A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspec... Read allA searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position.A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position.
- Awards
- 5 wins & 24 nominations
- Postal Worker
- (as James Gray)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe drugs Jane puts in the storage box are Alprostadil injections for erectile dysfunction.
- GoofsIt has been noted as a "revealing mistake" that Jane has a driver in the morning but not in the evening. There are two plausible plot lines for this: 1. It is critical for Jane to be at work earlier than anyone to prepare the office for the day, so having her driven to the office is worth the expense, but not so important at the end of the work day; and 2. her boss was headed to L.A. that night and was using the driver for airport transport. Both plot lines continue the theme of Jane having value only when it is convenient or worthwhile to the overall office.
- Quotes
Boss: [Over the phone] I'm not gonna yell at you. Am I yelling? No... Because you're not someone even worthy of that. Because you didn't even have the fucking courtesy to talk to me about whatever the fuck fantasy you decided to spew all over me... So, let me ask, do you want to keep this job?
Jane: Yeah.
Boss: Okay... Then send me a fucking apology.
- ConnectionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
The assistant of the title, (a beautifully subdued Julia Garner), is a young woman employed in the New York office of a media mogul, not just as a kind of secretary, but as someone to clean up, (literally), the mess (literally), that her boss leaves behind and to take whatever verbal abuse he dishes out. She is safe, it would seem, from sexual harrasment because, as she's told, 'she's not his type'. The boss himself is never seen on screen.
This is a genuinely frightening film that goes beyond what has come to be known as the #MeToo Movement. It paints a horrifying picture of what powerful people can do to subordinates given the chance, (I know because I too worked with such people but I, at least, had the balls to stand up to them...and not get fired). What distinguishes Green's film is that she never over-dramatizes, (if anything, she holds back almost to the point of boredom), uses actors who are not well-known to us, (a magnificently obsequious Matthew Macfadyen is the best known person on screen), and films it, not as a clammy thriller, but as a fly-on-the-wall slice of life. There is none of the triumphalism of "Bombshell" on display here, just the chilly feeling that an unseen monster is lurking out of camera shot and destroying the lives of everyone around him.
- MOscarbradley
- Sep 2, 2020
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Details
Box office
- Gross US & Canada
- $1,100,313
- Opening weekend US & Canada
- $79,141
- Feb 2, 2020
- Gross worldwide
- $1,338,881
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 2.00 : 1