A film crew goes to a tropical island for a location shoot, where they capture a colossal ape who takes a shine to their blonde starlet, and bring him back to New York City.A film crew goes to a tropical island for a location shoot, where they capture a colossal ape who takes a shine to their blonde starlet, and bring him back to New York City.A film crew goes to a tropical island for a location shoot, where they capture a colossal ape who takes a shine to their blonde starlet, and bring him back to New York City.
- Awards
- 3 wins & 8 nominations
Steve Clemente
- Witch King
- (as Steve Clemento)
Walter Ackerman
- Reporter
- (uncredited)
James Adamson
- Native Child
- (uncredited)
Van Alder
- Member of Ship's Crew
- (uncredited)
Etta Mae Allen
- Native
- (uncredited)
Frank Angel
- Reporter
- (uncredited)
Roscoe Ates
- Press Photographer
- (uncredited)
Ralph Bard
- Member of Ship's Crew
- (uncredited)
Reginald Barlow
- Ship's Engineer
- (uncredited)
Leo Beard
- Member of Ship's Crew
- (uncredited)
Storyline
Did you know
- TriviaThe film grossed $90,000 its opening weekend, the biggest opening ever at the time.
- Goofs(at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
- Quotes
[last lines]
Police Lieutenant: Well, Denham, the airplanes got him.
Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.
- Crazy creditsOpening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
- Alternate versionsOn November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumour has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
- ConnectionsEdited into The Ghost Ship (1943)
Featured review
With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.
This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.
Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.
Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.
Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.
Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.
Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.
Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.
Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.
Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.
- ccthemovieman-1
- Nov 28, 2005
- Permalink
Details
Box office
- Budget
- $670,000 (estimated)
- Gross worldwide
- $651
- Runtime1 hour 40 minutes
- Color
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