Spring Preview: Fight Doom and Gloom as Dance and Opera Speak Truth to Power The coming season promises opera that draws on everything from Herman Melville to jazz and blues, and dance that flows from breaking to ballet. By David Cote
Edmond Dédé’s ‘Morgiane’ Is as Musically Rich as It Is Historically Significant This opera has plenty to captivate beyond its status as the oldest opera by a Black American composer. By Gabrielle Ferrari
Yuval Sharon On Ten Years of The Industry and His Next Moves "I wanted The Industry to be much more than my little playground. I wanted it to be as broad and open-minded as what opera can be." By Jordan Riefe
Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met By Christopher Corwin
Striking Set Design and Strong Singing Elevate ‘Hansel and Gretel’ at the Royal Opera House By Frances Forbes-Carbines
St. Thomas, Trinity Church, David Geffen and Carnegie Hall: The Many Ways to Handle ‘Messiah’ By Christopher Corwin
‘La Bohème’ at the Royal Opera House Brings 19th-Century Paris to Life in Stunning Detail By Frances Forbes-Carbines
Asmik Grigorian’s Raw Passion Eclipsed Piotr Beczała’s Quiet Thunder at Carnegie Hall By Gabrielle Ferrari
Celebrating Czech Music at Carnegie Hall With Dvořák’s Piano Concerto and Janáček’s ‘Glagolitic Mass’ By Gabrielle Ferrari
‘The Tales of Hoffmann’ at London’s Royal Opera House Shines Even as It Stutters By Frances Forbes-Carbines