A dramedy centering around the relationship between a thirtysomething single mother and her teen daughter living in Stars Hollow, Connecticut.A dramedy centering around the relationship between a thirtysomething single mother and her teen daughter living in Stars Hollow, Connecticut.A dramedy centering around the relationship between a thirtysomething single mother and her teen daughter living in Stars Hollow, Connecticut.
- Won 1 Primetime Emmy
- 23 wins & 85 nominations total
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Did you know
- TriviaScott Patterson, who plays Luke, was not hired initially as a series regular. He was only signed on for the pilot episode. Although it was only after discovering the undeniable chemistry between him and Lauren Graham that he was contracted for more episodes, and quickly became a series regular.
- GoofsMore than a few episodes have mic drops into the top of the scene. There is also at least one episode at Lorelai and Rory's house that shows a brown sweater sleeve of a crew member on the right side for a brief second.
- Crazy creditsThe Dorothy Parker Drank Here production logo after end credits to each episode features an illustration of Dorothy drinking a bottle of wine.
- ConnectionsFeatured in The 59th Annual Golden Globe Awards (2002)
- SoundtracksWhere You Lead
(remixed version)
Written by Carole King and Toni Stern
Performed by Carole King and Louise Goffin
Featured review
"Gilmore Girls" (like Leonard Maltin, I usually like to use the title as it appears on screen, but we'll forego the nomenclature "Gilmore girls") is one of those shows that positive word of mouth and the "You know, this does seem like a good show" vibe from hearing about it made me want to get a look at; the series has finally started UK airings on Nickelodeon, a strange choice for the channel - it's certainly comedic, but it's more of a comedy-drama than the usual stuff that's on Nick. (Plus, unlike all its regular shows it's an hour series.)
My rule of thumb is that if a series doesn't encourage me to keep watching by its third episode, it won't do so after its thirtieth; Amy Sherman-Palladino's series passed by the end of the first one. A number of viewers have commented that the dialogue isn't too realistic, and Lorelei Gilmore is certainly so quick with the witty repartee you wonder why she's not a stand-up comic instead of managing an inn (possibly a clue as to why one of the companies involved is called Dorothy Parker Drank Here Productions?), but it does have the saving grace of actually being funny... something that can't be said for a lot of official comedies.
What helps the series work so far, apart from the dialogue, is the characters - just as "M*A*S*H"'s laugh track was kept out of the operating room even in the American broadcasts (it was initially broadcast in the UK sans track), the relationships between Lorelei and Lorelei (that's Rory - in the pilot we learned that she was named after her mother) aren't actually played for gags endlessly, and her mother's certainly strong but not a bitch, the way the makers could have easily done. No one in the show so far is truly bad or good, which bodes well, and the bond between mother and daughter is a rare thing for TV - they're both relatives and true friends without making you want to vomit, not a common thing in family dramas.
We're about three years behind the WB, and I'm looking forward to catching up with the Gilmores and their friends (it's impossible not to symapthise with Rory's best friend in particular, what with her health-food-obsessed/antique-selling mother). And on a purely shallow note, Lauren Graham and Alexis Bledel must be the most attractive mother-daughter pairing in recent television history. Beautiful and funny? Who needs Madonna kissing Britney?
My rule of thumb is that if a series doesn't encourage me to keep watching by its third episode, it won't do so after its thirtieth; Amy Sherman-Palladino's series passed by the end of the first one. A number of viewers have commented that the dialogue isn't too realistic, and Lorelei Gilmore is certainly so quick with the witty repartee you wonder why she's not a stand-up comic instead of managing an inn (possibly a clue as to why one of the companies involved is called Dorothy Parker Drank Here Productions?), but it does have the saving grace of actually being funny... something that can't be said for a lot of official comedies.
What helps the series work so far, apart from the dialogue, is the characters - just as "M*A*S*H"'s laugh track was kept out of the operating room even in the American broadcasts (it was initially broadcast in the UK sans track), the relationships between Lorelei and Lorelei (that's Rory - in the pilot we learned that she was named after her mother) aren't actually played for gags endlessly, and her mother's certainly strong but not a bitch, the way the makers could have easily done. No one in the show so far is truly bad or good, which bodes well, and the bond between mother and daughter is a rare thing for TV - they're both relatives and true friends without making you want to vomit, not a common thing in family dramas.
We're about three years behind the WB, and I'm looking forward to catching up with the Gilmores and their friends (it's impossible not to symapthise with Rory's best friend in particular, what with her health-food-obsessed/antique-selling mother). And on a purely shallow note, Lauren Graham and Alexis Bledel must be the most attractive mother-daughter pairing in recent television history. Beautiful and funny? Who needs Madonna kissing Britney?
- Victor Field
- Sep 15, 2003
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- Gilmore Girls
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- Runtime44 minutes
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