A husband and wife in their 30s decide to quit their jobs, live as free spirits and cruise America in a Winnebago.A husband and wife in their 30s decide to quit their jobs, live as free spirits and cruise America in a Winnebago.A husband and wife in their 30s decide to quit their jobs, live as free spirits and cruise America in a Winnebago.
- Awards
- 1 win & 1 nomination
Hans Wagner
- Hans
- (voice)
John Reade
- Casino Security Guard
- (as John C. Reade)
Garry Marshall
- Casino Manager
- (as Garry K. Marshall)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn his autobiography, Garry Marshall, who played the casino manager, wrote that he was initially exasperated by Albert Brooks demanding take after take of their scene in the office. But once he saw the rushes and realized that his frustration made his character funnier, he deferred to Brooks' comic judgment.
- GoofsDuring the final cross-country montage, as they are approaching New York City, the Winnebago drives up the exit ramp from the Lincoln Tunnel with Manhattan visible in the background. That road is taking them away from Manhattan, into New Jersey, not to Manhattan.
- Quotes
David Howard: Shut up Brad! Your song stunk, I hate your suit and I could hurt you!
- SoundtracksLove Is in Control (Finger on the Trigger)
Written by Quincy Jones (uncredited), Rod Temperton (uncredited), and Merria Ross (uncredited)
Performed by Donna Summer
Courtesy of Geffen Records
Featured review
Who said Albert Brooks is an acquired taste? After watching "The Muse," which until this day remains the FUNNIEST comedy I've ever seen, I've been curious about Brooks's work. Since this had its place on the AFI's funniest comedies of all time, I decided I'd check it out.
Though I didn't feel this was quite as funny as "The Muse," Brooks delivers his trademark sarcastic comic gags. It's hilarious to watch Brooks, a yuppie businessman who just quit his job, try to apply for a job among the lower class. Asking if there are any "executive positions."
Brooks has the best timing among all the comic actors. His style of delivering his brilliantly sarcastic dialogue is impeccable and almost never fails to crack me up! Brooks's movies are not only funny, but they're well-written. Lots of the time comedies move on the sheer energy of the cast. In his films, the writing alone is energized enough and the cast adds to that energy. Brooks and Julie Hagerty have an incredible chemistry, and their conflicts are absolutely hysterical. "From now on, you will never be allowed to use the words 'nest' or 'egg' ever again!" That's a line I will always remember. Brooks has that memorable, unique style of writing that I'm sure comedy writers everywhere will either acknowledge thoroughly or try to imitate (unsuccessfully, of course).
One thing I just cannot understand is the R-rating. Brooks, being one of the few tasteful, intelligent comedy writers in the biz, rarely uses profanity in his movies. Only twice do we hear the "f" word, and for the right reasons (He was angry at his boss for God's sake!). I'm well-aware that the PG-13 rating wasn't invented when the movie came out, but "Sixteen Candles" used the "f" word twice and got away with a PG, as well as a shower scene involving a female and a notorious close-up of her breasts. Don't expect anything filthy in this movie, because of the stupidly-awarded R-rating. Brooks doesn't sink that low.
For all those who appreciate good, intelligent humor--an escape from cheap slapstick and gross-out gags. Not that I don't appreciate that type of humor ever, but this is REALLY what comedy is all about!
My score: 7 (out of 10)
Though I didn't feel this was quite as funny as "The Muse," Brooks delivers his trademark sarcastic comic gags. It's hilarious to watch Brooks, a yuppie businessman who just quit his job, try to apply for a job among the lower class. Asking if there are any "executive positions."
Brooks has the best timing among all the comic actors. His style of delivering his brilliantly sarcastic dialogue is impeccable and almost never fails to crack me up! Brooks's movies are not only funny, but they're well-written. Lots of the time comedies move on the sheer energy of the cast. In his films, the writing alone is energized enough and the cast adds to that energy. Brooks and Julie Hagerty have an incredible chemistry, and their conflicts are absolutely hysterical. "From now on, you will never be allowed to use the words 'nest' or 'egg' ever again!" That's a line I will always remember. Brooks has that memorable, unique style of writing that I'm sure comedy writers everywhere will either acknowledge thoroughly or try to imitate (unsuccessfully, of course).
One thing I just cannot understand is the R-rating. Brooks, being one of the few tasteful, intelligent comedy writers in the biz, rarely uses profanity in his movies. Only twice do we hear the "f" word, and for the right reasons (He was angry at his boss for God's sake!). I'm well-aware that the PG-13 rating wasn't invented when the movie came out, but "Sixteen Candles" used the "f" word twice and got away with a PG, as well as a shower scene involving a female and a notorious close-up of her breasts. Don't expect anything filthy in this movie, because of the stupidly-awarded R-rating. Brooks doesn't sink that low.
For all those who appreciate good, intelligent humor--an escape from cheap slapstick and gross-out gags. Not that I don't appreciate that type of humor ever, but this is REALLY what comedy is all about!
My score: 7 (out of 10)
- mattymatt4ever
- May 13, 2001
- Permalink
- How long is Lost in America?Powered by Alexa
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $10,179,000
- Opening weekend US & Canada
- $154,877
- Mar 17, 1985
- Gross worldwide
- $10,179,000
Contribute to this page
Suggest an edit or add missing content