Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
Surely it was time someone invented a new plot, or that the author came out from the bushes.
It's hard to write a good plot, it's very hard.
Plot is just a fancy way of saying 'and then.
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.
Plot is a map and I begin with it. It is what made me admire the novels of the 19th century; that the stories are foreshadowed. TheyÕre going someplace.
I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true.
I definitely feel that plot flows from character. I dont believe that you can construct a plot and insert people into it.
The main plot line is simple: Getting your character to the foot of the tree, getting him up the tree, and then figuring out how to get him down again.
Conflict is the place where character and plot intersect.
Plot is a literary convention. Story is a force of nature.
Our enemy is motivated by hatred and will not stop planning more plots against until they are ultimately defeated. Today was an important and necessary victory in the war, but there is a long road ahead. We must remain committed if we are to succeed and protect our liberty.
Cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness. Girls like stories with real conflict; girls are smart enough to understand complex plots; girls aren't as easily frightened as everyone seems to think.
All plot comes from the character's trying to get something, to achieve something, wanting, desiring, longing.
When I'm writing a script, I don't worry about plot as much as I do about people. I get to know the main characters - what they need, what they want, what they should do. That's what gets the story going. You can't just have action, you've got to find out what the characters want. And then they must grow, they must go somewhere.
The Pixar people continuously amaze me. They come up with something that actually looks as though it takes place in this happy, real-world. Every plot line is not just plausible, but oddly authentic. The stories are full of adventure, humor and love. The characters are written with great human dimension. I don't know how they do it but they astound me.
Sometimes I'll hear a phrase or a word and write it down in my little black notebook (a writer's best mate), then come back to it and work a plot around it.
Mysteries and thrillers are not the same things, though they are literary siblings. Roughly put, I would say the distinction is that mysteries emphasize motive and psychology whereas thrillers rely more heavily on action and plot.
A story to me means a plot where there is some surprise... Because this is how life is full of surprises.
Characters make their own plot. The dimensions of the characters determine the action of the novel.
Plot is merely the mechanism by which your character is forced up against her deepest fears and desires.
But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.
I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.
A plot is like the bones of a person, not interesting like expression, or signs of experience, but the support of the whole.
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