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RodrigAndrisan
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Le fatiche di Ercole (1958)
Huge pectorals and other tense muscles plus a lot of beards!
Those from animal protection should act somehow, because a poor lion and an innocent bull are being killed! OK, the movie is not really bad, especially if it's watched in the cinema, on a big screen, it's one of those types of movies that should be watched that way. Thus, the muscles of the one who interprets Hercules can be seen much better. Well, this is also evident on a smaller screen, the respective performer being the most massive of the entire cast. A cast in which we have Sylva Koscina, very young and very beautiful, in the role of Iole, the daughter of King Pelias and the one for whom Hercules does everything we see in the film. Then we have a bunch of Italian actors of the dozen, of which only Gianna Maria Canale stands out, in the role of Antea, the queen of the Amazons (her best film being "Il Boom" from 1963, directed by the brilliant Vittorio De Sica, along with the most great comic actor of all time, the incomparable, the one and only Alberto Sordi). By the way, the time spent at the Amazons gives us the most pleasant scenes in the film, the rest, all the fight scenes, including the ones with the lion and the bull, are like big pieces of cheese. About Pietro Francisci, the director of the film, it can only be said that he has made other films of the same genre, plus a modest SF, "Star Pilot" Original title: 2+5: Missione Hydra,
1966. And about the one who tries to convince us that he is actually Hercules, Steve Reeves, we can only say that he is another Arnold Schwarzenegger, something a little bit better than the embarrassing Austrian "actor" before the time of that one. One star for the beauty of Koscina and another for the beauty of Canale.
Fernand cow-boy (1956)
French Western!
A film directed by the same Guy Lefranc who made several delightful films in the spirit of James Bond, before the Bond series. Good French craftsman of the 7th art, specialized in the comedy-policier genre, Lefranc had worked before with Eddie Constantine in "Keep Talking, Baby" (1961) Cause toujours, mon lapin (original title) and Laissez tirer les tireurs 1964. Later he would continue in the same note with Gérard Barray in movies like "Sale temps pour les mouches" and "Beru and these Women" (1968) Beru et ces dames (original title). All those are very good, thanks also to the unique personal charm of Eddie Constantine and Gérard Barray (died this year, 2024, at the age of 92). The same cannot be said about this "Fernand cowboy" made in 1956 with Fernand Raynaud, a washed-up and not at all comical actor. The whole film he makes the same grimace, without causing you even a smile. Guy Lefranc worked hard, it is visible, in a virgin genre for the French cinema, but the effect is zero. Something good though about the movie? Yes, Nadine Tallier as Annie is super sweet. And two actors which I have seen in many other French films, Jess Hahn and Noël Roquevert (the French version of the American Ben Turpin), they play their best roles here. 3 stars for these last three actors.
L'ordre et la sécurité du monde (1978)
It's good!
It is always a great pleasure to see the excellent, charming, great actor Michel Bouquet. Unfortunately, he does not have a main role, he appears very little. But as much as it appears, it's more than effective. The main role is Bruno Cremer, another sacred monster, very natural, as in all the films I've seen him in, here in the skin of a journalist caught between two political forces, pursued, chased. Other good actors are gathered in this film, also smaller but equally excellent roles, Donald Pleasance, Gabriele Ferzetti, Dennis Hopper, Joseph Cotten. The revelation of the film is the life partner of the director Claude D'Anna, the beautiful Marie-France Bonin alias Laure Dechasnel. Co-author of the script and dialogues with Claude D'Anna, Marie-France Bonin in the role of Hélène Lehman creates the most believable and convincing character, that of the woman who falls completely innocent victim, she enters the whole story absolutely by mistake. It's a thriller, a bit static, not at all alert, but worth seeing. The best scene is the final one, in which Hélène is stabbed in the train station and then lies dead on the platform with a blood stain on her chest, which can be seen through a newspaper placed on her body by a passerby.
Forbidden World (1982)
One of the worst movies ever made!
This feature film is very short, it only lasts 77 minutes, but you will count every second, wanting it to end faster, that's how stupid it is. Yes, it is that type of film that is so stupid, that you will not believe how some producers agreed to spend a budget of 1 million dollars (estimated on IMDb) to make such a catastrophe. Visibly inspired by "Star Wars" and "Alien" by the presence of a robot and a monster, the film is a total failure. You can make a ranking of which actor is the most embarrassing, who has the most stupid role, who has the most idiotic lines, and so on. The filmmakers thought that if they showed some nudity, they would save something, the result: they saved nothing.
The Betrayal (2023)
10 stars for encouragement!
Nice surprise to see my two old friends, Daniel Eghan and Marco Mastrocola, together in a movie. Film written and produced by my older friend, Daniel Eghan, who, I note pleasantly, is much more relaxed in front of the camera, much more natural, much more convincing and credible. I only know Marco Mastrocola from a commercial for CocaCola, in which we both played something very, very short and insignificant, together. Unfortunately, in the final product, directed by the greatest director of commercials in the world, Ulf Johansson, with whom I, Rodrig Andrisan, I filmed 2 other commercials, we did not see each other. I find that Marco Mastrocola is also very credible and convincing. I would have liked the film "The Betrayal" to have been longer and, if I had been contacted, I would have had a beneficial solution concerning that...
Now, I will be the first to say some critical aspects: the film does not tell us what exactly the organization does, it lets us imagine (what is not bad) but, in the context in which John (Daniel Eghan) kills Peter ( Marco Mastrocola), it should have made it clear, I think that John kills Peter far too easily, for almost nothing I would say, without having a strong motivation, without knowing what is at stake, what exactly the deal is about. It is understood that the two, John and Peter, know each other very well. Knowing what John is capable of (killing so easily), why would Peter stupidly risk his own life? And, instead of running out through the back door when he receives him (also stupidly) in the house, Peter comes with the glasses of drink, offering himself to the executioner willingly. The film would be really valuable if Peter, after making the mistake of letting John inside, immediately runs away, gets in his car and drives as fast as possible. Which would give John a real motivation, hearing Peter's car starting, to run after him, getting into his own car and following him. A car chase scene like in "Bullitt" would have turned "The Betrayal" into a gem. I saw Daniel Eghan driving his own car several years ago and I know he is an excellent driver. Catching Peter from behind, in a closed street, I would have finished the film with a confrontation like in the most famous thrillers or westerns, with shootings between the two. And the character of The Boss, not convincing as a boss (think Brando in "The Godfather" for example), I would have interpreted him in such a way that the film would have been selected for the Oscar.
The Brother from Another Planet (1984)
Not bad!
Very easy role for Joe Morton, mute role, he didn't have to learn any lines, just nod his head from time to time and point with his thumb as if he's coming from somewhere above in the sky, when he's asked where he's from. The movie is not bad, it's pleasant to watch, although not much happens. I wanted to laugh, I tried but I couldn't. The first film made by John Sayles that I saw. He is also an actor, playing one of the two tall men dressed in black who are looking for Joe Morton's character all over New York. Although I didn't manage to laugh, I admit, there are several funny scenes, someone else could laugh copiously.
From the Earth to the Moon (1958)
Modest free adaptation after the great visionary J.V. !
Joseph Cotten and George Sanders are not bad actors, but they both belong to the category of actors, so many, who are always, in every movie, the same ones, practically playing themselves. And, in this film, they are no exception, the same Joseph Cotten and George Sanders, but with different character names, Victor Barbicane and Stuyvesant Nicholl. The film, an adaptation of Jules Verne, is not bad, but not extraordinary either. Lots of talk, little action. The first half of the film is a bit hard to swallow. Only after the main characters leave the Earth in the rocket to the Moon, the film becomes more interesting.
Hopscotch (1980)
Entertaining!
I simply love Walter Matthau, he is one of the best actors of all time and together with Gian Maria Volontè, Marlon Brando and a few others, a great favorite of mine. But, this movie is not his best movie. His best movie is "Charley Varrick". This "Hopscotch" is a bit boring, nothing much happens until the 53rd minute. Too many repeated scenes in which Matthau types the manuscript for the bomb book on his typewriter, listening to Mozart. Don't get me wrong, I also love Mozart, very much. And I was once very active with a typewriter myself. But after the 53rd minute, things change, the exciting action begins, the suspense and the unexpected begin, the film becomes truly captivating. I will not say more in this regard. Glenda Jackson is delicious in a not very big role, Herbert Lom, likewise, delicious and not a very big role. Despite the lengths of the first hour of the film, it is absolutely worth seeing.
Le ore nude (1964)
Superboring!
The most practical way to write a review is to write it right when you see the movie. At least for someone like me, who used to watch 5-6 movies a day. When you have something to write, you stop the movie and write. Let's see if I can find something good to write before I finish watching this movie. For the time being, after the first quarter of an hour, nothing happened, Riz Ortolani's music is totally inappropriate to what is seen on the screen, and the much adored Rossana Podestà is not at all an extraordinary beauty, with a bowl cut hair, as in other films in which I saw her, she's really ridiculous, ok, it was a fashion in the 60s. But she doesn't excel as an actress either. At the end of the first part, not much happened, except that the character played by Rossana already cheated on her husband played by Philippe Leroy, with the character played by Keir Dullea, an annoying character. Good things: it's interesting to alternate the scenes with Leroy with those with Dullea and the town where Dullea takes Rossana is beautiful, picturesque. The last half hour and the desire for the film to end as soon as possible is getting stronger. Those who are not obsessed with the movie like me, will not resist to see it in whole. The title is very appropriate because almost nothing happens.
Spy Hunt (1950)
Entertaining little movie!
The story is very predictable but everything is well done so 74 minutes pass very quickly. Especially since there are some very good actors, all of them, Märta Torén, Howard Duff, Philip Friend, Robert Douglas, Philip Dorn, Walter Slezak, Otto Waldis, etc. Plus, no joke, there are also two dogs that play the role of followers very well. And, even better, two black panthers (if they really exist...), who actually perfectly play their roles to be hunted by everyone, people, all the characters, and the two dogs. I don't know how they managed to film those scenes with the panthers. And, all in the picturesque setting of the mountains of Switzerland.
I Walk the Line (1970)
Love, crime and some whiskey!
Gregory Peck, at 54 years old, the man, the actor, not the character, falls head over heels in love with Tuesday Weld, who is 27 years old, she, the actress, not the character. So, the difference is 27 years, which is also seen in the film, the age of the characters, he can very well be her father. I, for one, I know the feeling perfectly, I experienced it personally, even with a bigger age difference. In the end, everything ends badly, it can't last. The story is very simple in the film, the actors all play well, Estelle Parsons, Charles Durning, Ralph Meeker, and the beautiful music of Johnny Cash enriches the image. It's not John Frankenheimer's best film, but it's absolutely worth seeing.
Sengoku burai (1952)
A Japanese melodrama with brave samurai!
Another Japanese film from the 50s with the famous tandem of Toshiro Mifune and Akira Kurosawa, Akira Kurosawa here being only one of the screenwriters. Toshiro Mifune, as in many other famous films of his, is, what else could he be, than a samurai, a very good samurai. Two women fall in love with him and, it is not very clear, if he is also equally in love with both, with the same intensity, he being more of a dreamer, who dreams of "flying from the top of the highest mountains like a bird". The two female beauties are Shirley Yamaguchi in the role of Oryo (as Yoshiko Yamaguchi) and Shinobu Asaji in the role of Kano. Hiroshi Inagaki, the director, made a film similar to the samurai productions of Akira Korosawa or Masaki Kobayashi.
Hakuchi (1951)
Kurosawa hard at work!
To see the most famous Japanese actor, Toshiro Mifune, without a mustache, with short hair and not as usual in the role of a samurai, is a rarer and more special thing. International star in fact, thanks to films such as "Grand Prix" (1966), "Hell in the Pacific" (1968), "The Red Sun" (1971), "Paper Tiger" (1975), "Battle of Midway" ( 1976), "Winter Kills" (1979), "1941" (1979), "Shogun", "Inchon", here in "The Idiot", made in 1951, he is very young and not very convincing in the character of Denkichi Akama. In fact, all the actors have an exaggerated, unconvincing performance, especially Masayuki Mori, the interpreter of the titular character, Kinji Kameda, the one with whom two women fall in love, because he has a pure soul, like an angel. The two main female characters are much more convincing, played by two beautiful Japanese actresses, Setsuko Hara and Yoshiko Kuga. Yoshiko Kuga, in the role of Ayako, is the most natural and believable and the only one still alive now in March 2024 when I write this review. The film, which I cannot say is a masterpiece, is very long, but worth watching. What I like most about Kurosawa is the fact that he uses music almost all the time throughout the film and that he is an absolute master in creating the atmosphere. As I wrote in the title of the review, it is obvious to me that Kurosawa worked hard to create another masterpiece, the producers sabotaged him, they massively cut him from the film, what remained is just an experiment.
Baby the Rain Must Fall (1965)
Bad, sad, slow, long and boring!
The film is full of flaws: 1)Henry digs a hole in his front yard to plant his Chinaberry tree, but he leaves the sapling inside the carrying can when placing it in the ground. This will prevent it from growing any larger, and quite possibly die. 2) When Henry is on stage he sings almost everywhere but into the microphone, yet the volume of his voice never drops. 3) At 1:36:29 as Slim is putting Georgette and the child in his car, a crew member's reflection is visible in the right rear window. 4) At 5.34 when the man is seen waiting for the bus at the beginning of the movie, he is shown wearing light colored clothes and holding a dark jacket. When he gets on the bus and walks past the women, he is wearing dark clothes and carrying a light colored jacket. 5) At 36.37 when Henry and Georgette are seen in bed together, in the first shot, George is on the left side of the bed, and Georgette on the right. When he's shown having his nightmare, Henry is now on the right side. And there are more. But these are smaller errors or mistakes. I consider it a bigger error that it's not said why Henry was in prison, for what crime. Then, if Miss Kate Dawson is the judgmental woman who raised Henry, why don't they live together in her house? It's not at all clear why Henry is trying to dig her up, is he hoping to find some valuable jewels buried with her, some treasure? And, is this a crime so terrible as to send him back to prison? Absurd!
I never liked Steve McQueen, I didn't consider him "ultra-cool", nor "the world's most popular actor", nor "an icon of the popular culture", nor even a great actor. He is pathetic in almost all his movies, especially in the catastrophe called "The Blob". In all the films he has long moments where he just stares blankly, unconvincingly. Like in this movie. Seeing him pretending to sing (he's dubbed) is downright embarrassing. Everything about him was just the fame he got from the commercial. The real sacred monsters in "The Magnificent Seven", his most famous film, are Yul Brynner and Eli Wallach. And in "Bullitt", the one who "steals the movie" is Bill Hickman, in the role of Phil - Hitman's Driver. Seeing Lee Remick in the cast, I thought I would see a strong drama, something like "Days of Wine and Roses", especially as the director is Robert Mulligan, who made "To Kill a Mockingbird": big disappointment, the film is just a long boredom. You have to have the patience of steel to see the whole movie. One star for Kimberly Block playing Margaret Rose, her only film (probably because this one was so dumb?)
The Next Man (1976)
Boring!
Two of my very dear actors, Sean Connery and Adolfo Celi, after the extraordinary "Thunderball", reunited in "The Next Man". But, unfortunately, Adolfo Celi only has one line, after which he is killed at the beginning of the film and we don't see him again. After she takes off her panties, a sign that she will make love to him, Cornelia Sharpe does something completely different, as you will see in the movie. Someone wrote on YouTube where I saw the film that it is "an explosive action film". It is not explosive at all, not in the action sense. There are 4 explosions at the end, some bombs placed in diplomatic briefcases explode, but the rest of the movie is just boring chatter. Except for the assassination attempt on the island and the coup de grace given at the very end in the car. What I don't understand is how a woman (Cornelia Sharpe's character) can make love to a man (Sean Connery's character) and then kill him. I think she came to love him in turn, but for a lot of money, you do anything. Sharpe, in Romanian, means snake.
Fail-Safe (1964)
Very good!
So the Russians jammed the communication of the pilots of the plane carrying the hydrogen bombs without taking into account that they are thus putting themselves in a self-destructive situation? This is the only flaw I find in the film, otherwise, everything is extraordinary, especially the tension that Sidney Lumet knows how to create. Then the work with the actors is super special and we have some really spectacular performances: Henry Fonda, Larry Hagman, Walter Matthau, Fritz Weaver, Frank Overton, Dan O'Herlihy, even Dom DeLuise, very young and in a small role . This "Fail-Safe", together with Kubrick's film in which Peter Sellers has a triple role (true cinephiles know which film I am referring to) are the masterpieces of the genre.
Forbidden Island (1959)
Waste of time!
Luckily it's short, only one hour and 6 minutes! Because if you have the patience to see it, you will face some stupid characters, engaged in an equally stupid scenario. OK, let's say it's an adventure somewhere near an island somewhere in the Philippines. A few men who think with their feet, because they don't show that they have normal brains, are also manipulated by an idiot, who is also a criminal. Two of the men die very quickly and easily in this hour and 6 minutes, being victims firstly of their own stupidity and secondly due to the intrigues woven by the criminal Edward Stuart Godfrey, played unconvincingly by John Farrow. And the other characters are also played by second-hand actors, totally unrealistic and non-credible. There is also a blonde beauty, not who knows what beauty, Joanne Godfrey, played by Nan Adams. OK, to conclude, if you read the own statement of the actor Jon Hall, the interpreter of the Dave Courtney character, you get a clear impression of his professional level, valid for the entire cast: "I never liked acting. I don't like to be told what to do and what to say and how to say it. I'm grateful to it as it provided me with the money to do other things such as I'm into now, but as a profession, it's a bore." It's the first film directed by Charles B. Griffith. It would have been better not to have made this film! Zero stars!
The Taming of the Shrew (1967)
"God give you goodnight!"
The movie is great! And those who make it superb are, first of all, Michael Hordern, an extraordinary actor, whom I have admired in many other films, and Elizabeth Taylor, who, at 35, looks splendid. I confess that I was in love with her when I first saw the film, when I was about 9 years old, in 1967. Since then, I have seen the film several times. The most beautiful scene is when Baptista (Michael Hordern) knocks on the door of Katharina (Liz Taylor) to go to the wedding and she comes out changed, only smiles and goodwill. Then, the scene in the church is super cool, with the priests scared by the presence of Katharina, whom Petruchio closes her mouth with a kiss. Then the road to Petruchio's house, when Katharina falls into a puddle of mud. Then the scene when Petruchio at the table says an endless prayer and then throws all the food on the floor, leaving the tearful Katharina starving. I conclude by saying that Richard Burton is also amazing, and the music of the film, signed by Nino Rota, is wonderful. Together with "Jesus of Nazareth" and "Romeo and Juliet", "The Taming of the Shrew" are Franco Zeffirelli's best films, his golden trilogy.
What Planet Are You From? (2000)
Somewhat entertaining and nothing more!
Mike Nichols was an exceptional director, he made several masterpieces such as "The Graduate", "Carnal Knowledge", "Catch-22", "The Day of the Dolphin", "Silkwood", etc., creating great roles for exceptional actors such as Dustin Hoffman, Anne Bancroft, Jack Nicholson, Ann-Margret, Candice Bergen, Alan Arkin, Martin Balsam, George C. Scott, Meryl Streep, Kurt Russell, etc. This "What Planet Are You From?" is a light comedy in which we see other acting performances, first of all Annette Bening and Ben Kingsley, then John Goodman, Greg Kinnear, Linda Fiorentino and Richard Jenkins. Garry Shandling, who is also the co-author of the script, the protagonist of the film, seems to me not only unsuitable for the role and for the film, but even for the profession of an actor. There is also a Harmony Smith in distribution, which has a more than harmonious ass. Not to mention Linda Fiorentino's ass: top quality! If the film has some boring lengths, it is worth seeing only because of these two beauties, who would have deserved more consistent roles... But as Shandling was also the co-author of the script and one of the film's producers, he allocated his the most screen time.
Morgiana (1972)
An interesting director, Juraj Herz!
I saw "Morgiana" on February 24, 2024 on YouTube, I didn't have money to see it at the cinema in 1972 in communist Romania, when I was only 13 years old. The director Juraj Herz was also an actor and in a picture from another of his films, looks exactly like Peter Sellers, as if they were twin brothers. Back to "Morgiana" (which is the name of a cat), what I saw on YouTube was mostly a completely black image, from which you could not understand anything, you could only hear the dialogue. Was it like this, a complete black screen, on Juraj Herz's intention? I kind of doubt it. I won't narrate the film, I'll just say this much: a few shots are filmed from the cat's point of view, which I consider original. Then, the double interpretation of the actress Iva Janzurová, is a remarkable performance. A much better film made by Juraj Herz, in fact, his absolute masterpiece, is "The Cremator" Original title: Spalovac mrtvol from 1969. As an actor, Juraj Herz had a small role in a comedy that enchanted my childhood "Lemonade Joe" Original title: Limonádový Joe aneb Konská opera 1964.
Tommy (1975)
Tommy or the healing power of Marilyn Monroe!
Ken Russell, "the English Federico Fellini", was and remains a genius. What a movie, what a mixture of the great music of the super band The Who and a super cast made of Ann-Margret, Oliver Reed, Roger Daltrey, Pete Townshend, John Entwistle, Keith Moon, Eric Clapton, Robert "Jesus Christ" Powell, Jack Nicholson, Elton John, Tina Turner, everything directed by the true wizard which was Ken Russell.
There are many cool scenes in the movie, but the coolest is the one in the church where everyone worships Marilyn Monroe. And Ann-Margret's ass is the most valuable thing in the whole movie, she was 34 years old then, I wonder how she would be now at 83...
O-bi, o-ba. Koniec cywilizacji (1985)
An interesting movie!
I like Polish films, I've seen a lot, all of Andrzej Wajda's films, all of Polanski's, some of Jerzy Skolimowski's, some of Andrzej Zulawski's, some of Krzysztof Kieslowski's, some of Krzysztof Zanussi's, etc. They are not easy to digest, just as this "O-Bi, O-Ba: The End of Civilization" is not (the meaning of "O-Bi, O-Ba" is not clear at all). It is the first film made by director Piotr Szulkin that I have seen. I saw Jerzy Stuhr in the very special "Sexmission" (1984) and in "A Year of the Quiet Sun" (1984). I saw the beautiful Krystyna Janda in "Man of Iron" (1981), "Mephisto" (1981), "The Conductor" (1980), "Man of Marble" (1977). Another well-known name is Leon Niemczyk, probably the most prolific Polish actor of all time (325 films) seen by me in many, the most famous being "Knife in the Water" (1962). OK, about the movie now: I'm not going to narrate it like many do. I'll just say that it's worth seeing, even though it's just talk in a closed space, an underground bunker (where, strange situation, after the nuclear war, there is electricity, there are neon lights everywhere). The fact that it is filmed a lot in motion by the talented Witold Sobocinski, mitigates the phenomenon of claustrophobia.
The Curse of the Mummy's Tomb (1964)
A huge boredom!
Until the 53rd minute, nothing happens, just talk after talk after talk. It's true, in the very first minute we see how the hand of an explorer who disturbed the peace of the Egyptian mummies is cut off. But, after the 53rd minute, the mummy transported in a sarcophagus from Egypt to England, comes back to life and starts killing. Everything is total idiocy and all you want is for the movie to end as quickly as possible. We cannot speak of acting performances, all the actors are victims of a lazy script. The only thing that is quite successful is the way the mummy looks, out of all the movies with mummies I've seen, it looks the most convincing, the person responsible for the costume did a very good job.
Los bandidos de Río Frío (1956)
Not bad!
I knew about the existence of this movie since I was a child, but I only saw it now in 2024. It seems that Luis Aguilar, the protagonist, was a very popular Mexican actor. Anyway, he played in a lot of movies. This Mexican Clark Gable plays deserter-turned-bandit Juan Robreño (Pies de gato). Next to him, the Mexican actress Rita Macedo. The film is a mixture of comedy and melodrama, sprinkled with some songs performed by Luis Aguilar himself, who was also a singer. The film is the story of a band of merry bandits, whose deeds are more entertaining than despicable, and it seems to have been a big hit in Mexico, thanks to the popularity of Aguilar and his lead actress, Rita Macedo, who plays his girlfriend in the film, Mariana del Sauz. The events take place in the different social strata of the time, sketching portraits of counts, marquises, potentates, soldiers, artisans, merchants, Indians, clerics, thieves.
Les Petits Matins (1962)
Not entirely bad!
All the actors, some big names, from this film are dead: Arletty, Gilbert Bécaud, Francis Blanche, Bernard Blier, Pierre Brasseur, Jean-Claude Brialy, Daniel Gélin, Fernand Gravey, Robert Hossein, Pierre Mondy, Noël-Noël, Andréa Parisy , François Périer, Claude Rich, Lino Ventura. Only the protagonist, Agathe Aëms, is still alive now in 2024, when I saw the film and am writing this review. She was only 16 years old in 1960 when the film was made, but she looks much more physically developed. She was not extremely talented, the proof, she only made one more film after this one, but she looked sexy, had an attractive face and an even more appetizing ass. I am convinced that this aspect was also the main reason why it was distributed. The film has no value, the only reason to see it would be the impressive name of stars present in the cast. And, despite the very short appearance on the screen, a few manage some interesting performances, especially Robert Hossein, Francis Blanche and Arletty.