User reviews

"Lieutenant Danny Bassett" (Alex Rocco) has just been handed an extremely volatile case involving some burglars who have stolen approximately $4 million in cash and jewels from a fund-raiser being hosted of a black Detroit congressman. There is no way he can win because if the suspects turn out to be black the mostly black population will think it's a cover up. If the perpetrators are white then the white population will think it's a whitewash to appease the black community. And obviously if he fails to find the culprits the public will want his head on a silver platter. To make things even worse a black police sergeant named "Jesse Williams" (Hari Rhodes) is also assigned to the case who Lt. Bassett believes will get all of the credit for apprehending the suspects instead of him. Anyway, for a "blaxploitation" film this movie wasn't too bad. While the film was a little rough around the edges I liked the selection of Detroit for the movie which was a refreshing change from the usual locations (New York, Los Angeles and Chicago). I also liked the addition of Vonetta McGee as the prostitute "Roby Harris". Again, this wasn't a bad blaxploitation film and I rate it as about average.

I would leave college early everyday just to find what Detroit street they would be filming at that particular day. It was an exciting time seeing such local personalities as Dick Purtan, Woody Willis, Laura Lee, Mike Lucci of the Detroit Lions, John Nichols, and the one and only Martha Jean "The Queen" Steinberg. This was a great time for me and for the city of Detroit. I have a copy of this film and watch it whenever I can. A must see movie for all Detroiters. A favorite of Quinton Tarrentino.

As a huge fan of 70's action movies, I was looking forward to seeing this, especially since it has Quentin Tarantino's endorsement. I was expecting another campy blaxploitation movie, but was very surprised that this was not the case. The film explores the politics and race relations in Detroit in the early 70's, using the repercussions of an armed robbery of a political fundraiser as a backdrop.

Aside from the funky music and 70's fashion, and to a certain extent the dialogue, this could easily be any urban area in the 90's. The media is portrayed as eager to turn this high-profile crime into a racially-motivated crime. The cops are shown as being under pressure from all sides to solve the case quickly.

As the investigation unravels, the viewer finds out that not everyone is who they seem to be. And although the end of the film is somewhat predictable, it is still entertaining.

Some of the dialogue is typical camp, and some of the acting is wooden, but the one major complaint I have with this movie is the chase scenes that are shown in immediate succession. Its almost as if the writers thought to pad the drama with some action as an afterthought. Overall, though I was very suprised by this film and the issues it attempts to address.

Another entry into the blaxploitation genre, Arthur Marks's "Detroit 9000" has a black detective and a white detective cooperating to investigate the theft of some jewels from a congressman's fund raiser in the Motor City. For the most part the movie has a lot of the things that we expect to see in a blaxploitation flick, although they put an interesting twist on racial stereotypes: the black detective is the refined character while the white detective is the streetwise one. There was even a line or two that they obviously lifted from "Dirty Harry". Otherwise, it was just a fun movie with a funk soundtrack. Among the cast members are Hari Rhodes, Alex Rocco (Moe Greene in "The Godfather"), Vonetta McGee and Scatman Crothers (Dick Hallorann in "The Shining").

Detroit was long seen as the backbone of the US economy and now it's bankrupt. Geez.

A white Detroit detective (Alex Rocco) has to investigate a heist at a political fundraiser and he's none too happy about it. He's even less happy when he's forced to partner up with a black detective (Hari Rhodes). Despite their differences, the two cops work well together and get to the bottom of things.

Alex Rocco and Hari Rhodes are both good. Beautiful Vonetta McGee isn't on screen nearly enough but has an important part. The minor roles are played by a variety of actors, some of whom seem like complete amateurs who recite their lines robotically. The actress playing Rocco's wife has one scene and she uses it to give a lesson on terrible acting.

Mostly straight but there are some unintentional moments of hilarity. Such as a car moving at slow speed driving into a parked car, causing both vehicles to instantly explode like they were packed with dynamite. Or an older white reporter seriously asking the Chief of Police "Do you think it was a honky caper?" There's also a scene that rips off Dirty Harry's "do you feel lucky punk" scene. The dialogue is different but the scene is too similar to be a coincidence considering Dirty Harry came out a couple years before this and that scene was an instant classic.

It's a good blaxploitation flick. I enjoyed all of the Detroit locations, including many now-demolished buildings. It's obviously a limited movie, in terms of budget, but it's still entertaining.

I noticed with some amusement that in the end credits, the Detroit PD is thanked for their participation. The Chief of Police even has one speaking line playing himself (and boy, can you tell he can't act). The reason for the amusement is that in this movie the police shoot first and ask questions later. Not the kind of PR, I would think a police force would want. Other than that, this is your standard cops and robbers film dressed up for the '70's with a racial angle. Alex Rocco is given a thankless role of a lifer cop that can't get ahead and is saddled with a mentally ill wife. He makes up for this by hanging out at the local whorehouse. Hari Rhodes is his dashing partner that has a groovy wardrobe and likes to chase after suspects while wearing a trenchcoat. The movie moves along until the penultimate shootout that makes absolutely no sense (why do people that are only guilty of a robbery, take on a whole police force?). Not only do we see one shootout but since there are four bad guys, we get to see four. Then there is a twist ending that is supposed to leave one guessing what really would have happened but only left me thinking how stupid it was. Seeing that director Arthur Marks was also behind the braindead "Friday Foster" and "Bucktown", I shouldn't have wondered.

I saw this movie because of Quentin Tarantino's initiative to bring back classics like this to the video stores. This movie is just terrific. First of all the story is very well done and it is still original today. This is remarkable considering that this movie is 26 years old! The actors might be a little weak at times but the cool dialogs and the raw action scenes are the best ones I've ever seen. There aint no special effects here but it still is pretty spectacular. Of course, this movie is not an Hollywood super production but it still is an excellent movie that one should see at least once. The music is also fantastic, seeing those guys shoot each others and thoses cars explode with some 70's era funk music is just too entertaining.

I recommend this movie to any action or thriller movie fans. Tarantino fans might also be surprised..this movie obviously influenced Tarantino a lot. See for yourself.

Quinten Tarrantino is obviously a big fan of this movie as indicated by his re-releasing of said title on his Raging Thunder label and if there's one thing I really like about Tarrantino, it's his taste in films which I share wholeheartedly.

Having said this, whilst not implied as an insult to the film itself, this particular blaxploitation offering can hardly be described as one of the best of its ilk; indeed it seems to plod around somewhat aimlessly for most of its running time. However, don't switch off just yet for the final third does pick up incredibly well as it ties up the threads and culminates in a tremendously fun, prolonged chase sequence backed in typical seventies style by a suitable groovy track.

Final verdict: Certainly worth a look but far from the most memorable Blaxplotation flick out there.

Bought this movie in the bargain bin at Rogers Video store for $2. I enjoy a good B movie now and then and figured this looked like a good one.

The movie is quite cliche "1970's" and is quite groovy for that. Unfortunately the story line is hard to follow and not a lot happens in the movie. In fact, I turned it off after watching it for 45 minutes and figured a week later that I should watch the whole thing no matter how slow it was.

The movie has good spots in it, but you have to wait and wait and wait.......for them.

If you are into B movies, this might just be for you, just be warned that the movie is slow and not much really happens, and did I mention not much story line either...

Detroit 9000 is a lesser known and very underrated heist thriller that somewhat falls under the blaxsploitation genre. No matter how you want to classify this Detroit 9000 packs a punch to the gut. Very well acted with Alex Rocco and Hari Rhodes as a pair of cops working on a high profile case. The film is very gritty and shows political corruption, racism and a whole lot of violence with high powered shootouts ending with lots of carnage, blood and lead left in it's wake. The score by Luchi DeJesus is very cool and stylish giving it that funky 70's flavor and I think this was quite well acted and well made as a whole. Scatman Crothers appears in a brief but memorable role and along with lots of familiar faces that worked in films at the time gets the job done on this very tough and action packed movie. Thumbs way up on this one.

Blaxploitation but sophisticated blaxploitation, if you will. Right from the bat you'll notice a little deeper characterization and more intricate plot mixed in with the jive music and bloody violence and for the most part, it works well. Some of the story does bog down the pace at times but not enough to cause any major problem. Seeing that this is one of the films released under Tarantino's Rolling Thunder company, the fact that Reservoir Dogs shares a few traits with Detroit 9000 should come as no surprise. However, Detroit 9000 took a few lines of dialogue from Dirty Harry, so I guess that's just the nature of the beast.

Not your typical Blaxploitation movie. I rented it because Vonetta McGee is in it but was pleasantly surprised. You should see the top tier Blaxploitaion movies (Fred,Pam,Jim,Isaac) first to appreciate this one. Definitely a sleeper.

After a fundraiser for a black politician is robbed, Detroit police put two detectives, one white (Alex Rocco) and one black (Hari Rhodes), on the case, who try to work together under boiling political pressure.

Although Orville H. Hampton worked mostly in lower budget films, he actually had an Oscar nomination under his belt by the time he wrote this script. Hampton had written the now-forgotten "One Potato, Two Potato" (1964). Marks was responsible for bringing in Rocco, who he had worked with on "Bonnie's Kids". Although he plays a policeman here, Rocco had actually grown up among Boston's Winter Hill Gang.

Hari Rhodes is a perfect choice for the role here. In a film about racial politics, he is more knowledgeable than most. While any person of color has experienced racism at some point, Rhodes literally wrote the book on it: "A Chosen Few", which was published in 1965.

Scatman Crothers is a pleasant surprise, even if his role is not as large as it could be. And the idea of "Buzz the Fuzz" is awfully clever, perhaps something more big cities ought to think about. This film shows the racial politics between police and the black community, and this certainly has not changed in the forty years since this film debuted. If anything, it is something we are even more acutely aware of now.

I recently watched Detroit 9000 (1973) on Tubi. The storyline unfolds in Detroit during a period of civil unrest between African Americans and white police officers. When a Black fundraiser is robbed by white criminals, the threat of riots and the city tearing apart looms. In response, the police department assigns their best white and black officers to work together and bring the culprits to justice.

Directed by Arthur Marks (Friday Foster), the movie stars Alex Rocco (The Godfather), Hari Rhodes (Conquest of the Planet of the Apes), Vonetta McGee (Repo Man), Herbert Jefferson Jr. (Knight Rider) and Scatman Crothers (The Shining).

This movie is a blast in every aspect. The jive, attire, background music, and cars perfectly capture the movie's vibe. The ladies are stunning, and the portrayal of police collaboration with the underground to uncover clues adds a fun element. The action scenes, particularly the shootouts, are impressive. The cemetery final shootout and the resolution are highlights. Surprisingly, even the acting holds up well, a rarity in this genre.

In conclusion, Detroit 9000 is a solid addition to the blaxploitation genre that I would rate a 7/10 and strongly recommend.

In 1971, the "French Connection" was released. It had a great cast with great acting, script, photography, soundtrack (even though the music in and of itself was HORRID, it fit the film perfectly!) and in summery, was a GREAT cop movie.

In 1973 "Detroit 9000" was released. It had a decent cast with some good acting (Alex Rocco and Hari Rhodes-True Professionals!), OK script, decent photography and one seriously FUNKY soundtrack. Most of the acting was wooden, though I'm taking a guess here, many of the actors weren't really actors, as can be seen when you look up their bios here on IMDb. "Known for 'Detroit 9000'" and not much more. I'm also going out on a limb by guessing that many of the cops, especially the ones in uniform really were cops recruited to add realism and help with the budget. (Just think, they can wear their own uniforms-we don't have to BUY any!!!) A lot of the dialogue is a bit TOO over the top. I was around in 1973 and I listened to how people spoke and this was a bit much, but hey, they made you listen so I guess it was effective.

The funny thing about this movie, and many others made over the years, it's NOT a good movie, but it hits all the marks to make it a GREAT bad movie. I personally cannot put into words exactly how this happens and please keep in mind, this IS just my opinion, but this does fit that oddball category. Like "Plan 9 From Outer Space", it's bad, but it's a classic. Also sort of like "The Room" which is more current. "The Room" SUCKS, and yet is SOOOOOOO horrible, it's a classic. It lacks acting, script, photography, soundtrack...it's a train wreck, but a CLASSIC train wreck.

I seem to be rambling, but in the grand scheme of things, I enjoyed "Detroit 9000". It was never boring, more lead flew throughout this movie than at the Battle of Gettysburg and the car chases were pretty good. The twist at the end was excellent. It's Blaxploitation at it's best with a slight bit of Grindhouse thrown in for fun.

Not a good movie, but they don't have to be to entertain, and this does.

Of all the blaxpoitation films I have seen, this is one of the worst. There was no real redeeming quality to this movie. The shoot em' up scenes were lame. The music was repetitive. When the movie ended I couldn't have been more happy.