Directed by
Geoffrey Wright |
Writing Credits
Geoffrey Wright | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Phil Jones | ... | associate producer |
Ian Pringle | ... | producer |
Daniel Scharf | ... | producer |
Music by
John Clifford White |
Cinematography by
Ron Hagen |
Editing by
Bill Murphy |
Casting By
Gregory Apps | ... | (as Greg Apps) |
Production Design by
Steven Jones-Evans |
Set Decoration by
Colin Robertson | ||
Lisa Thompson |
Costume Design by
Anna Borghesi |
Makeup Department
Mike Gaudsen | ... | makeup facilities: Reel Wheels |
Jane Gregory | ... | assistant hair stylist / assistant makeup artist |
Sue Kelly-Tait | ... | hair stylist / makeup artist |
Christine Miller | ... | hair stylist / makeup artist |
Production Management
Elisa Argenzio | ... | production manager |
Stephen Brett | ... | unit manager |
Second Unit Director or Assistant Director
Chris Odgers | ... | first assistant director |
Monica Pearce | ... | second assistant director |
Andrew Power | ... | third assistant director |
Art Department
Graham Blackmore | ... | stand-by props |
Justin Conkey | ... | art department assistant |
Debra Goldsmith | ... | set finisher (as Deborah Goldsmith) |
Danae Gunn | ... | art department runner |
Sheridan Neilson | ... | assistant buyer |
Colin Robertson | ... | set buyer |
Walter Sperl | ... | construction |
Chris Styles | ... | props maker |
Lisa Thompson | ... | set buyer |
Jasmine Wigley | ... | set finisher |
Sound Department
Peter Burgess | ... | adr editor |
Steve Burgess | ... | foley artist / sound mixer |
Helen Field | ... | sound liaison: Soundfirm |
Catherine Gross | ... | boom operator (as Cathy Gross) |
Scott Heming | ... | sound mix assistant |
David Lee | ... | sound recordist |
Frank Lipson | ... | sound designer |
Gerry Long | ... | foley artist |
Steve Murphy | ... | stereo sound consultant: Dolby (as Stephen Murphy) |
Paul Pirola | ... | assistant sound engineer |
Roger Savage | ... | sound mixer |
Eugene Wilson | ... | sound transferer |
Special Effects by
Jeff Little | ... | special effects: Film Trix |
Angelo Sahin | ... | special effects assistant |
Peter Stubbs | ... | special effects: Film Trix |
Kevin Turner | ... | special effects technician |
Visual Effects by
Colin Tyler | ... | opticals/rostrum camera |
Stunts
Russell Allen | ... | stunts |
Brett Anderson | ... | stunts |
Lance Anderson | ... | stunts |
Szumai Anderson | ... | stunts |
Graham Collis | ... | stunts |
Wally Dalton | ... | assistant stunt coordinator |
Dean Gould | ... | stunts |
Chris Peters | ... | stunt coordinator |
Johnny Raaen | ... | stunts |
Anthea Roordink | ... | stunts |
Reg Roordink | ... | stunts |
Steve Roper | ... | stunts |
Ron Sheepers | ... | stunts |
Russell Frost | ... | stunts (uncredited) |
Camera and Electrical Department
Gary Bottomley | ... | focus puller |
Warik Lawrance | ... | clapper loader |
Peter Leiss | ... | still photographer |
Tom Moody | ... | gaffer |
Battista Remati | ... | third electrician |
Trevor Ripper | ... | best boy electric |
Leigh Tait | ... | key grip |
Gene Van Dam | ... | grip |
Peter Scott | ... | lighting assistant (uncredited) |
Casting Department
Nick Hamon | ... | casting assistant (as Nick Harmon) / extras casting |
Costume and Wardrobe Department
Gabrielle Dunn | ... | stand-by wardrobe |
Mike Gaudsen | ... | wardrobe facilities: Reel Wheels |
Louise McCarthy | ... | wardrobe assistant |
Cheyne Phillips | ... | wardrobe assistant |
Editorial Department
Dee McClelland | ... | final colorist (digitally restored version) |
Tim Morgan | ... | color grader |
Jane Usher | ... | assistant editor |
Rohan Wilson | ... | negative matcher |
Location Management
Catherine Birmingham | ... | location scout |
Stephen Brett | ... | location manager |
Music Department
Phillip Beard | ... | musician: drums |
John Hawker | ... | orchestrator |
John Hewett | ... | musician: guitar |
Peter Palankay | ... | music score mixer |
Chris Pettifer | ... | musician: bass guitar |
Mat Thomas | ... | music engineer |
Script and Continuity Department
Brian C. Robinson | ... | script consultant |
Victoria Sullivan | ... | continuity |
Additional Crew
Ian Anderson | ... | laboratory liaison |
David Arundell | ... | accountant |
Sven Bading | ... | researcher |
Richard Baker | ... | nurse |
Matthew Bennett | ... | casual assistant |
Bernadette Breitkreuz | ... | production accountant |
Clare Brophy | ... | nurse |
Terry Cassin | ... | nurse |
Peter Culpan | ... | safety consultant |
Bruno Doring | ... | casual assistant |
Fiona Eagger | ... | production coordinator |
Keith Fish | ... | caterer: Food for Film |
Neil Foley | ... | researcher |
John Fox | ... | armorer |
Eva Friedman | ... | production runner |
Andree Gersbeck | ... | casual assistant |
Andrew Goodone | ... | casual assistant (as Andrew Gooden) |
Tony Leonard | ... | insurance |
Chris Lovell | ... | legal |
Steeves Lumley | ... | insurance |
James MacDougall | ... | casual assistant |
Lars Michalak | ... | assistant to producer |
Greg O'Conner | ... | researcher |
Serena Parker | ... | nurse |
Anne Pearson | ... | nurse |
Jacquelin Perske | ... | production assistant |
Holding Redlich | ... | legal |
Jonathan Shteinman | ... | assistant to producer |
Tony Sini | ... | caterer: Food for Film |
Mick Stevens | ... | security officer |
Oliver Streeton | ... | title designer |
John Suhr | ... | security officer |
Carl Vine | ... | researcher (as Karl Vine) |
Tantau Wallis | ... | accountant |
Pam Kreuger | ... | Set Nurse (uncredited) |