Idealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at la... Read allIdealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at last, is impressed with Peter.Idealistic farm boy Peter loves Amy whose fancy is urbane Harry. Peter discovers Harry is a bootlegger and turns him over to he prohibition agents, including Jane (Joan Crawford). Amy, at last, is impressed with Peter.
Gertrude Olmstead
- Amy
- (as Gertrude Olmsted)
Tony D'Algy
- Harry Benson
- (as Antonio D'Algy)
Edythe Chapman
- The Old Lady
- (uncredited)
Babe London
- Fat Girl
- (uncredited)
Viola Webster
- Girl at Booklovers Club
- (uncredited)
Storyline
Did you know
- TriviaWilliam A. Wellman was fired by MGM after making this film.
- Goofs(at around 50 mins) After Cactus Jim and Ham pull Peter out of the stream, Peter has a few spots of mud on his face. Even after the dog licks his face, there is still a spot of mud on his nose under his right eye. When Peter stands up to go after Benson and Amy, the mud is gone.
- Quotes
Peter Good: What's the use of livin'?
Cactus Jim: No use a-tall. Life is jest one durned break after another!
- Alternate versionsIn 2003, Turner Classic Movies presented on television a 61-minute version with a piano score written by Arthur Barrow.
- ConnectionsFeatured in The Big Parade of Comedy (1964)
Featured review
Idealistic Farmhand vs. City Slicker
THE BOOB (Metro-Goldwyn-Mayer, 1926), directed by William A. Wellman, a long forgotten silent comedy, made its television premiere on Turner Classic Movies April 3, 2003, as part of its "Directors Under 30" spotlight, along with a piano score by a young composer named Arthur Barrow. Although feature billing goes to Gertrude Olmstead, the story relatively belongs to George K. Arthur playing in the title role.
The opening title card start off with "The same old story," in which a young country girl named Amy (Gertrude Olmstead) is seen sitting on a velvet swing smooching with Harry Benson (Antonio D'Arcy), a city slicker, by Peter B. Good (George K. Arthur), a rustic farm hand who happens to be in love with her. Suspicious of this man who not only wants to marry Amy, but wanting to meet at the Booklovers Club, Peter learns that Harry might be a bootlegger involved in illegal doings in the Wyoming town near his farm. To prove to Amy and to himself that he is not a weakling, or in other words, a "Boob" (the then slang term for today's description of a "jerk") as he is made up to be, Peter, after failing to make an impression by wearing some outlandish cowboy clothes, decides to become a prohibition agent and obtain proof that this city slicker is not on the level with her. After getting into the Booklovers Club, Peter not only notices the club members there drinking from the books (where the liquor is kept), but encounters a woman named Jane (Joan Crawford) who might either be one of the "club members" or a secret agent.
THE BOOB has the distinction of being a film that combines the elements of the works of directors D.W. Griffith (the country boy trying to make good) and Mack Sennett (comic characters and a car chasing scene), but fails on both levels. What makes this particular one hour length comedy of sole interest today is an early screen appearance of future screen legend, Joan Crawford, whose character doesn't make her first screen appearance until thirty minutes from the start of the film. Almost unrecognizable, she does obtain a screen presence that stands apart from the other actors. George K. Arthur, a young comic relief-type of MGM silents during the 1920s, who somewhat resembles future film actor, Jack Haley, performs his task well, but had this same character been played by the likes of the more popular comic, Buster Keaton (two years away from becoming an MGM contract player), chances are he would have developed his yokel boy into something special. Arthur appeared in other MGM films, usually teamed opposite the tall Karl Dane, but because their films haven't been seen since their initial releases, Arthur and Dane, separately or together, have become obscure names from Hollywood's past. They both faded by the advent of talkies.
Also seen in the supporting cast are Charles Murray as Cactus Jim, sporting a droopy mustache that makes him resemble another silent screen comic of the time, Snub Pollard; Hank Mann as the Village Soda Jerk; and Babe London briefly seen as the Fat Girl. Interestingly, there is another character in the story who is given enough screen time to warrant his name in the casting credits, but doesn't. He's a little black boy characterized as Ham Bunn who accompanies George K. Arthur, along with a little dog, throughout the film.
THE BOOB, which has fortunately survived after all these years, while many other silent movies from this era have vanished to dust, for all it's worth, is still a worthy offering and a real curio at best. And Arthur Barrow should also be commended for supplying this forgotten little item with a satisfactory piano score to help this movie along. THE BOOB will never be regarded as a sort-after comedy masterpiece, but a place in cinema history as a surviving silent film featuring Joan Crawford, or one of the early works of director William A. Wellman, and nothing else. (**)
The opening title card start off with "The same old story," in which a young country girl named Amy (Gertrude Olmstead) is seen sitting on a velvet swing smooching with Harry Benson (Antonio D'Arcy), a city slicker, by Peter B. Good (George K. Arthur), a rustic farm hand who happens to be in love with her. Suspicious of this man who not only wants to marry Amy, but wanting to meet at the Booklovers Club, Peter learns that Harry might be a bootlegger involved in illegal doings in the Wyoming town near his farm. To prove to Amy and to himself that he is not a weakling, or in other words, a "Boob" (the then slang term for today's description of a "jerk") as he is made up to be, Peter, after failing to make an impression by wearing some outlandish cowboy clothes, decides to become a prohibition agent and obtain proof that this city slicker is not on the level with her. After getting into the Booklovers Club, Peter not only notices the club members there drinking from the books (where the liquor is kept), but encounters a woman named Jane (Joan Crawford) who might either be one of the "club members" or a secret agent.
THE BOOB has the distinction of being a film that combines the elements of the works of directors D.W. Griffith (the country boy trying to make good) and Mack Sennett (comic characters and a car chasing scene), but fails on both levels. What makes this particular one hour length comedy of sole interest today is an early screen appearance of future screen legend, Joan Crawford, whose character doesn't make her first screen appearance until thirty minutes from the start of the film. Almost unrecognizable, she does obtain a screen presence that stands apart from the other actors. George K. Arthur, a young comic relief-type of MGM silents during the 1920s, who somewhat resembles future film actor, Jack Haley, performs his task well, but had this same character been played by the likes of the more popular comic, Buster Keaton (two years away from becoming an MGM contract player), chances are he would have developed his yokel boy into something special. Arthur appeared in other MGM films, usually teamed opposite the tall Karl Dane, but because their films haven't been seen since their initial releases, Arthur and Dane, separately or together, have become obscure names from Hollywood's past. They both faded by the advent of talkies.
Also seen in the supporting cast are Charles Murray as Cactus Jim, sporting a droopy mustache that makes him resemble another silent screen comic of the time, Snub Pollard; Hank Mann as the Village Soda Jerk; and Babe London briefly seen as the Fat Girl. Interestingly, there is another character in the story who is given enough screen time to warrant his name in the casting credits, but doesn't. He's a little black boy characterized as Ham Bunn who accompanies George K. Arthur, along with a little dog, throughout the film.
THE BOOB, which has fortunately survived after all these years, while many other silent movies from this era have vanished to dust, for all it's worth, is still a worthy offering and a real curio at best. And Arthur Barrow should also be commended for supplying this forgotten little item with a satisfactory piano score to help this movie along. THE BOOB will never be regarded as a sort-after comedy masterpiece, but a place in cinema history as a surviving silent film featuring Joan Crawford, or one of the early works of director William A. Wellman, and nothing else. (**)
Details
- Release date
- Country of origin
- Languages
- Also known as
- I'll Tell the World
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 4 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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