As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely ... Read allAs the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.
- Awards
- 34 wins & 34 nominations
Kai-Peter Malina
- Thomas
- (as Kai Malina)
Nick Holaschke
- Baby Peter
- (as Nick Leander Holaschke)
Claudia Geisler-Bading
- Ox Cart Woman
- (as Claudia Geisler)
Hanne B. Wolharn
- School House Woman 3
- (as Hanne Wolharn)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDespite spending time living in Berlin and directing the movie where the actors performed completely in German, director Cate Shortland doesn't speak the language.
- GoofsThe derelict tank the children pass in the forest is a post-WW2 manufactured Russian T-54/55 or T-62 tank. The balk cross painted on the turret is indicative of an early war paint scheme. Later in the war the 'lines' were thicker.
- ConnectionsFeatured in Film '72: Episode dated 13 February 2013 (2013)
- SoundtracksJugend will marschieren
(Alte Aufnahme)
Folksong
Arranged by Lisa Carlyna Zumpano (ASCAP)
Published by Audiosparx (ASCAP)
Featured review
Lore (2012)
A gorgeous, depressing, rare film about a family of Germans who need to survive the chaos and poverty of the end of World War II. This is a really terrific movie even though it has a single, basic, ongoing, sad arc--moving from place to place in search of food and safety as the Allies, mostly unseen, take over administration of the country in 1945. What it manages to say is not just that war is bad, or that people have the ability to survive anything if they must, but that beliefs and politics are stubborn and irrational.
It's this last part that comes through it all as the shining purpose. It's one thing for this band of children to beg for food or walk though forests weary and assaulted by marauders. But to have them run into others who, like themselves, don't know where to turn or what is going on, and still have a devotion bordering on worship for the fuhrer is mind blowing. But believable.
The filming--scenes, light, color, moving camera, and the sheer range of all of these from scene to scene--is stunning, absolutely terrific. As you might grow weary of all the weariness, you never grow weary of the movie because it's so rich in other ways. And it's never dull, either, as characters come and go and their motivations turn on a dime. How it ends, both literally and emotionally, will stay a surprise, and yet when it happens it makes such perfect sad undramatic sense.
There are all kinds of war movies, and this is an important insight into one of the least explored aspects to it all--the terrible aftermath. It's an Australian production, mainly, shot in Germany in German. And it's a really special, thoughtful, beautiful film.
A gorgeous, depressing, rare film about a family of Germans who need to survive the chaos and poverty of the end of World War II. This is a really terrific movie even though it has a single, basic, ongoing, sad arc--moving from place to place in search of food and safety as the Allies, mostly unseen, take over administration of the country in 1945. What it manages to say is not just that war is bad, or that people have the ability to survive anything if they must, but that beliefs and politics are stubborn and irrational.
It's this last part that comes through it all as the shining purpose. It's one thing for this band of children to beg for food or walk though forests weary and assaulted by marauders. But to have them run into others who, like themselves, don't know where to turn or what is going on, and still have a devotion bordering on worship for the fuhrer is mind blowing. But believable.
The filming--scenes, light, color, moving camera, and the sheer range of all of these from scene to scene--is stunning, absolutely terrific. As you might grow weary of all the weariness, you never grow weary of the movie because it's so rich in other ways. And it's never dull, either, as characters come and go and their motivations turn on a dime. How it ends, both literally and emotionally, will stay a surprise, and yet when it happens it makes such perfect sad undramatic sense.
There are all kinds of war movies, and this is an important insight into one of the least explored aspects to it all--the terrible aftermath. It's an Australian production, mainly, shot in Germany in German. And it's a really special, thoughtful, beautiful film.
- secondtake
- Aug 24, 2013
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Лоре
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,300,000 (estimated)
- Gross US & Canada
- $970,325
- Opening weekend US & Canada
- $31,498
- Feb 10, 2013
- Gross worldwide
- $2,362,019
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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