The Uruk Trough is an important Sumerian sculpture found at the site of Uruk, Iraq. It has been part of the British Museum's collection since 1928.[1][2] Along with the Uruk Vase, the trough is considered to be one of the earliest surviving works of narrative relief sculpture from the Middle East, dating to 3300–3000 BC, during the Uruk period. Simple relief sculpture is known from much earlier periods, from the site of Göbekli Tepe, dating to circa 9000 BC.
Uruk Trough | |
---|---|
Material | Gypsum |
Size | 96.5 cm long |
Created | 3300-3000 BC |
Present location | British Museum, London |
Registration | 1928,0714.1 |
It is thought to have served as some sort of cult image in the temple of the goddess Inanna. The carving depicts a procession of sheep, but the meaning of this scene is unclear.
History and discovery
editThe trough was found at Uruk, an ancient city of Sumer and later Babylonia situated east of the Euphrates in southern Iraq. During the Uruk period (4000–3000 BC) Uruk was one of the largest cities in southern Mesopotamia, stretching over an area of 5 square kilometres (1.9 sq mi). For a long time power seems to have been concentrated in the temples or religious organisations but eventually King Gilgamesh took over, building new structures and a massive city wall. The Uruk Trough was probably a venerated object in one of the temples in the city, perhaps devoted to the deity Inanna. The circumstances of its discovery are not known. The trough was purchased by the British Museum with the support of the National Art Collections Fund in 1928, just before the German Oriental Society carried out excavations at the site.
Description
editThe Uruk Trough is made of gypsum, is double troughed, and is approximately 1 m (3 ft 3 in) long. A fragment of one end of the object is now in the Vorderasiatisches Museum in Berlin. It contains several scenes:[3][4]
- Two male breeding sheep by a hut from which two lambs are emerging
- A female goat being mounted by a male goat
- A standing bull
See also
edit- Uruk Vase for a contemporary object decorated in a similar style
References
edit- ^ British Museum Highlights
- ^ British Museum Collection
- ^ [1]Barnard, Bailey E., "Domesticated Partners: A New Analysis of a Sumerian Vessel", Metropolitan Museum Journal 55.1, pp. 91-99, 2020
- ^ C. L. Woolley, "Excavations at Ur, 1928–1929", Antiquaries Journal 9, pp. 305–343, 1929
Further reading
edit- Brereton, Gareth, "Mortuary rites, economic behaviour and the circulation of goods in the transition from village to urban life in early Mesopotamia", Cambridge Archaeological Journal 26.2, pp. 191-216, 2016
- D. Collon, Ancient Near Eastern art (London, The British Museum Press, 1995)
- J. Black and A. Green, Gods, demons and symbols of ancient mesopotamia (London, The British Museum Press, 1992)
- H.W.F. Saggs, Babylonians (London, The British Museum Press, 1995)
- P.P. Delougaz, 'Animals emerging from a hut', Journal of Near Eastern Studies-1, 27 (1968), pp. 186–7