When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.
- Awards
- 4 wins & 30 nominations
Which Actors Almost Played Spider-Man?
Which Actors Almost Played Spider-Man?
Spider-Man has been one of the biggest superhero franchises to hit the big screen in the past two decades. Who was almost cast in the three different iterations of the superhero tale?
Storyline
Did you know
- TriviaThe humorously hateful news boss J. Jonah Jameson, one of the most iconic characters in Spider-Man's mythos, was never mentioned in Người Nhện Siêu Đẳng (2012). In this sequel he is spoken of frequently but never appears. The producers claimed they could not find an actor to measure up to J.K. Simmons' legendary portrayal of this character in Sam Raimi's Spider-Man films. Stan Lee, the writer who came up with the idea for these characters and makes cameo appearances in all the films, has often said he would volunteer to play Jameson if he (Lee) were 30 or 40 years younger. Ironically, when casting Người Nhện: Xa Nhà (2019), they could still think of no one better than Simmons, so he resumed his role as Jameson.
- Goofs(at around 41 mins) When Harry Osborn and Peter Parker are walking though the park, the camera crew and boom are reflected in Harry's mirrored sunglasses.
- Quotes
Aunt May: What happened to your face? It's filthy.
Peter Parker: It is?
Aunt May: Yes!
Peter Parker: Oh, yeah, yeah, I was cleaning the chimney.
Aunt May: We have no chimney.
Peter Parker: Whaaat?
- Crazy creditsDuring the end credits, several schematics can be seen of the Rhino suit, the Green Goblin glider, the metallic Vulture wings, the mechanical Doctor Octopus tentacles, and other obscure weapons.
- Alternate versionsThe German theatrical version plays the German song "Ohne zurück zu sehen" by Tim Bendzko over the end credits.
- ConnectionsEdited into The Amazing Spider-Man 2: Deleted Scenes (2014)
- SoundtracksTheme From Spider-Man
Written by Bob Harris (as J. Robert Harris) and Paul Francis Webster
Featured review
I can't say I went in to the theater with high hopes. I did enjoy the first installment of this unnecessary reboot, almost anything seemed like a step up from "Spiderman 3", and Garfield felt way more natural than Maguire, and Emma Stone is always welcome. But after seeing the first trailer I thought it seemed like a total mess, and I wasn't convinced by Electro one bit. Unfortunately I was spot on, I hoped to at least get an enjoyable time at the cinema with my friends, but ended up feeling quite uncomfortable and laughing throughout most of the film.
Garfield and Stone has their chemistry and does their best with the incredibly thin script and cheesy one-liners, but their potential quite beautiful scenes together gets lost in the over-full and messy plot. I can't buy an emotional scene that is interrupted by heavy dub-step and a blue electric guy.
Oh Jamie Foxx, how did you go from Django to this? Before he goes all CGI-Electro he tries to play the nerdy unseen scientist (with a worse comb-over than Christian Bale's 'Hustle'-look). As Electro it's hard to say how much is his fault, and what can be blamed on the rest, I'd go with the rest. You don't sympathize with him nor do you believe how fast he becomes this super-villain.
Everything that Dane DeHaan did so well in "Chronicle" just feels unnatural and (maybe not misplaced, but wrong) here. And his character development is way too rushed and quite unnecessary for this film, it just becomes another sub-plot standing in the way of what really matters.
Sally Field does good work as Aunt May, but leaves no lasting mark. Paul Giamatti's Russian criminal is just in the way and only gives a couple of dreadful and laughable scenes. And then there's the mad German scientist named Kafka and I rest my case.
The action and visuals isn't bad, but still doesn't make up for the low "trying to be Marvel"-comedy and horrific soundtrack, a soundtrack that almost itself destroys the film throughout the exhausting 142 minutes. And sometimes it feels like the movie is taking us as an audience to be stupid, with pointers to what is going to happen. I would like to say that you might enjoy it if you just try and see it for what it is, but it's hard, but hopefully possible! It had an interesting start, with a glimpse inside the past and Peter's parents, but it's left underdeveloped, as is almost everything else, to make room for all its action and villains.
It's amazing how the difference between two big-budget superhero-movies can be so huge, if you put this against "Captain America: The Winter Soldier", a great and, opposed to this one, original film.
Oh how I wish that Marc Webb could have continued with a "(500) Days of Summer"-esque movie instead, he could keep the sub-plots starring Garfield, Stone and DeHaan, and it could very well be a great film, and probably not such a waste of talent.
Garfield and Stone has their chemistry and does their best with the incredibly thin script and cheesy one-liners, but their potential quite beautiful scenes together gets lost in the over-full and messy plot. I can't buy an emotional scene that is interrupted by heavy dub-step and a blue electric guy.
Oh Jamie Foxx, how did you go from Django to this? Before he goes all CGI-Electro he tries to play the nerdy unseen scientist (with a worse comb-over than Christian Bale's 'Hustle'-look). As Electro it's hard to say how much is his fault, and what can be blamed on the rest, I'd go with the rest. You don't sympathize with him nor do you believe how fast he becomes this super-villain.
Everything that Dane DeHaan did so well in "Chronicle" just feels unnatural and (maybe not misplaced, but wrong) here. And his character development is way too rushed and quite unnecessary for this film, it just becomes another sub-plot standing in the way of what really matters.
Sally Field does good work as Aunt May, but leaves no lasting mark. Paul Giamatti's Russian criminal is just in the way and only gives a couple of dreadful and laughable scenes. And then there's the mad German scientist named Kafka and I rest my case.
The action and visuals isn't bad, but still doesn't make up for the low "trying to be Marvel"-comedy and horrific soundtrack, a soundtrack that almost itself destroys the film throughout the exhausting 142 minutes. And sometimes it feels like the movie is taking us as an audience to be stupid, with pointers to what is going to happen. I would like to say that you might enjoy it if you just try and see it for what it is, but it's hard, but hopefully possible! It had an interesting start, with a glimpse inside the past and Peter's parents, but it's left underdeveloped, as is almost everything else, to make room for all its action and villains.
It's amazing how the difference between two big-budget superhero-movies can be so huge, if you put this against "Captain America: The Winter Soldier", a great and, opposed to this one, original film.
Oh how I wish that Marc Webb could have continued with a "(500) Days of Summer"-esque movie instead, he could keep the sub-plots starring Garfield, Stone and DeHaan, and it could very well be a great film, and probably not such a waste of talent.
- MartinOnMovies
- Apr 24, 2014
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El sorprendente hombre araña 2: la amenaza de Electro
- Filming locations
- Rochester, New York, USA(car chase)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $203,605,622
- Opening weekend US & Canada
- $91,608,337
- May 4, 2014
- Gross worldwide
- $716,891,708
- Runtime2 hours 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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