Performances
Recordings
No files submitted.
Synthesized/MIDI
For 4 Recorders (Kemp)
Publisher Info.
|
David Kemp, 2016.
|
Performers
|
Synthesized MIDI
|
Copyright
|
|
Misc. Notes
|
Transcribed with variations for Recorders - 1 Soprano 1 Alto 1 Tenor 1 Bass
|
Purchase
|
Javascript is required for this feature.
|
| |
Sheet Music
Scores
Editor
|
First edition (reprint)
|
Publisher. Info.
|
Glasgow: Mozart Allan, n.d.[1877].
|
Reprinted
|
ca.1940
|
Copyright
|
|
Misc. Notes
|
Published under pseudonym "Arthur de Lulli"
|
Purchase
|
Javascript is required for this feature.
|
| |
Arrangements and Transcriptions
For 4 Recorders (Kemp)
Arranger
|
David Edward Kemp (b. 1948)
|
Publisher. Info.
|
David Edward Kemp, 2016.
|
Copyright
|
|
Misc. Notes
|
Transcribed with variations for Recorders - 1 Soprano 1 Alto 1 Tenor 1 Bass
|
Purchase
|
Javascript is required for this feature.
|
| |
Javascript is required to submit files.
General Information
Work Title
|
The Celebrated Chop Waltz
|
Alternative. Title
|
Chopsticks
|
Name Translations
|
젓가락 행진곡; Le tagliatelle; チョップスティックス; Haŝia Valso
|
Name Aliases
|
トトトの歌; チョップスティックス (曲); チョプスティック; ユーフェミア・アレン
|
Authorities
|
Wikipedia
|
Composer
|
Allen, Euphemia
|
I-Catalogue NumberI-Cat. No.
|
IEA 1
|
Movements/SectionsMov'ts/Sec's
|
1
|
Year/Date of CompositionY/D of Comp.
|
1877
|
First Publication.
|
1877
|
Composer Time PeriodComp. Period
|
Early 20th century
|
Piece Style
|
Romantic
|
Instrumentation
|
Piano
|
Navigation etc.
Deposited Feb. 3, 1877 at the British Museum as The Celebrated Chop Waltz, composed by Arthur de Lulli (pseudonym of Euphemia Allen) aranged as duet and solo for piano and published by Mozart Allen, Glasgow and Howard & Co., London. In the same year, Alexander Borodin's daughter played four measures of music similar to the first part of this piece, which served as a basis for a set of variations composed by Borodin, Cui, Liadov which was published under the title Paraphrases on the Coteletten Polka by A. Büttner in 1878 or 1879. An additional variation was later contributed by Franz Liszt. James Fuld has speculated that both works might share a common, earlier source, which has not yet surfaced.