In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Germans while doing both of their jobs.In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Germans while doing both of their jobs.In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Germans while doing both of their jobs.
- Nominated for 1 Oscar
- 13 wins & 7 nominations total
René Dupré
- Valentin - Writer in Hotel Lobby
- (as Rene Dupre)
Rose Thiéry
- Mme. Thierry - Jacquôt's Mother
- (as Rose Thierry)
Storyline
Did you know
- TriviaIn his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows." Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout." The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end.
- GoofsIn one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar.
- Quotes
Marion Steiner: It takes two to love, as it takes two to hate. And I will keep loving you, in spite of yourself. My heart beats faster when I think of you. Nothing else matters.
- SoundtracksBei mir Bist du Schön
(Vous êtes plus Belle que le Jour)
Music by Sholom Secunda
Lyrics by Jacob Jacobs
English lyrics by Cahn-Chaplin
French lyrics by Jacques Larue
Featured review
The show must go on, even under occupation, to entertain subdued, and sober populations, while all the world's a stage, all around a war is waged, there's a place to find a soupçon of distraction. Behind the scenes, so many subplots are relayed, the lives of people and their characters portrayed, how their worlds are interwoven, with the threads that they've all chosen, of their conduct, how they operate, behave.
It's an extremely engaging story of survival and opportunity that's centred around a theatre in Paris during WWII. Focusing primarily on Marion Steiner, the owner of the establishment who also acts on stage, performed as elegantly as ever by Catherine Deneuve, we observe her interactions with the players and the crew as she conceals her Jewish husband, and notable director, in the bowels of the playhouse bellow. Unlike many films from the time, and on similar subjects, it still holds up to scrutiny today, and it's well worth finding the best seat in your place of residence for a matinee viewing or screening, if the possibility arises.
It's an extremely engaging story of survival and opportunity that's centred around a theatre in Paris during WWII. Focusing primarily on Marion Steiner, the owner of the establishment who also acts on stage, performed as elegantly as ever by Catherine Deneuve, we observe her interactions with the players and the crew as she conceals her Jewish husband, and notable director, in the bowels of the playhouse bellow. Unlike many films from the time, and on similar subjects, it still holds up to scrutiny today, and it's well worth finding the best seat in your place of residence for a matinee viewing or screening, if the possibility arises.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Last Metro
- Filming locations
- Clichy, Hauts-de-Seine, France(sets, former chocolate factory)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,007,945
- Opening weekend US & Canada
- $11,206
- Apr 25, 1999
- Gross worldwide
- $3,007,945
- Runtime2 hours 12 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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