatelabo.jp/{user_name}/?page={i}') print(page.url) # 応答のHTMLをBeautifulSoupで解析 soup = BeautifulSoup(page.content, 'html.parser') entries = soup.find_all('div', class_='section') for entry in entries: header = entry.find('h3') timestamp = header.find('a').get('href')[1:] item['url'] = 'https://anond.hatelabo.jp/'+timestamp item['title'] = header.get_text()[:-1] item['datetime'] = f"{timestamp[0:4]}/{timestamp[4:6]}/{timestamp[6:8]} {timestamp[8:10]}:{timestamp[10:12]}" footersection_text = entry.find_all('p')[-2].get_text() item['characters'] = len(entry.find('p').get_text().strip(footersection_text)) item['trackback'] = int(re.search(r'92;((.*?)92;)', footersection_text).group(1) if re.search(r'92;((.*?)92;)', footersection_text) else '') if item['title'] == '■': item['title'] = entry.find('p').get_text().strip(footersection_text)[:35] # 待機 time.sleep(3) bookmark_page = session.get(f'https://b.hatena.ne.jp/entry/button/?url=https%3A%2F%2Fanond.hatelabo.jp%2F{timestamp}&layout=basic-label-counter&lang=ja') soup_b = BeautifulSoup(bookmark_page.content, 'html.parser') item['bookmark'] = int(soup_b.find('a', class_='count').get_text()) # CSVファイルに追記 with open(output_file, 'a', newline='', encoding='utf-8') as file: writer = csv.DictWriter(file, fieldnames=item.keys()) writer.writerow(item)
(追記)
わー。ごめんなさい。文字が何か所か変わっていました。
92; → \
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Refuting the “Israeli” Claims Regarding Evading their responsibility for the Massacre of the Gaza Baptist Hospital
Today, the “Israeli” Occupation Entity is trying to evade their responsibility for the crime of bombarding the “Baptist” Arab National Hospital in Gaza City, which the Israeli” Occupation Forces (IOF) committed on the evening of Tuesday, 17 October 2023. This heinous crime was committed against innocent Palestinian civilians while taking the hospital as a shelter from the flames of the “Israeli” brutal aggression, which left nowhere safe in the besieged enclave. It is necessary to affirm that, the Baptist Hospital belongs to the Anglican Episcopal Church in Jerusalem, and was built before the occupation of Palestine.
It is obvious that the “Israeli” enemy has been spreading lies since the very beginning of his destructive war on our people, when he with no single evidence claimed that the Palestinian resistance killed children, cut off heads and raped women. In continuation of this series of lies, they tried to evade their crime, attributing it to one of the resistance factions. Accordingly, we present some of the conclusive evidence to prove the “Israeli” Occupation Entity responsible for this heinous crime:
1) It is no secret that the IOF, several days ago, threatened several hospitals in the Gaza Strip, contacting each hospital separately and requesting their evacuation and holding the hospitals directors responsible for the consequences of neglecting the threats. In fact, there are dozens of clear statements from the IOF spokespersons in this regard.
2) Since the beginning of the ongoing aggression, the “Israeli” army has ignored the principle of distinguishing between civilian and military targets. Thus, the bombardment has systematically targeted emergency services, ambulances, civil defense facilities, schools, mosques, and churches.
3) The IOF contacted the directors of 21 hospitals in the Gaza Strip, especially those are located in the Gaza and the North of Gaza governorates, most notably: (Al-Awda, the Indonesian, Kamal Adwan, the Kuwaiti, Al-Quds, and Al-Mamadani), asking them to evacuate immediately, given that the hospitals are located within the geographical scope of “Israeli” military operations. In this regard, the official spokespersons for the IOF plus a number of hospital directors conducted interviews live on Al Jazeera, revealing the premeditated intention of the IOF to target hospitals in the Gaza Strip.
4) On 14 October, 2023, at 20:30, the IOF fired two shells towards the Baptist Hospital, and the next morning they called the hospital director, Dr. Maher الصفحة 2 من 3
Ayyad, saying to him: “We warned you last evening with two shells, so why have you not evacuated the hospital until this moment?!” Following that call, The hospital director contacted the bishop of the Evangelical Church in Britain and informed him of the incident, who in turn contacted international organizations before sending the hospital a message reassuring them that they could remain in the hospital. Yet with no warning, the IOF airstrikes returned, on Tuesday evening, to carry out the massacre against the hospital and the shelter-seekers of the displaced innocent Palestinian civilians.
5) Immediately after the massacre, the IOF spokesperson quickly published a statement on his page on the “X” and “Telegram” platforms at 21:17, which stated, “We had warned the evacuation of the Baptist Hospital and five other hospitals so that the Hamas terrorist organization would not take as a safe haven”. That statement is a clear claim of this massacre, and it is documented with a “screenshot” image attached to his page on Telegram, but he quickly deleted the post after seeing the massive scale of the massacre for the large number of victims, and the angry responses of the Arab, regional and international communities. Later on, he disavowed it, publish another
statement denying that he had issued the first statement.
6) Before and during the event, the resistance factions did not fire any missiles at the occupied territories, the “Israeli” sirens did not activate, and the Iron Dome missiles were not launched. Moreover, dozens of reconnaissance drones do not leave the sky of the Gaza Strip (365 km2 ), photographing and monitoring every inch around the clock. If the massacre was due to the resistance’s missiles, as the “Israeli” Occupation Entity falsely claim, why would not they show one picture their claims?!
7) The “Israeli” Occupation Entity claimed that this massacre was caused by a missile launched by the Islamic Jihad. However, we would wonder how they could identify and distinguish between the missiles of the resistance factions immediately after they were launched?!
8) The IOF military system documents and records all their operations by day, hour, minute and second, and in all previous times their media outlets came out to announce or deny much less severe massacres than this massacre, so what made them wait more than 4 hours before declaring their irresponsibility other than weaving scenarios of falsification, lies and deception?!
9) It is obviously known that the resistance’s missiles are somewhat “primitive” and do not have the destructive power that kills hundreds at one time. And throughout the history of previous confrontations and the current confrontation, no resistance missile has caused a tenth of this number of “Israeli” deaths.
10) The only video scene documenting the moment of the explosion reveals that the mass of flame and the sound of the explosion are identical to other “Israeli” bombs throughout the days of the ongoing aggression, which with no doubt proves that the “Israeli” origin of the missile.
الصفحة 3 من 3
The deliberate attack on hospitals is a war crime, stipulated in Article (8, 2, b, 9) of the Statute of the International Criminal Court. Accordingly, Hamas officially calls on the Prosecutor of the International Criminal Court to open an investigation into this crime, which falls within the framework of a genocidal war, in accordance with the provisions of Article 6 of the Basic Law. These bloody acts are also based on the policy of denial pursued by the “Israeli” Occupation Entity, as they deny the existence of the Palestinian people.
There is no doubt that impunity fuels crime, and investigating crimes is a way to protect people. Furthermore, if a legal and judicial response is necessary, it is above all that the response to this crime must be humanitarian and global. Such actions must shock the conscience of the world, or else there would no longer be a reliable international community if the “Israeli” Occupation government free to decide to bomb hospitals!
In conclusion, we are facing a genocidal massacre committed by IOF against children, women, and the elderly. The “Israeli” Occupation Entity is the only responsible for the crime, no matter how much they try to weave lies and fabrications to get away with it, as they always do.
The Islamic Resistance Movement
「ガザ・バプテスト病院虐殺の責任回避に関するイスラエルの主張に反論する」
って題名
時は金なりという意味か?
public class Person { BasicInfo info; float stock; float Value; public string Name(bool isSpy){ return isSpy ? info.Name : info.Name.ToSecondName(); } public string Sex(bool isNormal){ return isNormal == info.isMan ? "Man" : "Woman"; } public float Earn(bool isExtra = false){ float sexPad = info.isMan ? 1f : 0.5f; float racePad = info.isWhite ? 1f : 0.5f; var delta = DateTime.Now - info.Birth; int age = (int)(delta.TotalDays / 365); float result = Value * sexPad * racePad * age; if(isExtra){ Value += result; } return result; } enum Race{ White, Black, Yellow }; class BasicInfo{ public string Name; public int NationalId; public bool isWhite; public bool isMan; public DateTime Birth; public BasicInfo(string Name, int NationalId, Race race, bool isMan){ this.Name = Name; this.NationalId = NationalId; this.isWhite = race == Race.White; this.isMan = isMan; Birth = DateTime.Now; } }
横じゃが、こんな感じでいいんかね?ChatGPTじゃなくてBing先生だが同じ事やろ
わいの問:
今週の水曜日の日付を出力するJavaコードを教えてください。
import java.time.LocalDate; import java.time.DayOfWeek; import java.time.format.DateTimeFormatter; public class Main { public static void main(String[] args) { // 現在の日付を取得 LocalDate today = LocalDate.now(); // 今週の水曜日の日付を取得 LocalDate wednesday = today.with(DayOfWeek.WEDNESDAY); // 日付をフォーマットして出力 DateTimeFormatter formatter = DateTimeFormatter.ofPattern("yyyy年MM月dd日"); System.out.println(wednesday.format(formatter)); } }
(動かしてはないけど、まあパッと見でおかしい所は無さそうやし、動くやろ。。。)
もうこのやりとりの時点でダメやん?
ダメじゃねえよ。要件を正確に記述できないならコードなんて書けるわけない。
空気読んでいい感じに読み取ってよというのを求めてるなら、仕様書すら書けないダメプログラマーってことだろ。
コンピューターの中では数字で日付は管理されててそれはJavaでは日付のオブジェクトとして表されるんだけど、「今週=現在の週の水曜日」を表すオブジェクトが欲しい
やったぞ
java.time パッケージの LocalDate クラスや TemporalAdjusters クラスを使用して、「今週の水曜日」の日付オブジェクトを取得できます。
以下のコードは、現在の日付に基づいて今週の水曜日の LocalDate オブジェクトを返す Java の関数です。
import java.time.temporal.TemporalAdjusters;
public static void main(String[] args) {
System.out.println(getThisWeeksWednesday());
}
public static LocalDate getThisWeeksWednesday() {
LocalDate today = LocalDate.now();
return today.with(TemporalAdjusters.nextOrSame(DayOfWeek.WEDNESDAY));
}
}
この関数は現在の日付を取得し、それを TemporalAdjusters.nextOrSame(DayOfWeek.WEDNESDAY) メソッドに渡して、今週の水曜日の日付を取得します。今日が水曜日である場合、それが返されます。それ以外の場合は、次の水曜日の日付が返されます。
今日が週内のどの日であったとしても(木曜日や金曜日であったとしても)その週の水曜日を表すオブジェクトを返す関数を示してください。
それには、今週の最初の日を求め、そこから水曜日までの日数を加算するアプローチを使用します。以下のコードでは、週の最初の日を月曜日と仮定しています:
import java.time.temporal.TemporalAdjusters;
public static void main(String[] args) {
System.out.println(getThisWeeksWednesday());
}
public static LocalDate getThisWeeksWednesday() {
LocalDate today = LocalDate.now();
LocalDate monday = today.with(TemporalAdjusters.previousOrSame(DayOfWeek.MONDAY));
return monday.plusDays(2);
}
}
このコードは、まず今日の日付を取得し、それから TemporalAdjusters.previousOrSame(DayOfWeek.MONDAY) メソッドを使用して今週の月曜日の日付を取得します。そして、月曜日から2日後の日付(水曜日)を取得するために plusDays(2) メソッドを使用します。
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
----
I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
In the year 3000, humanity had finally discovered the secrets of the multiverse. Using their most advanced technology, they had found a way to travel between different parallel universes, each with their own unique physical laws and structures.
As the first explorers set out on their journeys, they encountered a myriad of strange and wondrous worlds. Some universes were filled with infinite copies of themselves, while others were constantly shifting and changing, their physical laws in a state of constant flux.
As they traveled deeper into the multiverse, the explorers encountered universes that seemed to follow completely different sets of physical laws. In some, time flowed backwards, and cause and effect were reversed. In others, matter was made up of entirely different particles, and energy behaved in completely unexpected ways.
As the explorers continued to journey further, they began to encounter universes that seemed to be simulations, created by beings in higher dimensions. They encountered universes where the laws of physics were entirely mathematical, and others where the very fabric of reality was made up of pure information.
At last, the explorers came to a universe that seemed to encompass all of the many-worlds interpretations. In this universe, every possible outcome of every possible event was played out in infinite parallel realities. The explorers marveled at the incredible complexity and diversity of this universe, as they watched endless versions of themselves carrying out endless variations of their own adventures.
As they prepared to leave this universe and return home, the explorers realized that they had only scratched the surface of the multiverse. They knew that there were still countless more universes to explore, each with their own unique physical laws and structures.
And so, they set out once more, to journey deeper into the multiverse, and to discover the secrets of the infinite many-worlds that lay waiting to be explored.
As the explorers continued their journey, they encountered a universe where time did not exist, and another where the laws of physics were governed by emotion rather than math. In yet another universe, they discovered that consciousness itself was the fundamental building block of reality.
As they explored further, the explorers encountered universes where the laws of physics were not constants but varied across space and time. They found a universe where entropy decreased over time, and another where gravity was repulsive rather than attractive.
At the edge of the multiverse, the explorers discovered a universe that seemed to contain all of the other universes within it. This universe was infinite in size and contained infinite variations of itself, each one a slightly different version of the universe they knew.
As they traveled through this universe, the explorers encountered versions of themselves that had made different choices and lived different lives. Some of these versions were almost identical to their own, while others were wildly different, with entirely different personalities and goals.
At last, the explorers returned to their own universe, their minds reeling from the incredible sights and experiences they had witnessed. They knew that the multiverse was an endless sea of possibility, and that there were still countless more universes to explore.
As they shared their discoveries with the rest of humanity, they realized that the true nature of the multiverse was still a mystery. They knew that there were many theories and hypotheses, but no one could say for sure which one was right.
And so, the explorers continued their journey, driven by a hunger to uncover the secrets of the multiverse and to understand the true nature of reality itself.
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(In my mind) Celia has completely surpassed Daso Edit
First of all, Japanese-made goods are now clearly marked with "Made in Japan" tags.
This is probably an improvement over the past year or two. Based on user feedback, the company has been promoting Japanese products.
Good Japanese-made kitchen tools account for half of the products.
My favorite Tupperware has been a best-seller for more than 5 years, and I have not changed the design at all.
In other words, I get the impression that this is a steady company that does not change its best-selling products at all, but improves them one millimeter at a time.
Even in 2022, many of DASO's products are still made in China, and there is little sense of progress.
When I visit the sales floor, the atmosphere is much the same as it was 10 years ago.
Celia seems to be getting more upscale every year. Without changing the price.
I want to support places where I can feel this kind of corporate effort.
Celia has completely surpassed Dasoh in my opinion.
What are you saying to a product that's 100 yen a pop? Are you a poor person?
But in fact, the quality of Japanese-made Tupperware and chopsticks is so good that you would not believe they are 100 yen.