IMDb RATING
6.0/10
1.5K
YOUR RATING
A one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.A one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.A one-handed madman uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.
José René Ruiz
- Senor Pepe De Reyes
- (as Tun Tun)
Leon Alton
- Tour Group Member
- (uncredited)
Storyline
Did you know
- TriviaAccording to an article in the 9/28/66 edition of "Variety", this film was the second-most profitable film in release at the time.
- GoofsAt the police department, on the door to room 112 it states it is the Exhibits Room, but in the hall outside, room 112 is indicated as the District Attorney's office.
- Quotes
Anthony Draco: Can you describe him?
Marie Champlain: He's... he's tall and uh... he's dark and um... uh... soft-spoken. He moves very quietly. What's wrong me? He's the easiest man in the world to identify. His right hand is missing.
- Crazy creditsPatrick O'Neal, the villain of the piece, is inexplicably omitted from the cast list in the end titles.
- Alternate versionsProduced as a TV series pilot, this film was determined to be too violent for the small screen and given theatrical distribution instead. Added for this release was an exploitation device called the "Fear Flasher/Horror Horn", ostensibly to warn the audience of the "Four Supreme Fright Points" (although it was not applied to the picture's most explicitly violent moment, the climactic fate of the villain). This device was explained in an introductory sequence narrated by William Conrad. Upon first showing on US network television, both the device and its explanation were deleted, but in subsequent syndication to local stations in the 1970s and '80s, some such prints were seen.
- ConnectionsFeatured in Deadly Earnest's Spooky Colour Marathon (1975)
- SoundtracksAn der schönen, blauen Donau, Op. 314 (On the Beautiful Blue Danube)
(uncredited)
Music by Johann Strauss
Played at the party
Featured review
There's a lot to like in CHAMBER OF HORRORS, if you can forgive the copycat style that makes it look like a rip-off of HOUSE OF WAX at times. But the plot, involving a killer (Patrick O'Neal) taking revenge on those who punished him for his crimes, moves swiftly amid some handsome color settings and should keep fright fans interested. O'Neal is very persuasive in the central role.
Less can be said of others in the cast--including Marie Windsor who is mainly wasted in a supporting role, Suzy Parker whose role has no depth at all and Patrice Wymore.
Laura Devon is a stunning blond beauty and makes the most of her decorative assignment as the woman who sets up the men targeted for gruesome killings. The wax museum itself is an intriguing setting but the script is not up to the standards of the Vincent Price film with a somewhat similar storyline. Wilfrid Hyde-White and Cesare Danova are effective enough as the men who want to trap the killer.
Recommended mainly for its excellent use of Victorian atmosphere and crisp, clear Technicolor.
Less can be said of others in the cast--including Marie Windsor who is mainly wasted in a supporting role, Suzy Parker whose role has no depth at all and Patrice Wymore.
Laura Devon is a stunning blond beauty and makes the most of her decorative assignment as the woman who sets up the men targeted for gruesome killings. The wax museum itself is an intriguing setting but the script is not up to the standards of the Vincent Price film with a somewhat similar storyline. Wilfrid Hyde-White and Cesare Danova are effective enough as the men who want to trap the killer.
Recommended mainly for its excellent use of Victorian atmosphere and crisp, clear Technicolor.
- How long is Chamber of Horrors?Powered by Alexa
Details
- Runtime1 hour 20 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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