A stranger armed with a shotgun takes seven patrons hostage in a remote roadside diner. But as the body count increases, the desperate survivors discover that one of the hostages may be even... Read allA stranger armed with a shotgun takes seven patrons hostage in a remote roadside diner. But as the body count increases, the desperate survivors discover that one of the hostages may be even more dangerous than their captor.A stranger armed with a shotgun takes seven patrons hostage in a remote roadside diner. But as the body count increases, the desperate survivors discover that one of the hostages may be even more dangerous than their captor.
- Radio Announcer
- (voice)
- (as Mark H. Young)
- Patron
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTom Hardy is in this movie,but not in thr credits.
- GoofsSeveral scenes the pistol held by different people was not cocked. It was a single action M1911A1 Colt type semi auto pistol. It was not a double action type where you pull the trigger and it cocks the hammer for you. You can't just pull the trigger and it fires. To fire an uncocked pistol is impossible.
- Quotes
[last lines]
Noreen: I have a crappy, pathetic life. I am terrified of change. I stay when I should go. I am not very smart. And I will probably never be truly happy. But I know one thing that you don't.
Smith: Oh really? What's that?
Noreen: I can count.
Smith: Huh?
Noreen: One for the tall man. Two for Hank. One for the kids. One for the ceiling. Seven bullets. That leaves one for you.
- Crazy credits"No butterflies were harmed during the making of this film."
- ConnectionsReferences The Andy Griffith Show (1960)
- SoundtracksThe One I Need
Written by James Saez, Lew Temple and Laura Saez
Performed by Amber Benson, Laura Saez
Published by Rosalyrics Publishing
At the heart of the movie is a stellar ensemble cast who deliver compelling and nuanced performances, drawing viewers into a world of moral ambiguity and simmering danger. The interactions between the characters are fraught with tension, and as the plot unfolds, the movie skillfully peels back layers of intrigue, revealing the complex motivations and conflicting agendas of each character.
Mark Young's direction is both deft and unrelenting, expertly building suspense and maintaining a palpable sense of unease throughout the movie. The pacing is tight and the narrative is expertly crafted, keeping the audience guessing and engaged as the story hurtles towards its stunning conclusion.
Visually, The Killing Jar is a tour de force, with evocative cinematography that enhances the movie's brooding atmosphere and amplifies the sense of impending peril. The movie's setting becomes a character in itself, adding depth and texture to the unfolding drama.
Thematically, the movie delves into the darker aspects of human nature, exploring the depths to which individuals can be driven when pushed to their limits. The moral dilemmas and ethical quandaries that arise within the story serve to provoke thought and introspection, adding layers of depth to the movie's exhilarating narrative.
In conclusion, The Killing Jar is a riveting and expertly crafted thriller that stands as a testament to the power of atmospheric storytelling and compelling character dynamics. With its powerhouse performances, masterful direction, and unrelenting tension, the movie is a must-see for fans of gripping, character-driven cinema.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- La Trampa de l'Assassí
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $400,000 (estimated)
- Gross worldwide
- $2,339
- Runtime1 hour 32 minutes
- Color
- Sound mix