In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.
- Nominated for 2 Oscars
- 15 wins & 5 nominations total
- Ingemars mamma
- (as Anki Liden)
- Berit
- (as Ing-Mari Carlsson)
- Farbror Sandberg
- (as Leif Ericsson)
- Mannes farfar
- (as Arnold Alfredson)
- Farbror Arvidsson, Ullas far
- (as Didrik Gustavsson)
Storyline
Did you know
- TriviaKurt Vonnegut Jr.'s favorite film, as he writes in his book, Timequake.
- GoofsA part of the helicopter can be seen while Ingmar is sitting on the train down to his uncle for the second time
- Quotes
Ingemar: In fact, I've been kinda lucky. I mean, compared to others. You have to compare, so you can get a little distance from things. Like Laika. She really must have seen things in perspective. It's important to keep a certain distance. I think about that guy who tried to set a world record for jumping over buses with a motorcycle. He lined up 31 buses. If he'd left it at 30, maybe he would have survived.
- ConnectionsFeatured in The Cider House Rules: The Making of an American Classic (1999)
- SoundtracksFar, jag kan inte få upp min kokosnöt
(original song title "I've Got a Lovely Bunch of Coconuts")
Written by Fred Heatherton (joint pseudonym of Elton Box, Desmond Cox and Irwin Dash) (uncredited)
Swedish lyrics by Povel Ramel
Performed by Povel Ramel (uncredited)
As charming as a film of this sort can be, despite the episodic nature of the telling. All of the performances are right on target and the director has woven a tapestry of individual scenes that sparkle with truth and innocence. Makes you examine your own childhood feelings of loneliness or rejection--and the explorations that all of us are subject to.
By all means, a film worth watching. I hope to see it again--and this time from the very beginning. I missed some of the film and would like to see the complete work.
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Details
Box office
- Gross US & Canada
- $8,345,266
- Opening weekend US & Canada
- $11,667
- May 3, 1987
- Gross worldwide
- $8,349,284