Wikipedia

Drum (2004 film)

Drum is a 2004 film based on the life of South African investigative journalist Henry Nxumalo, who worked for Drum magazine, called "the first black lifestyle magazine in Africa".[1] It was director Zola Maseko's first film and deals with the issues of apartheid and the forced removal of residents from Sophiatown. The film was originally to be a six-part television series called Sophiatown Short Stories, but Maseko could not get the funding. The lead roles of Henry Nxumalo and Drum main photographer Jürgen Schadeberg were played by American actors Taye Diggs and Gabriel Mann, while most of the rest of the cast were South African actors.

Drum
DVD release cover
Directed byZola Maseko
Written byJason Filardi
Produced byDumisani Dlamini
StarringTaye Diggs
Gabriel Mann
Jason Flemyng
Zola
CinematographyLisa Rinzler
Edited byTroy Takaki
Music byTerence Blanchard
Cédric Gradus Samson
Distributed byArmada Pictures International
Release dates
Running time
94 minutes
CountriesUnited States
South Africa
LanguagesEnglish
Afrikaans
German

The film premiered at the Toronto International Film Festival in September 2004, and did the rounds of international film festivals before going on general release in South Africa in July 2006. It was released in Europe, but failed to get a distributor for the USA where it went straight to DVD.

The film was generally well received critically. It was awarded Best South African Film at the Durban International Film Festival, and director Maseko gained the top prize at the Panafrican Film and Television Festival of Ouagadougou (FESPACO).

Plot

edit

The story is based on real events and real people and is set in the mid-1950s freehold township of Sophiatown, Johannesburg— one of the few areas in South Africa where blacks could own property and drink alcoholic beverages. Drum begins with the central character, sportswriter Henry Nxumalo, reporting on a boxing match with Nelson Mandela. Nxumalo leaves his wife Florence at home while going out into his community's night life and has an affair with a female singer. He works for Drum magazine, which was "the first black lifestyle magazine in Africa."[1] The magazine was financed by whites and had a multiracial staff; it was popular among the black community. Drum's British editor, Jim Bailey (Jason Flemyng), asks Nxumalo to write on the township crime scene, and Nxumalo, while at first unwilling, finally agrees. While on the job, he encounters Slim (Zola), a gang leader, that he had previously met in illegal township drinking places, and witnesses him kill a man in Sophiatown.

Initially Nxumalo stays away from political articles, but eventually writes about more than entertainment after his wife and Mandela encourage him. When a young man goes missing at a Boer farm and is feared enslaved, Nxumalo decides to investigate undercover. He gets employment as a labourer at the farm, where he is treated like a slave and nearly killed. He becomes a celebrity when his story is published, further reinforced by getting himself in prison and reporting about its conditions. Nxumalo decides that his destiny is to be a muckraker and, with the help of the German photographer Jürgen Schadeberg (Gabriel Mann), ventures on more risky investigations.

Nxumalo frequently fights the racism and apartheid that is beginning to creep into his hometown. He tries to tackle stories important to his society's well-being. However, he is no match to the plan to evict residents and ultimately destroy Sophiatown. Constantly harassed by the government, at the end of the film he is stabbed to death. The attacker has never been identified.

Cast

edit

American actor Taye Diggs played the lead role of investigative journalist Henry Nxumalo, with fellow American actor Gabriel Mann as his photographer Jürgen Schadeberg, and South African Moshidi Motshegwa as his wife, Florence Nxumalo. The South African short-story author, Can Themba, who also worked with Nxumalo at Drum magazine, was played by the little-known South African actor, Tumisho Masha. Apart from the British actor Jason Flemyng who took the part of Jim Bailey, the ex-R.A.F. pilot who owned Drum, the rest of the parts were taken by South African actors, the best known being Zola (credited as Bonginkosi Dlamini) playing the part of Slim, the Sophiatown gang leader.

Notable people portrayed in the film include Nelson Mandela, played by Lindani Nkosi; jazz columnist Todd Matshikiza played by Fezile Mpela; and the writer Casey Motsisi played by Thapelo Mokoena.

Aptly portraying the music of the day, (Manhattan Brothers) was a fresh new outfit, formally approved by Miriam Makeba and Joe Mogotsi, the Junior Manhattan Brothers from Ladysmith, Kwa Zulu Natal.

Production

edit

Drum is Zola Maseko's first feature film. He originally wanted to tell Sophiatown's story in a six-part television series called Sophiatown Short Stories. Unsuccessful in convincing the "South African Television Company" to pursue such a series, he decided to change the medium to that of film.[2] He secured a large amount of his funding by convincing Taye Diggs to fill the lead role.[3]

American screenwriter Jason Filardi was asked to write the script by production company Armada and subsequently "fell in love" with Drum's plotline. In preparation for this task, he read books on Nxumalo and the history of South Africa, and stayed for a month in Johannesburg.[4] Filardi said that his work on the film was his fondest experience with the medium.[5] Filming began in May 2004[6] and lasted for six weeks.[7]

The soundtrack was written by Terence Blanchard and Cédric Gradus Samson. Much of it is a jazz score, which has been called "strong". This is a reflection of the music that was popular during the movie's place and time.[8]

Release

edit

Drum premiered at the Toronto International Film Festival on 10 September 2004. It was the lead film in the festival's Spotlight on South Africa program.[7] The Sundance Film Festival picked up the film, for its US premiere in January 2005,[9] as did the Cannes Film Festival in May.[4] On 21 June, Drum was screened at the Boston International Film Festival during its first session.[10] The film opened the 2005 Filmfest München on 25 June.[11]

For his work with Drum, Maseko received the top prize at FESPACO, the Golden Stallion of Yennenga, in addition to a cash prize of 10 million CFA francs (US$20,000) at its closing ceremony in March 2005. He was the first South African to do such.[12] In addition, Drum is only the second English language film to have won the Golden Stallion at FESPACO, the first being Kwaw Ansah's Heritage Africa in 1989.[13]

The film premièred in South Africa at the 26th Durban International Film Festival (DIFF) on 17 July 2005 where it won the Best South African Film Award. It was released at 29 South African movie theatres on 22 July. Events to help promote the film included toyi-toyi dances in various South African market places, and the production crew holding a contest in which South African schoolchildren would have to research a lost community and the winners would get to meet the actors.[14]

Outside film festivals, the first release in the USA was at the Olde Mistick Village theater in Filardi's hometown of Mystic, Connecticut, on 22 December 2006. Despite wide releases in Europe, Drum did not obtain one in the US, mostly due to a failure to find distributors. Instead, it went straight to DVD.[5]

Reception

edit

Drum was mostly met with favorable reviews. Review aggregate website Rotten Tomatoes reported that 86% percent of seven critics gave the film positive write-ups, a rating that it considered "Fresh".[15]

Sura Wood of The Hollywood Reporter called it "an intelligent, moving film steeped in an authentic sense of time and place."[1] Her sentiments were echoed by Joe Leydon of Variety, who thought Drum was "an intelligent and affecting take on political radicalization in 1950s Johannesburg."[16] According to Film Threat's Jeremy Matthews, Drum was "a solid work of classical storytelling." He observed that it was "heartbreaking in its portrayal of Johannesburg at a time when its rulers had convinced many people that whites were born to command and blacks were born to obey and serve."[17]

Critic David Nussair gave the film 3 out of 4 stars and praised Diggs as "fantastic". The supporting actors also delivered "solid" performances. He believed that the film was anything but superfluous, and it moved at a fast pace. While the screenplay was predictable, Maseko's "steady" direction "ensure[d] Drum's place among better-than-average true-life tales."[18] The Arizona Republic disagreed with Nussair's first point, not thinking Diggs looked like a South African. It called the film "a well-meaning but static look at apartheid in the 1950s."[19]

Shadows on the Wall's Rich Kline noted that the storyline was "compelling and eye-opening" and praised the actors as "excellent" and "committed to getting the truth out." He was impressed with the "lively and fascinating sense of local culture" that dominated the film. Kline, who gave the film 3 out of 5 stars, was mainly concerned with the film's "rather clumsy" direction and screenwriting. Maseko directed with "energy and verve," though his "struggles to capture the human drama" led to the impression that Drum was "a clunky TV movie, with awkward camera angles, wonky editing and clumsy sound recording." Filardi was guilty of a dialogue which "echoes with cliches, while contrived plotting put characters into situations that may be true, but they feel corny and movie-like." Kline also criticised the wide variety of political issues that characterised the film, though added that "maybe this helps us begin to understand what life must have been like under such an oppressive government."[20]

One of the most critical reviews was by Francesca Dinglasan of Boxoffice Magazine. Dinglasan, who gave Drum 2.5 out of 5 stars, was unimpressed by the "unoriginal plotting techniques to convey the story of an investigative journalist attempting to expose racial injustices in a society coming to grips with the newly introduced edicts of apartheid." Although Diggs's acting was "engaging", according to her the film "depends on just a few too many big-screen cliches and predictable plot turns." The "richly designed sets and costumes were not able to overcome the less-than-satisfactory" Drum.[8]

References

edit
  1. ^ a b c Wood, Sura (4 November 2005). "Drum Review". The Hollywood Reporter. Nielsen Business Media, Inc. Archived from the original on 5 March 2016. Retrieved 12 January 2009.
  2. ^ Dembrow, Michael. "DRUM". Portland Community College. Archived from the original on 16 June 2010. Retrieved 16 November 2008.
  3. ^ "African filmmakers hailed by US star". The Star (South Africa). 3 March 2005. p. 4. Retrieved 17 November 2008.
  4. ^ a b Aberbach, Katie (28 June 2005). "Catching up with Jason Filardi". The New London Day. NewsBank. p. 1D. Retrieved 2 December 2008.
  5. ^ a b Dorsey, Kristina (5 December 2006). "Coming Home — Screenwriter Jason Filardi returns to Mystic with his movie". The New London Day. NewsBank. p. 1D. Retrieved 3 December 2008.
  6. ^ Makua, Joseph (4 June 2004). "Tributes move Dlamini's family to tears". The Star (South Africa). p. 3. Retrieved 16 November 2008.
  7. ^ a b Martin, Sandra (9 September 2004). "Capturing jazz-loving Sophiatown". The Globe and Mail. Archived from the original on 10 September 2004. Retrieved 16 November 2008.
  8. ^ a b Dinglasan, Francesca (1 August 2008). "Movie Reviews: Drum". BoxOffice. Boxoffice Media LP. Archived from the original on 7 January 2010. Retrieved 12 January 2009.
  9. ^ "2005 Sundance Film Festival Announces Opening Night and Complete Program". Elites TV. Archived from the original on 23 June 2005. Retrieved 19 July 2010.
  10. ^ Sutherland, Scott (16 June 2005). "Boston International Film Festival". The Boston Globe. NewsBank. p. 33. Retrieved 1 December 2008.
  11. ^ Meza, Ed (3 June 2005). "Munich Filmfest to follow 'Drum' beat". Variety. HighBeam Research, Inc. Archived from the original on 22 October 2012. Retrieved 17 November 2008.
  12. ^ Knight, James; Manson, Katrina (5 March 2005). "South African Wins Africa's Top Film Prize". The Washington Post. Reuters. Retrieved 9 October 2008.
  13. ^ "Drum wins top African film prize". BBC News. British Broadcasting Corporation. 5 March 2005. Retrieved 16 November 2008.
  14. ^ Naidu, Rivonia (21 July 2005). "Drum to hit SA cinemas". Daily News (South Africa). Retrieved 17 November 2008.
  15. ^ "Drum Movie Reviews, Pictures". Rotten Tomatoes. Archived from the original on 13 October 2008. Retrieved 11 January 2009.
  16. ^ Leydon, Joe (9 April 2005). "Drum Movie Review". Variety. Reed Elsevier Inc.
  17. ^ Matthews, Jeremy (26 January 2005). "Current Moview Reviews, Independent Movies: Drum". Film Threat. Archived from the original on 23 January 2013. Retrieved 12 January 2009.
  18. ^ Nusair, David (9 April 2005). "Toronto International Film Festival 2004 - Update #1: Drum". Reel Film Reviews. Retrieved 12 January 2009.
  19. ^ Muller, Bill (5 October 2006). "Drum". The Arizona Republic. NewsBank. p. 23. Retrieved 26 November 2008.
  20. ^ Kline, Rich (31 October 2004). "Shadows Arthouse Films 2004: Drum". Shadows on the Wall. Retrieved 12 January 2009.
Bibliography
  • Drum: The Making of a Magazine, Jonathan Ball Publishers, 31 Aug 2005, ISBN 1-86842-211-9
edit

Retrieved from "https://en.wikipedia.org/w/index.php?title=Drum_(2004_film)&oldid=1226098262"