A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.A punk rock band is forced to fight for survival after witnessing a murder at a neo-Nazi skinhead bar.
- Awards
- 8 wins & 25 nominations
David Thompson
- Tad
- (as David W. Thompson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile the tracks were recorded separately the staged performances, the actors and actress actually performed their songs. Anton Yelchin and Alia Shawkat already knew how to play their instruments, but according to Jeremy Saulnier, Callum Turner had no experience with any sort of music. Joe Cole also learned to play drums, specifically for this movie.
- GoofsWhen the band first has Big Justin hostage there is a telephone sitting on the table next to him.
- Alternate versionsFrench theatrical version was cut to secure a "Not under 12" (!) rating. That version was also released on DVD. The Blu-ray features the uncut version and is rated "Not under 16".
- ConnectionsFeatured in Half in the Bag: Green Room (2016)
- SoundtracksTakin' Out the Trash
Written by Christian Blunda & Patsy Gelb
Performed by Patsy's Rats
Courtesy of Christian Blunda
Featured review
First off, want to say R.I.P Anton Yelchin. Such a tragedy for someone so young and promising to pass. He was incredible in this, I felt he was really coming into his own as an actor. --- After watching Saulnier's excellent and understated Blue Ruin, the director immediately became one to watch out for. A director that knows how to direct characters with subtlety and nuance, but with intensity and brutality as well.
Green Room is perhaps the most stressed out I've ever been watching a film, and if I'm not clear, that's actually a good thing. Few films ever get such a visceral reaction out of me, but Green Room managed to do that, and then some, delivering on many fronts as a contender for my favorite film of the year. Since the beginning of the year, A24 has been unstoppable, putting out some of the most unique and incredible genre movies to be released in quite some time.
Green Room is certainly violent and grim. Its sense of dread and brutality is unending and relentless, yet never overstays its welcome or becomes cartoonish or fetishistic. It could've very easily gone into Saw, Hostel or Martyrs territory, letting the bloodshed become the most memorable aspect of the experience, but it did something much more. Not only does the brutality feel real and impactful, unlike the aforementioned films, the characters feel totally believable and genuine, completely immersed in their roles. The protagonists are naive and brash, yet fresh and relatable delinquents. The antagonists are subdued, quiet and strategic, yet animalistic and complex. From a character standpoint, it is such a welcome and ultimately more human change of pace.
For a movie so steeped in violence, it's a very humanistic movie, filled with rich and complex characters that feel like they're apart of something completely real and also very intimate and small-scale. The story is not a black and white 'good vs evil' kind of thing, all characters have their own shortcomings and sympathetic sides, making for an incredibly dynamic cast. It's a debilitatingly horrifying film, yet done with the same amount of care and understatement as Blue Ruin. It's a white knuckle thrillfest, and one that pits a lump in your stomach from the intensity witnessed on screen.
Green Room is perhaps the most stressed out I've ever been watching a film, and if I'm not clear, that's actually a good thing. Few films ever get such a visceral reaction out of me, but Green Room managed to do that, and then some, delivering on many fronts as a contender for my favorite film of the year. Since the beginning of the year, A24 has been unstoppable, putting out some of the most unique and incredible genre movies to be released in quite some time.
Green Room is certainly violent and grim. Its sense of dread and brutality is unending and relentless, yet never overstays its welcome or becomes cartoonish or fetishistic. It could've very easily gone into Saw, Hostel or Martyrs territory, letting the bloodshed become the most memorable aspect of the experience, but it did something much more. Not only does the brutality feel real and impactful, unlike the aforementioned films, the characters feel totally believable and genuine, completely immersed in their roles. The protagonists are naive and brash, yet fresh and relatable delinquents. The antagonists are subdued, quiet and strategic, yet animalistic and complex. From a character standpoint, it is such a welcome and ultimately more human change of pace.
For a movie so steeped in violence, it's a very humanistic movie, filled with rich and complex characters that feel like they're apart of something completely real and also very intimate and small-scale. The story is not a black and white 'good vs evil' kind of thing, all characters have their own shortcomings and sympathetic sides, making for an incredibly dynamic cast. It's a debilitatingly horrifying film, yet done with the same amount of care and understatement as Blue Ruin. It's a white knuckle thrillfest, and one that pits a lump in your stomach from the intensity witnessed on screen.
- Deimos-remus
- Jul 11, 2016
- Permalink
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $3,220,371
- Opening weekend US & Canada
- $87,984
- Apr 17, 2016
- Gross worldwide
- $3,767,402
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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