From Aug. 17-23, the charming coastal town of Haugesund, Norway, will showcase 76 films and 21 shorts in the newly renovated Edda film hub, offering two extra screening rooms, bringing the total halls to seven.
“We are looking forward to using the two new luxury halls and giving both the films and the audience a quality experience,” said festival honcho Tonje Hardersen.
Many of the high-quality features will screen in the festival’s main program, including several Cannes entries making their Norwegian premiere, such as “All We Imagine as Light,” “The Substance,” “Wild Diamond,” “The Girl with the Needle” and “When the Light Breaks.”
Among the four world premieres, three hail from Norway, a nation that boasts an enviable list of 2024 fest winners, such as Sundance’s “A New Kind of Wilderness,” “Handling the Undead,” Berlin’s “Sex” and Karlovy Vary’s “Loveable,” all lined up for Haugesund as well.
“Once again,...
“We are looking forward to using the two new luxury halls and giving both the films and the audience a quality experience,” said festival honcho Tonje Hardersen.
Many of the high-quality features will screen in the festival’s main program, including several Cannes entries making their Norwegian premiere, such as “All We Imagine as Light,” “The Substance,” “Wild Diamond,” “The Girl with the Needle” and “When the Light Breaks.”
Among the four world premieres, three hail from Norway, a nation that boasts an enviable list of 2024 fest winners, such as Sundance’s “A New Kind of Wilderness,” “Handling the Undead,” Berlin’s “Sex” and Karlovy Vary’s “Loveable,” all lined up for Haugesund as well.
“Once again,...
- 8/3/2024
- by Annika Pham
- Variety Film + TV
Signature Entertainment has acquired UK-Ireland distribution rights to TrustNordisk’s Second World War drama The Arctic Convoy, as one of several key territory sales.
Henrik M. Dahlsbakken’s film has also sold to France (The Jokers Film), Portugal (Films4You), former Yugoslavia (Cinemania Group), China (Virtual Cinema/Pumpkin Film), Australia and New Zealand (Palace Films) and Latin America (Gussi).
Inspired by true naval stories from the Second World War, The Arctic Convoy follows ordinary sailors on convoy ships making a dangerous journey through the icy Arctic sea.
The film stars Kon-Tiki and Out Stealing Horses star Tobias Santelmann, and Anders Baasmo.
Henrik M. Dahlsbakken’s film has also sold to France (The Jokers Film), Portugal (Films4You), former Yugoslavia (Cinemania Group), China (Virtual Cinema/Pumpkin Film), Australia and New Zealand (Palace Films) and Latin America (Gussi).
Inspired by true naval stories from the Second World War, The Arctic Convoy follows ordinary sailors on convoy ships making a dangerous journey through the icy Arctic sea.
The film stars Kon-Tiki and Out Stealing Horses star Tobias Santelmann, and Anders Baasmo.
- 5/17/2024
- ScreenDaily
Oscar contenders and Berlin prize-winners will be among the European films represented by visiting companies to FilMart that are making use of the European Film Promotion umbrella stand within the annual Hong Kong market.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
- 3/10/2024
- by Patrick Frater
- Variety Film + TV
If Renate Reinsve hadn’t been offered the lead in Joachim Trier’s 2021 feature The Worst Person in the World, she was planning to quit acting and become a carpenter. After years of frustration with the roles being offered her in Norway, Reinsve had decided to try out Plan B: Learn woodworking and set up a carpentry school for young girls and women.
“I had just finished renovating my house,” Reinsve recalls, “and I really loved it, doing things with my hands, making something physical and real. So I thought: Maybe this is what I should be doing.”
But that call from Trier put Plan A back on the table. The Worst Person in the World, which Reinsve describes as an “anti-romantic romantic comedy,” premiered in Cannes and was an instant breakout. Reinsve’s performance as Julie, a funny and flawed, charming, chaotic and profoundly relatable 30-something who tumbles through jobs and relationships,...
“I had just finished renovating my house,” Reinsve recalls, “and I really loved it, doing things with my hands, making something physical and real. So I thought: Maybe this is what I should be doing.”
But that call from Trier put Plan A back on the table. The Worst Person in the World, which Reinsve describes as an “anti-romantic romantic comedy,” premiered in Cannes and was an instant breakout. Reinsve’s performance as Julie, a funny and flawed, charming, chaotic and profoundly relatable 30-something who tumbles through jobs and relationships,...
- 2/22/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The International Film Festival Rotterdam has many international premières for its audiences, one of which was Henrik Martin Dahlsbakken's war drama Konvoi a.k.a. The Arctic Convoy. Solidly researched and excellently executed, Dahlsbakken's film tells a story about the Norwegian ships which supplied the Russian army in World War II. As the East front turned ever more brutal and the battle of Stalingrad was mulching two armies to pulp, the Allied forces decided to help the Russians by sending gigantic convoys travelling from Iceland to the Northwest Russian harbour Murmansk. A typical convoy consisted of 35 freight ships, loaded with guns and ammunition, surrounded by an escort of warships. Whenever the convoys were near Nazi-occupied Norway, the seas got peppered with mines and the convoy would...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/6/2024
- Screen Anarchy
Half a century ago, Universal Pictures hoped to carry over the success of its entries in the short-lived disaster film vogue to naval combat movies, stirring some box office if few other rewards via dullish “Midway” and “Gray Lady Down,” which felt like bloated retro B-movies. Having revived the disaster genre with trilogy “The Wave,” “The Quake” and “The Burning Sea,” their Norwegian producers seem to be going the same route with “The Arctic Convoy,” about the perilous voyage of a freighter delivering supplies to Allies on the eastern front during World War 2.
The fact-inspired story’s central situation is compelling enough. But director/co-writer Henrik M. Dahlsbakken (of recent biopic “Munch”) delivers a middling effort too sparing of excitement to satisfy action fans, and without the character depth or involvement to score as drama instead. Released on the film’s home turf at Christmas, the competent but uninspired Scandinavian...
The fact-inspired story’s central situation is compelling enough. But director/co-writer Henrik M. Dahlsbakken (of recent biopic “Munch”) delivers a middling effort too sparing of excitement to satisfy action fans, and without the character depth or involvement to score as drama instead. Released on the film’s home turf at Christmas, the competent but uninspired Scandinavian...
- 1/31/2024
- by Dennis Harvey
- Variety Film + TV
Line-up for the 25th edition of the market includes 16 completed features, 15 Wip, 17 films in development.
Films by Sweat director Magnus von Horn and Margrete: Queen of the North filmmaker Charlotte Sieling will be presented at the 25th Nordic Film Market (January 31-February 2), the film marketplace of Goteborg Film Festival.
The projects are among the 15 Nordic films in post-production being showcased in the Works in Progress strand.
Scroll down for the full Market selection
Swedish director von Horn attends with The Girl With The Needle, a horror story set in 1910s Denmark, starring Trine Dyrholm and produced by Creative Alliance’s Malene Blenkov.
Films by Sweat director Magnus von Horn and Margrete: Queen of the North filmmaker Charlotte Sieling will be presented at the 25th Nordic Film Market (January 31-February 2), the film marketplace of Goteborg Film Festival.
The projects are among the 15 Nordic films in post-production being showcased in the Works in Progress strand.
Scroll down for the full Market selection
Swedish director von Horn attends with The Girl With The Needle, a horror story set in 1910s Denmark, starring Trine Dyrholm and produced by Creative Alliance’s Malene Blenkov.
- 1/16/2024
- by Ben Dalton
- ScreenDaily
Magnolia Pictures has acquired U.S. rights to “Arctic Convoy,” a Norwegian naval thriller that is set in the middle of World War II. The film is from the producers of “The Wave” trilogy, so it’s a homecoming of sorts given that Magnolia released all three installments of that series.
“Arctic Convoy” is directed by Henrik M. Dahlsbakken and written by Christian Sibenherz, Harald Rosenløw Eeg and Lars Gudmestad. Magnolia is planning a 2024 release for the picture.
The film unfolds in 1942, as the leader of a convoy carrying vital military supplies to a Norwegian outpost decides to proceed through treacherous, enemy-infested waters despite the recall of their military escort. Fighting for their lives against German air and naval forces, the 35 civilian merchant ships brave brutal Arctic seas to bring much-needed support to soldiers on the front lines.
The film is produced by Martin Sundland, Catrin Gundersen and Thea Benedikte Karlsen for FanteFilm.
“Arctic Convoy” is directed by Henrik M. Dahlsbakken and written by Christian Sibenherz, Harald Rosenløw Eeg and Lars Gudmestad. Magnolia is planning a 2024 release for the picture.
The film unfolds in 1942, as the leader of a convoy carrying vital military supplies to a Norwegian outpost decides to proceed through treacherous, enemy-infested waters despite the recall of their military escort. Fighting for their lives against German air and naval forces, the 35 civilian merchant ships brave brutal Arctic seas to bring much-needed support to soldiers on the front lines.
The film is produced by Martin Sundland, Catrin Gundersen and Thea Benedikte Karlsen for FanteFilm.
- 12/18/2023
- by Brent Lang
- Variety Film + TV
Stars: Eili Harboe, Dennis Storhoi, Regina Tucker, Vebjorn Enger, Jonis Jesf, Iben Akerlie, Arthur Berning | Written and Directed by Henrik Martin Dahlsbakken
Like many people, you might think you’ve seen everything when it comes to zombie movies. But there’s always somebody with a new idea, a fresh and original take on the horror genre. Films like One Cut of the Dead, Anna and the Apocalypse, and Train to Busan, have all added something new to the zombie movie, and this Norwegian production tries to do the same.
And Project Z is somewhat original. It takes things from various other movies to create something that is quite unique. To start with, this is a found footage movie, and there’s actually not a whole lot of found footage zombie movies. It doesn’t exactly play out like other films in that horror subgenre though, because it’s a movie about people making a movie.
Like many people, you might think you’ve seen everything when it comes to zombie movies. But there’s always somebody with a new idea, a fresh and original take on the horror genre. Films like One Cut of the Dead, Anna and the Apocalypse, and Train to Busan, have all added something new to the zombie movie, and this Norwegian production tries to do the same.
And Project Z is somewhat original. It takes things from various other movies to create something that is quite unique. To start with, this is a found footage movie, and there’s actually not a whole lot of found footage zombie movies. It doesn’t exactly play out like other films in that horror subgenre though, because it’s a movie about people making a movie.
- 11/9/2023
- by Alain Elliott
- Nerdly
The prolific Dahlsbakken has previously directed Munch, Possession and Returning Home.
TrustNordisk has boarded international sales for the action drama Convoy (working title), directed by Henrik M. Dahlsbakken. The project is budgeted at $6.6m (Euros 6m).
The World War 2 naval drama, inspired by real historical events, is produced by Martin Sundland, Catrin Gundersen & Thea Benedikte Karlsen for FanteFilm, which is behind disaster hits such as The North Sea, The Quake and The Wave. Backers include Norwegian Film Institute, Film i Väst and FilmInvest.
The cast is yet to be revealed.
The prolific Dahlsbakken has previously directed Munch, Possession and Returning Home.
TrustNordisk has boarded international sales for the action drama Convoy (working title), directed by Henrik M. Dahlsbakken. The project is budgeted at $6.6m (Euros 6m).
The World War 2 naval drama, inspired by real historical events, is produced by Martin Sundland, Catrin Gundersen & Thea Benedikte Karlsen for FanteFilm, which is behind disaster hits such as The North Sea, The Quake and The Wave. Backers include Norwegian Film Institute, Film i Väst and FilmInvest.
The cast is yet to be revealed.
The prolific Dahlsbakken has previously directed Munch, Possession and Returning Home.
- 5/2/2023
- by Wendy Mitchell
- ScreenDaily
“We go where others do not go,” said a passionate Vanja Kaludjercic, of the mission to celebrate rising film-making countries.
At an emotional opening night event in a packed Doelen Grand Hall, Vanja Kaludjercic, festival director of the International Film Festival Rotterdam, expressed “her sense of relief and her gratitude” at being able finally to welcome guests “after a three-year wait”. She became festival director in 2020 but her first two editions at the helm, including the 50th anniversary, happened online.
These, she acknowledged, were “three years that actually changed the world as we knew [it]; three years that took a toll on all of us.
At an emotional opening night event in a packed Doelen Grand Hall, Vanja Kaludjercic, festival director of the International Film Festival Rotterdam, expressed “her sense of relief and her gratitude” at being able finally to welcome guests “after a three-year wait”. She became festival director in 2020 but her first two editions at the helm, including the 50th anniversary, happened online.
These, she acknowledged, were “three years that actually changed the world as we knew [it]; three years that took a toll on all of us.
- 1/26/2023
- by Geoffrey Macnab
- ScreenDaily
Rotterdam Opener Takes On ‘The Scream’ Creator Edvard Munch: ‘His Art Is Famous, But Not the Artist’
Edvard Munch’s best-known work, “The Scream,” has been endlessly referenced or parodied – even in “The Simpsons.” But the painter himself, who passed away in 1944, remains an enigma.
“His art is famous, but not the artist. And I wanted to tell a story about the artist. His life is the main focus here,” says director Henrik Martin Dahlsbakken, whose “Munch” has been selected as opening film at the International Film Festival Rotterdam.
He never intended to make a typical biopic, however. “Most of them are quite… boring. Munch evolved a lot, in terms of how he lived, but also his art and his motives. It was necessary to find another way.”
With the help of four different screenwriters, each focusing on a different period in his life, he cast four actors as Munch: Alfred Ekker Strande, Mattis Herman Nyquist, Ola G. Furuseth and even Anne Krigsvoll.
“The hardest part was...
“His art is famous, but not the artist. And I wanted to tell a story about the artist. His life is the main focus here,” says director Henrik Martin Dahlsbakken, whose “Munch” has been selected as opening film at the International Film Festival Rotterdam.
He never intended to make a typical biopic, however. “Most of them are quite… boring. Munch evolved a lot, in terms of how he lived, but also his art and his motives. It was necessary to find another way.”
With the help of four different screenwriters, each focusing on a different period in his life, he cast four actors as Munch: Alfred Ekker Strande, Mattis Herman Nyquist, Ola G. Furuseth and even Anne Krigsvoll.
“The hardest part was...
- 1/25/2023
- by Marta Balaga
- Variety Film + TV
The wait is over: Intl. Film Festival Rotterdam (IFFR), set to kick off on Jan. 25, is returning for its first full on-site edition in three years.
“We are finally able to present the reshaped program as it was intended: in cinemas across Rotterdam. We find it incredibly encouraging to see that the number of accredited guests is similar to pre-covid editions,” says festival director Vanja Kaludjercic.
Alongside IFFR’s Tiger competition strand, which celebrates innovative and adventurous up-and-coming filmmakers, there are retrospectives of Judit Elek, Stanya Kahn, Arc and Japanese animator Yuasa Masaaki, as well as “Sunshine State,” Steve McQueen’s much-anticipated artwork, originally commissioned for the festival’s 50th anniversary back in 2021.
“It’s great to see that this extra time has allowed it to evolve into what it is today: a monumental two-channel video projection that will surely move all those who witness it,” she adds. “With this commission,...
“We are finally able to present the reshaped program as it was intended: in cinemas across Rotterdam. We find it incredibly encouraging to see that the number of accredited guests is similar to pre-covid editions,” says festival director Vanja Kaludjercic.
Alongside IFFR’s Tiger competition strand, which celebrates innovative and adventurous up-and-coming filmmakers, there are retrospectives of Judit Elek, Stanya Kahn, Arc and Japanese animator Yuasa Masaaki, as well as “Sunshine State,” Steve McQueen’s much-anticipated artwork, originally commissioned for the festival’s 50th anniversary back in 2021.
“It’s great to see that this extra time has allowed it to evolve into what it is today: a monumental two-channel video projection that will surely move all those who witness it,” she adds. “With this commission,...
- 1/25/2023
- by Marta Balaga
- Variety Film + TV
Goteborg will screen nearly 250 films in 700 screenings, making it the largest film festival in Scandinavia.
The 46th Goteborg Film Festival (Jan 27-Feb 5) will kick off with the world premiere of Exodus, directed by Abbe Hassan, about a smuggler who tries to save a Syrian girl; the closing film will be Camino, directed by Birgitte Stærmose, about a 30-year-old woman on a long hike with her father to honour her mother’s last wish.
Goteborg will screen nearly 250 films in 700 screenings, making it the largest film festival in Scandinavia.
About 50 of the films – including all in the International Competition – will be...
The 46th Goteborg Film Festival (Jan 27-Feb 5) will kick off with the world premiere of Exodus, directed by Abbe Hassan, about a smuggler who tries to save a Syrian girl; the closing film will be Camino, directed by Birgitte Stærmose, about a 30-year-old woman on a long hike with her father to honour her mother’s last wish.
Goteborg will screen nearly 250 films in 700 screenings, making it the largest film festival in Scandinavia.
About 50 of the films – including all in the International Competition – will be...
- 1/10/2023
- by Wendy Mitchell
- ScreenDaily
The Göteborg Film Festival has unveiled the competition titles selected for its 46th edition, which runs from January 27 – February 5. (Scroll down for the full list).
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400 000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Swedish filmmaker Isabella Carbonell’s thriller Dogborn, starring Swedish rap star Silvana Imam. The pic debuted at Venice last year and follows two homeless twins and their struggle to survive. Hlynur Pálmason’s well-received period piece Godland also screens in competition. Set in the late 19th Century, the drama revolves around a young Danish priest who travels to a remote part of...
Göteborg is split into four competition strands. The main strand is the Nordic Competition, which features nine films from the Nordic region. The competition’s winner takes home the Dragon Award and a Sek 400 000 cash prize. The rest of the festival comprises the Nordic Documentary Competition, the Ingmar Bergman Competition for first-time filmmakers, and the International Competition.
Among the Nordic highlights is Swedish filmmaker Isabella Carbonell’s thriller Dogborn, starring Swedish rap star Silvana Imam. The pic debuted at Venice last year and follows two homeless twins and their struggle to survive. Hlynur Pálmason’s well-received period piece Godland also screens in competition. Set in the late 19th Century, the drama revolves around a young Danish priest who travels to a remote part of...
- 1/10/2023
- by Zac Ntim
- Deadline Film + TV
Following the lineups from Slamdance and Sundance, an early look at 2023 in cinema has come into further focus with the announcement of the competition lineup for the International Film Festival Rotterdam. Taking place January 25 through February 5, the festival will open with Henrik Martin Dahlsbakken’s Munch, an experimental biopic of Norwegian painter Edvard Munch. Along with the Tiger and Big Screen competition, seen below, the festival will also Steve McQueen’s latest artwork Sunshine State, a two-channel video projection.
Check out the lineup below via THR.
Opening Film
Munch, dir. Henrik Martin Dahlsbakken
Tiger Competition
100 Seasons, dir. Giovanni Bucchieri
Gagaland, dir. Teng Yuhan
Geology of Separation, dirs. Yosr Gasmi, Mauro Mazzocchi
Indivision, dir. Leïla Kilani
Letzter Abend, dir. Lukas Nathrath
Mannvirki, dir. Gústav Geir Bollason
Munnel, dir. Visakesa Chandrasekaram
New Strains, dir. Artemis Shaw, Prashanth Kamalakanthan
Notas sobre un verano, dir. Diego Llorente
Numb, dir. Amir Toodehroosta
Nummer achttien, dir.
Check out the lineup below via THR.
Opening Film
Munch, dir. Henrik Martin Dahlsbakken
Tiger Competition
100 Seasons, dir. Giovanni Bucchieri
Gagaland, dir. Teng Yuhan
Geology of Separation, dirs. Yosr Gasmi, Mauro Mazzocchi
Indivision, dir. Leïla Kilani
Letzter Abend, dir. Lukas Nathrath
Mannvirki, dir. Gústav Geir Bollason
Munnel, dir. Visakesa Chandrasekaram
New Strains, dir. Artemis Shaw, Prashanth Kamalakanthan
Notas sobre un verano, dir. Diego Llorente
Numb, dir. Amir Toodehroosta
Nummer achttien, dir.
- 12/19/2022
- by Jordan Raup
- The Film Stage
‘Munch’ to open first physical Rotterdam film festival since 2020; Tiger, Big Screen titles unveiled
It will be artistic director Vanja Kaludjercic’s first full physical event since being appointed three years ago.
Norwegian director Henrik Martin Dahlsbakken’s Munch will open the 2023 International Film Festival Rotterdam (IFFR), taking place from January 25-February 5 in the Netherlands. It is the first in-person festival following two online pandemic events and the first physical one for festival director Vanja Kaludjercic since taking over from Bero Beyer after the 2020 event.
Munch, which will screen out of competition, explores the life of the tortured Norwegian artist, celebrated for his painting of ‘The Scream’, and who endured mental turmoil throughout his life.
Norwegian director Henrik Martin Dahlsbakken’s Munch will open the 2023 International Film Festival Rotterdam (IFFR), taking place from January 25-February 5 in the Netherlands. It is the first in-person festival following two online pandemic events and the first physical one for festival director Vanja Kaludjercic since taking over from Bero Beyer after the 2020 event.
Munch, which will screen out of competition, explores the life of the tortured Norwegian artist, celebrated for his painting of ‘The Scream’, and who endured mental turmoil throughout his life.
- 12/19/2022
- by Geoffrey Macnab
- ScreenDaily
New York-based Juno Films has acquired all North American distribution rights to “Munch,” the upcoming Rotterdam Film Festival opening night film which is backed by Viaplay, Scandinavia’s leading streamer, and directed by Norway’s Henrik M. Dahlsbakken’s (“The Outlaws”).
“Munch” is produced by The Film Company. The deal was negotiated between Vondah Elizabeth Sheldon on behalf of Juno Films and Vimish Gandesha, VP Viaplay select & content distribution. The feature is expected to premiere in New York, late spring 2023, with a nationwide run to follow.
“Our latest Norwegian feature paints a sensitive portrait of one of history’s most enigmatic artists,” says Filippa Wallestam, Viaplay Group chief content officer. “[Edvard] Munch’s work is famed around the world, but his equally fascinating life is much less well-known.”
The film, which opens Rotterdam on Jan. 15, is, in some way, a quadriptych, split as it is into four chapters. Each part captures...
“Munch” is produced by The Film Company. The deal was negotiated between Vondah Elizabeth Sheldon on behalf of Juno Films and Vimish Gandesha, VP Viaplay select & content distribution. The feature is expected to premiere in New York, late spring 2023, with a nationwide run to follow.
“Our latest Norwegian feature paints a sensitive portrait of one of history’s most enigmatic artists,” says Filippa Wallestam, Viaplay Group chief content officer. “[Edvard] Munch’s work is famed around the world, but his equally fascinating life is much less well-known.”
The film, which opens Rotterdam on Jan. 15, is, in some way, a quadriptych, split as it is into four chapters. Each part captures...
- 12/19/2022
- by Callum McLennan
- Variety Film + TV
This year’s International Film Festival Rotterdam (IFFR) has unveiled the 16 films selected for its flagship Tiger Competition. Scroll down for the full list.
As always, the competition selection is a global affair, with features from Sweeden to Sri Lanka. The 2023 jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Alonso Díaz de la Vega, Anisia Uzeyman, Christine Vachon, Lav Diaz, and Sabrina Baracetti.
Running from January 25 to February 5, the fest is set to return for its first full-scale physical edition since the pandemic. The event will open with Munch, an experimental feature biopic of the Norwegian expressionist painter Edvard Munch by Henrik Martin Dahlsbakken (Returning Home).
The honorary Robby Müller Award will go to French cinematographer Hélène Louvart. Louvart is best known for her work with Claire Denis, including the 1999 classic Beau Travail. Louvart has also worked with directors such as Wim Wenders,...
As always, the competition selection is a global affair, with features from Sweeden to Sri Lanka. The 2023 jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Alonso Díaz de la Vega, Anisia Uzeyman, Christine Vachon, Lav Diaz, and Sabrina Baracetti.
Running from January 25 to February 5, the fest is set to return for its first full-scale physical edition since the pandemic. The event will open with Munch, an experimental feature biopic of the Norwegian expressionist painter Edvard Munch by Henrik Martin Dahlsbakken (Returning Home).
The honorary Robby Müller Award will go to French cinematographer Hélène Louvart. Louvart is best known for her work with Claire Denis, including the 1999 classic Beau Travail. Louvart has also worked with directors such as Wim Wenders,...
- 12/19/2022
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
The International Film Festival Rotterdam (IFFR) on Monday unveiled its full line for its 2023 event.
After two all-virtual festivals, the IFFR is finally returning in-person fest, running January 25-February 5 in the Dutch port city. Rotterdam is one of the last major festivals to return post-pandemic, its 2022 event having been forced to go online-only at the last minute when Dutch authorities imposed a new lockdown in December last year, just weeks before the IFFR kicked off.
The resulting revenue shortfall —closed theatres equals zero ticket sales —meant IFFR had to slash its budget, cutting 15 percent of its staff and restructuring.
Festival director Vanja Kaludjercic, who runs the IFFR together with managing director Marjan van der Haar, told The Hollywood Reporter the cuts were made “in order to avoid having to make big changes to the festival.” The 2023 edition, however, will be significantly smaller than the pre-pandemic versions,...
The International Film Festival Rotterdam (IFFR) on Monday unveiled its full line for its 2023 event.
After two all-virtual festivals, the IFFR is finally returning in-person fest, running January 25-February 5 in the Dutch port city. Rotterdam is one of the last major festivals to return post-pandemic, its 2022 event having been forced to go online-only at the last minute when Dutch authorities imposed a new lockdown in December last year, just weeks before the IFFR kicked off.
The resulting revenue shortfall —closed theatres equals zero ticket sales —meant IFFR had to slash its budget, cutting 15 percent of its staff and restructuring.
Festival director Vanja Kaludjercic, who runs the IFFR together with managing director Marjan van der Haar, told The Hollywood Reporter the cuts were made “in order to avoid having to make big changes to the festival.” The 2023 edition, however, will be significantly smaller than the pre-pandemic versions,...
- 12/19/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
International Film Festival Rotterdam (IFFR) will open on Jan. 25 with “Munch,” Henrik Martin Dahlsbakken’s take on the Norwegian artist behind “The Scream.”
“Bringing to life the inner world of such a complex character has been a very rewarding experience. We are thrilled to show audiences what inspired [Edvard] Munch and what kept his inner flame alive,” noted the helmer.
Produced by The Film Company and sold internationally by Viaplay Content Distribution, it will premiere in Norwegian cinemas on Jan. 27 and on Viaplay on March 24.
IFFR, set to return for its first full-scale physical edition since the pandemic, will present 16 films in its flagship Tiger Competition. Jurors Sabrina Baracetti, Lav Diaz, Anisia Uzeyman, Christine Vachon and Alonso Díaz de la Vega will grant three prizes: the Tiger Award, worth €40,000, and two Special Jury Awards, worth €10,000 each.
Ukraine’s Philip Sotnychenko “La Palisiada,” “New Strains” by Artemis Shaw and Prashanth Kamalakanthan, and...
“Bringing to life the inner world of such a complex character has been a very rewarding experience. We are thrilled to show audiences what inspired [Edvard] Munch and what kept his inner flame alive,” noted the helmer.
Produced by The Film Company and sold internationally by Viaplay Content Distribution, it will premiere in Norwegian cinemas on Jan. 27 and on Viaplay on March 24.
IFFR, set to return for its first full-scale physical edition since the pandemic, will present 16 films in its flagship Tiger Competition. Jurors Sabrina Baracetti, Lav Diaz, Anisia Uzeyman, Christine Vachon and Alonso Díaz de la Vega will grant three prizes: the Tiger Award, worth €40,000, and two Special Jury Awards, worth €10,000 each.
Ukraine’s Philip Sotnychenko “La Palisiada,” “New Strains” by Artemis Shaw and Prashanth Kamalakanthan, and...
- 12/19/2022
- by Marta Balaga
- Variety Film + TV
Exclusive: Edvard Munch, painter of the iconic The Scream, is to have his life portrayed in a Norwegian feature film from Viaplay.
One of the world’s greatest artists of all time will be depicted across four stages in Munch, with a quartet of Norwegian actors boarding the feature.
Directed by Henrik M. Dahlsbakken, Munch will premiere on 27 January in Norwegian cinemas and two months later on Viaplay, the Scandi streaming service that is premiering 70 films and TV shows this year. Recent greenlights include Jana – Marked for Life and an adaptation of Ian Rankin’s Rebus.
The film opens with the story of Munch’s first love, before showing the controversy around one of his early exhibitions. Munch’s admission to a psychiatric clinic will then be covered, where he is forced to make the biggest decision of his life, before the film relates the artist’s battle to save...
One of the world’s greatest artists of all time will be depicted across four stages in Munch, with a quartet of Norwegian actors boarding the feature.
Directed by Henrik M. Dahlsbakken, Munch will premiere on 27 January in Norwegian cinemas and two months later on Viaplay, the Scandi streaming service that is premiering 70 films and TV shows this year. Recent greenlights include Jana – Marked for Life and an adaptation of Ian Rankin’s Rebus.
The film opens with the story of Munch’s first love, before showing the controversy around one of his early exhibitions. Munch’s admission to a psychiatric clinic will then be covered, where he is forced to make the biggest decision of his life, before the film relates the artist’s battle to save...
- 12/7/2022
- by Max Goldbart
- Deadline Film + TV
REinvent Studios, the Scandinavian sales company tied up with local major Sf Studios, is getting into the genre film world via REinvent Chills, a new wing of the company that will focus on handling rights for horrors, thrillers and similar subgenres.
The company is launching the new arm with four initial pickups:
Leave comes from the team behind Dead Snow and is produced by Savid Sppilde, who produced Netflix’s Lilyhammer. Alex Herron will direct from a screenplay by Thomas Moldestad. Charlotte Hope will star in the lead role. Film follows a young woman who is haunted by a malevolent spirit. Shoot is scheduled for fall 2022.
Watching is directed by Peter Ahlénm, who is currently co-helming the TV series Trom, which is produced by REinvent. Pic is a psychological horror about a traumatized lifeguard who returns to work after a tragic drowning accident. Shoot is penned in for fall 2022.
Pål Øie...
The company is launching the new arm with four initial pickups:
Leave comes from the team behind Dead Snow and is produced by Savid Sppilde, who produced Netflix’s Lilyhammer. Alex Herron will direct from a screenplay by Thomas Moldestad. Charlotte Hope will star in the lead role. Film follows a young woman who is haunted by a malevolent spirit. Shoot is scheduled for fall 2022.
Watching is directed by Peter Ahlénm, who is currently co-helming the TV series Trom, which is produced by REinvent. Pic is a psychological horror about a traumatized lifeguard who returns to work after a tragic drowning accident. Shoot is penned in for fall 2022.
Pål Øie...
- 5/26/2021
- by Tom Grater
- Deadline Film + TV
There are so many international films playing here at the Miami Film Festival 2019, that it would be nearly impossible to watch them all. I've just seen Director Henrik Martin Dahlsbakken's fifth feature, An Affair, and it treads some rough cinematic waters where content is concerned. That is to say, an intimate affair between a teacher and a student learning how to harness his hormones and raging sexuality. The film centers on middle-aged Anita (Andrea Bræin Hovig), a bored, well-to-do woman married to a never-home lawyer who couldn't be more disinterested in his wife if he tried. And so, Anita takes a job filling in as a substitute teacher at the nearby high school. It isn't long before student Markus (Tarjei Sandvik Moe) comes onto Anita in...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/6/2019
- Screen Anarchy
Projects participated in the Nordic festival’s works in progress event.
Ruben Ostlund got buyers and festival programmers hopping with excitement in Goteborg as he presented the first footage from his forthcoming fifth feature The Square during the festival’s work in progress pitches.
Ostlund screened about seven minutes from one scene of the new film, during which a controversial performance artist (played by Terry Notary) makes guests at a black-tie art gala very uncomfortable. “You know I love awkward situations,” the director said.
Goteborg’s audience of industry experts commented that they were impressed by the confidence of the unnerving scene, which showed Ostlund working on a bigger scale even than his last hit, Force Majeure.
At a festival session later for the public, Ostlund previewed a second clip from the film, in which a museum director (Claes Bang) delivers a self-centered video apology to a boy he had accused of being a thief.
Another high-profile...
Ruben Ostlund got buyers and festival programmers hopping with excitement in Goteborg as he presented the first footage from his forthcoming fifth feature The Square during the festival’s work in progress pitches.
Ostlund screened about seven minutes from one scene of the new film, during which a controversial performance artist (played by Terry Notary) makes guests at a black-tie art gala very uncomfortable. “You know I love awkward situations,” the director said.
Goteborg’s audience of industry experts commented that they were impressed by the confidence of the unnerving scene, which showed Ostlund working on a bigger scale even than his last hit, Force Majeure.
At a festival session later for the public, Ostlund previewed a second clip from the film, in which a museum director (Claes Bang) delivers a self-centered video apology to a boy he had accused of being a thief.
Another high-profile...
- 2/6/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Jussi Hiltunen’s Lapland-set feature is screening at Goteborg’s Nordic Film Market and Berlin’s Efm.
LevelK has taken on sales for Jussi Hiltunen’s Finnish dramatic thriller Law Of The Land.
The Denmark-based sales company will screen the film at Berlin’s Efm and it is also screening for industry at this week’s Nordic Film Market in Goteborg.
The film is a modern Western set in Arctic Lapland on the Finnish-Swedish border.
The story follows Lasse, a retiring policeman who gets caught in between two men trying to kill each other.
Nordisk Film released in January in Finland.
Producers are Kai Nordberg and Kaarle Aho for Making Movies in co-production with Joachim Lyng of Sweet Films (Norway) and Svein Andersen & Kjetil Jensberg of FilmCamp (Norway).
The $2.6m (€2.4m) film was backed by the Finnish Film Foundation, Yle, Eurimages, the Norwegian Film Institute, Creative Europe and FilmCamp.
Finnish director...
LevelK has taken on sales for Jussi Hiltunen’s Finnish dramatic thriller Law Of The Land.
The Denmark-based sales company will screen the film at Berlin’s Efm and it is also screening for industry at this week’s Nordic Film Market in Goteborg.
The film is a modern Western set in Arctic Lapland on the Finnish-Swedish border.
The story follows Lasse, a retiring policeman who gets caught in between two men trying to kill each other.
Nordisk Film released in January in Finland.
Producers are Kai Nordberg and Kaarle Aho for Making Movies in co-production with Joachim Lyng of Sweet Films (Norway) and Svein Andersen & Kjetil Jensberg of FilmCamp (Norway).
The $2.6m (€2.4m) film was backed by the Finnish Film Foundation, Yle, Eurimages, the Norwegian Film Institute, Creative Europe and FilmCamp.
Finnish director...
- 2/3/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: France, Japan, Spain among deals for adventure-thriller.
Danish outfit LevelK has sold Norwegian action-thriller Cave to Spain (Film Buro), Japan (At Entertainment), France (Swift Distribution), China (Jetsen Huashi Cultural Media), Korea (JoyNCinema), Turkey (Sinema TV) and Iran (21st Century Pictures).
The deals follow the recently secured pact for North America and Latin America with California Filmes.
Writer-director-producer Henrik Martin Dahlsbakken’s third feature, shot on location in Norway and Mexico, follows a group of former elite military operatives who set out to explore an uncharted cave system.
Cast includes Mads Sjøgård Pettersen (Eddie The Eagle), Benjamin Helstad (King Of Devil’s Island), Heidi Toini (Nobel) and Ingar Helge Gimle (Hotel Caesar).
Cave closed the Haugesund Film Festival and premiered in Norway on Sept. 2.
Danish outfit LevelK has sold Norwegian action-thriller Cave to Spain (Film Buro), Japan (At Entertainment), France (Swift Distribution), China (Jetsen Huashi Cultural Media), Korea (JoyNCinema), Turkey (Sinema TV) and Iran (21st Century Pictures).
The deals follow the recently secured pact for North America and Latin America with California Filmes.
Writer-director-producer Henrik Martin Dahlsbakken’s third feature, shot on location in Norway and Mexico, follows a group of former elite military operatives who set out to explore an uncharted cave system.
Cast includes Mads Sjøgård Pettersen (Eddie The Eagle), Benjamin Helstad (King Of Devil’s Island), Heidi Toini (Nobel) and Ingar Helge Gimle (Hotel Caesar).
Cave closed the Haugesund Film Festival and premiered in Norway on Sept. 2.
- 11/5/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Damned producers Emilie Jouffroy and Kamilla Hodol are recipients of a BFI Vision Award this year.
Seven genre features were pitched as part of the Nordic Genre Boost at Haugesund’s New Nordic Films market on Wednesday.
Highlights include prolific Icelandic director’s character-driven sci-fi East By Eleven; and The Damned, a Norwegian-uk-Iceland co-production that will be directed by Iceland-born, UK-based director Thordur Palsson and produced by Emilie Jouffroy and Kamilla Hodol of London’s Elation Pictures, which has just received a BFI Vision Award announced today.
This is the third round of the development initiative Nordic Genre Boost launched by Nordisk Film & TV Fond in December 2014. The Boost gives each project a grant of $18,500 (Nok 200,000) as well as offering two residential workshops and mentoring.
“The aim of this initiative is to encourage and support Nordic genre films, giving the selected projects a platform on which to strengthen their visibility and potential to reach the production...
Seven genre features were pitched as part of the Nordic Genre Boost at Haugesund’s New Nordic Films market on Wednesday.
Highlights include prolific Icelandic director’s character-driven sci-fi East By Eleven; and The Damned, a Norwegian-uk-Iceland co-production that will be directed by Iceland-born, UK-based director Thordur Palsson and produced by Emilie Jouffroy and Kamilla Hodol of London’s Elation Pictures, which has just received a BFI Vision Award announced today.
This is the third round of the development initiative Nordic Genre Boost launched by Nordisk Film & TV Fond in December 2014. The Boost gives each project a grant of $18,500 (Nok 200,000) as well as offering two residential workshops and mentoring.
“The aim of this initiative is to encourage and support Nordic genre films, giving the selected projects a platform on which to strengthen their visibility and potential to reach the production...
- 8/24/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Twenty-two emerging producers to receive up to £2.2m; almost 500 applicants.Scroll Down For Recipients
The BFI has announced the recipients of its 2016-18 Vision Awards, comprising 22 investments in up-and-coming UK producers.
The awards, generally spread over two years, are designed to enable producers to build and develop their companies, slates and creative relationships.
The BFI had intended to give 20 awards but increased that allocation to 22 in response to the number of strong applications it received. Almost 500 companies applied for the awards, which are backed by a total commitment from the BFI of £2.2m of National Lottery funding.
Fifteen of the awards are to women producers or partnerships, while eight of the companies are based outside of London, located in Belfast, Cardiff, Glasgow, Hull, Leeds, Manchester, Sheffield and York.
In a bid to foster sustainability, the third iteration of the Vision Awards will include an allowance to cover a producer’s fees and overheads of up to half...
The BFI has announced the recipients of its 2016-18 Vision Awards, comprising 22 investments in up-and-coming UK producers.
The awards, generally spread over two years, are designed to enable producers to build and develop their companies, slates and creative relationships.
The BFI had intended to give 20 awards but increased that allocation to 22 in response to the number of strong applications it received. Almost 500 companies applied for the awards, which are backed by a total commitment from the BFI of £2.2m of National Lottery funding.
Fifteen of the awards are to women producers or partnerships, while eight of the companies are based outside of London, located in Belfast, Cardiff, Glasgow, Hull, Leeds, Manchester, Sheffield and York.
In a bid to foster sustainability, the third iteration of the Vision Awards will include an allowance to cover a producer’s fees and overheads of up to half...
- 8/24/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Exclusive: Companies to collaborate on slate from emerging Norwegian director.
Danish sales outfit LevelK is partnering with Norwegian production company FilmBros to work on a slate of films by 26-year-old rising director Henrik Martin Dahlsbakken.
The first film in the deal will be Dahlsbakken´s third feature Cave, an action-thriller shot on location in Norway and Mexico, which is currently in post-production and will be released theatrically in Norway on September 2 by Another World Entertainment.
Cave, which has a production budget of $500,000, is about a group of former military elites who set out to explore a terrifying uncharted abyss. Cast includes Mads Sjøgård Pettersen (Eddie The Eagle), Benjamin Helstad (King Of Devil’s Island), Heidi Toini (Nobel) and Ingar Helge Gimle (Hotel Caesar).
The film was pitched as a work in progress at this year’s Goteborg Film Festival and LevelK will show a promo in Cannes.
FilmBros is already in pre-production on a sequel, Cave 2, which...
Danish sales outfit LevelK is partnering with Norwegian production company FilmBros to work on a slate of films by 26-year-old rising director Henrik Martin Dahlsbakken.
The first film in the deal will be Dahlsbakken´s third feature Cave, an action-thriller shot on location in Norway and Mexico, which is currently in post-production and will be released theatrically in Norway on September 2 by Another World Entertainment.
Cave, which has a production budget of $500,000, is about a group of former military elites who set out to explore a terrifying uncharted abyss. Cast includes Mads Sjøgård Pettersen (Eddie The Eagle), Benjamin Helstad (King Of Devil’s Island), Heidi Toini (Nobel) and Ingar Helge Gimle (Hotel Caesar).
The film was pitched as a work in progress at this year’s Goteborg Film Festival and LevelK will show a promo in Cannes.
FilmBros is already in pre-production on a sequel, Cave 2, which...
- 4/25/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
City State director Olaf de Fleur and Returning Home director Henrik Martin Dahlsbakken among those backed.Scroll down for the full list
Seven titles have been selected by the Nordisk Film & TV fund for the second round of its Nordic Genre Boost initiative.
Three sci-fi films, City State director Olaf de Fleur’s new project East By Eleven, Returning Home director Henrik Martin Dahlsbakken’s Substitute and To Guard A Mountain director Izer Aliu’s Deep Down, have been picked.
Also on the list are Thordur Palsson’s debut feature psychological horror The Damned, Saara Saarela’s dystopian drama Memory Of Water, Hanna Bergholm’s horror-drama Birds Of A Feather and Tor Fruergaard’s animation Bente And The Mutant Scouts.
A total of 83 titles applied for the second round of the initiative, with the selected projects receiving a grant of $23.3k (Nok 200,000) for development support, access to two residential workshops with script tutoring, and assistance...
Seven titles have been selected by the Nordisk Film & TV fund for the second round of its Nordic Genre Boost initiative.
Three sci-fi films, City State director Olaf de Fleur’s new project East By Eleven, Returning Home director Henrik Martin Dahlsbakken’s Substitute and To Guard A Mountain director Izer Aliu’s Deep Down, have been picked.
Also on the list are Thordur Palsson’s debut feature psychological horror The Damned, Saara Saarela’s dystopian drama Memory Of Water, Hanna Bergholm’s horror-drama Birds Of A Feather and Tor Fruergaard’s animation Bente And The Mutant Scouts.
A total of 83 titles applied for the second round of the initiative, with the selected projects receiving a grant of $23.3k (Nok 200,000) for development support, access to two residential workshops with script tutoring, and assistance...
- 2/19/2016
- ScreenDaily
Catch up with the key news and projects from the Goteborg Film Festival and Nordic Film Market.A warm ‘Welcome’ ahead of Efm
One of the hottest premieres in Goteborg was Welcome To Norway!, the immigration-themed dramedy that was the first film to sell out and later won the Audience Award for best Nordic film. Its industry and press screenings were also packed, setting the film up well as it heads to Berlin’s Efm, where Beta Cinema handles sales.
Director Rune Langlo Denstad said he had the project in mind for more than ten years after he visited a centre for asylum seekers while working on documentary projects. A decade later, the film couldn’t be more topical.
The story follows Primus (Anders Baasmo Christiansen), a desperate and somewhat racist hotel owner in a remote Norwegian village who wants to turn his hotel into a home for asylum seekers to cash in on government funding. Of course...
One of the hottest premieres in Goteborg was Welcome To Norway!, the immigration-themed dramedy that was the first film to sell out and later won the Audience Award for best Nordic film. Its industry and press screenings were also packed, setting the film up well as it heads to Berlin’s Efm, where Beta Cinema handles sales.
Director Rune Langlo Denstad said he had the project in mind for more than ten years after he visited a centre for asylum seekers while working on documentary projects. A decade later, the film couldn’t be more topical.
The story follows Primus (Anders Baasmo Christiansen), a desperate and somewhat racist hotel owner in a remote Norwegian village who wants to turn his hotel into a home for asylum seekers to cash in on government funding. Of course...
- 2/8/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Celluloid Dreams handles Valley of Shadows; Media Luna boards Little Wing; Indie Sales represents The Giant.
The old adage of ‘leaving them wanting more’ was certainly on display at the Works In Progress pitches at Goteborg’s Nordic Film Market this year (full line-up below).
The most-anticipated pitch of the session was Johannes Nyholm’s feature debut The Giant. The director showed several scenes from the film, but refrained from showing footage of the fantastical Giant as he said the VFX was still being worked on.
Also holding back were the producers of Cold Case Hammarskjold, the latest provocative documentary from Mads Brugger (of The Ambassador and The Red Chapel fame), about the death of Swedish diplomat and author Dag Hammarskjold.
Co-producer Andreas Rocksen said the filmmakers had a new theory about how Hammarskjold’s plane went down in 1961, but he said the theory won’t be revealed until the film is ready.
Several of the...
The old adage of ‘leaving them wanting more’ was certainly on display at the Works In Progress pitches at Goteborg’s Nordic Film Market this year (full line-up below).
The most-anticipated pitch of the session was Johannes Nyholm’s feature debut The Giant. The director showed several scenes from the film, but refrained from showing footage of the fantastical Giant as he said the VFX was still being worked on.
Also holding back were the producers of Cold Case Hammarskjold, the latest provocative documentary from Mads Brugger (of The Ambassador and The Red Chapel fame), about the death of Swedish diplomat and author Dag Hammarskjold.
Co-producer Andreas Rocksen said the filmmakers had a new theory about how Hammarskjold’s plane went down in 1961, but he said the theory won’t be revealed until the film is ready.
Several of the...
- 2/8/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Nordic Film Market includes debut films by Force Majeure actress, the screenwriter of A Royal Affair and director of viral hit Las Palmas; CAA, UTA and ICM agents among attending industry.Scroll down for full list
More than 40 Nordic films and works in progress will be presented at the fruitful Nordic Film Market in Goteborg, which runs Feb 4-7 during to the Goteborg Film Festival (Jan 29 - Feb 8).
Often a productive staging post for impressive upcoming regional features and emerging talent, the 2016 lineup includes 17 finished features and 20 works in progress, plus eight titles presented as part of the Nordic Film Lab Discovery programme.
The works-in-progress presentations (see full list below) include ten debut films from the likes of A Royal Affair screenwriter Rasmus Heisterberg, viral hit Las Palmas director Johannes Nyholm, Force Majeure actress Fanni Metelius and Cannes Cinefondation alumni Juho Kuosmanen and Shahrbanoo Sadat.
Other works in progress will be presented from directors Mads Brugger ([link...
More than 40 Nordic films and works in progress will be presented at the fruitful Nordic Film Market in Goteborg, which runs Feb 4-7 during to the Goteborg Film Festival (Jan 29 - Feb 8).
Often a productive staging post for impressive upcoming regional features and emerging talent, the 2016 lineup includes 17 finished features and 20 works in progress, plus eight titles presented as part of the Nordic Film Lab Discovery programme.
The works-in-progress presentations (see full list below) include ten debut films from the likes of A Royal Affair screenwriter Rasmus Heisterberg, viral hit Las Palmas director Johannes Nyholm, Force Majeure actress Fanni Metelius and Cannes Cinefondation alumni Juho Kuosmanen and Shahrbanoo Sadat.
Other works in progress will be presented from directors Mads Brugger ([link...
- 1/27/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Dalibor Matanic’s The High Sun wins hat trick at Cottbus.
Croatia was the big winner at the 25th edition of FilmFestival Cottbus (Nov 3-8) with Dalibor Matanić’s The High Sun taking home three awards, including the Main Prize and Fipresci Prize.
The €25,000 Main Prize was shared equally between Matanić and his producer Ankica Jurić Tilić for the Croatian-Slovenian-Serbian co-production which had its world premiere in San Sebastian in September.
The film’s actress Tihana Lazović was in Cottbus to accept the Main Prize on behalf of Matanić and Tilić, and subsequently picked up the €5,000 Special Prize for Best Actress for her portrayal of three women in three consecutive decades.
The High Sun premiered in Cannes’ Un Certain Regard sidebar where it won the Jury Prize; international sales are handled by Cercamon World Sales for the film which is now Croatia’s submission for the Foreign-Language Film Oscar.
Meanwhile, another Croatian...
Croatia was the big winner at the 25th edition of FilmFestival Cottbus (Nov 3-8) with Dalibor Matanić’s The High Sun taking home three awards, including the Main Prize and Fipresci Prize.
The €25,000 Main Prize was shared equally between Matanić and his producer Ankica Jurić Tilić for the Croatian-Slovenian-Serbian co-production which had its world premiere in San Sebastian in September.
The film’s actress Tihana Lazović was in Cottbus to accept the Main Prize on behalf of Matanić and Tilić, and subsequently picked up the €5,000 Special Prize for Best Actress for her portrayal of three women in three consecutive decades.
The High Sun premiered in Cannes’ Un Certain Regard sidebar where it won the Jury Prize; international sales are handled by Cercamon World Sales for the film which is now Croatia’s submission for the Foreign-Language Film Oscar.
Meanwhile, another Croatian...
- 11/9/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Norway’s submission to the upcoming Academy Awards’ Best Foreign-Language Film category will be Roar Uthaug’s disaster movie The Wave.
The Norwegian Oscar Committee have decided to enter The Wave (Bølgen) as the country’s official candidate for nomination for the Best Foreign-Language Film Oscar at this year’s Academy Awards.
The film beat competition from Henrik Martin Dahlsbakken’s Returning Home (Å Vende Tilbake) and Anne Sewitsky’s Homesick (De Nærmeste).
Dubbed Norway’s ‘first disaster movie’, The Wave is based on the real-life 1934 tsunami that hit Norway’s Tafjord, leaving 40 people dead.
Kristoffer Joner, Ane Dahl Torp, Jonas Hoff Oftebro and Fritjof Såheim star in the film, which is director Uthaug’s fourth feature.
The film was written by John Kåre Raake and Harald Rosenløw Eeg and produced by Are Heidenstrom and Martin Sundland.
“[The Wave] is a genre film with a well-written script, superbly directed, with great acting performances, the committee...
The Norwegian Oscar Committee have decided to enter The Wave (Bølgen) as the country’s official candidate for nomination for the Best Foreign-Language Film Oscar at this year’s Academy Awards.
The film beat competition from Henrik Martin Dahlsbakken’s Returning Home (Å Vende Tilbake) and Anne Sewitsky’s Homesick (De Nærmeste).
Dubbed Norway’s ‘first disaster movie’, The Wave is based on the real-life 1934 tsunami that hit Norway’s Tafjord, leaving 40 people dead.
Kristoffer Joner, Ane Dahl Torp, Jonas Hoff Oftebro and Fritjof Såheim star in the film, which is director Uthaug’s fourth feature.
The film was written by John Kåre Raake and Harald Rosenløw Eeg and produced by Are Heidenstrom and Martin Sundland.
“[The Wave] is a genre film with a well-written script, superbly directed, with great acting performances, the committee...
- 9/3/2015
- ScreenDaily
The Palm Springs International Shortfest, the largest short film festival and market in North America, announced its Festival award winners on Sunday, June 24, 2012. 324 short films screened throughout the Festival along with more than 3,000 filmmaker submissions available in the film market. A total of $118,800 in prizes, including $16,000 in cash awards, were awarded in 20 categories. Held from June 19-25, 2012, the Festival had another record-breaking year in attendance for ticket buyers, filmmakers and film industry delegates.
Darryl Macdonald, ShortFest Programming and Executive Director, said, “It's been a great year for ShortFest, with record crowds, a spectacular lineup of provocative and engaging new films and a banner year for the ShortFest Forums, with acclaimed talents like Robert Elswit, Gus Van Sant and Oorlagh George participating. All in all, we've achieved everything we set out to accomplish with this year's Festival. I'm confident we've provided a fitting springboard for the astonishingly accomplished young filmmakers who participated.”
Returning for a second year, the Palm Springs International ShortFest continued the ShortFest Online Film Festival. Ten films were chosen to represent the Festival online. The ShortFest Online Audience Award went to Lost & Found (UK), directed by Sam Washington. The film will be available to view online for the next three months.
Jury Category Awards
Awards in the non-student and student categories were selected by ShortFest jury members Richard Abramowitz (President of Abramorama, distribution and marketing company), Lael Loewenstein, (President of the Los Angeles Film Critics Association and a critic for Variety) and Jane Schoettle (International Programmer for the Toronto International Film Festival). All first place winners in the non-student categories received a cash award of $2,000. First place winners in the non-student Animation and Live Action categories may be eligible for Academy Awards consideration. Second place recipients received a $500 cash prize.
Designated by AMPAS as an award-qualifying festival, and accredited by the International Short Film Conference, the Palm Springs International ShortFest and its Short Film Market are the largest and most prominent short film showcase in North America. The Festival and its concurrent 3,000-film Market continue to serve as a scouting ground for new filmmaking talent and are well attended by those in the business of buying and selling short films.
The Palm Springs International ShortFest is supported by an ever-growing number of new and longtime sponsors with local, national and international prominence. The Title Sponsor is the City of Palm Springs with Presenting Sponsors The Desert Sun and Spencer’s. Major Sponsors include, Panavision, The BottomLine, Stampede Post Productions, Greenhouse Studios, Kqed San Francisco and The Australian Consulate General in Los Angeles. Special support has been provided by The Academy of Motion Pictures Arts and Sciences.
The 2012 Palm Springs International ShortFest award winners are:
Jury Awards
Best Of Festival Award – Winner received $2,000 cash prize, Software Package courtesy of The Showbiz Café & Store, Post Production award courtesy of Greenhouse Studios and Final Cut Pro X courtesy of Apple. The winner of this award may be eligible to submit their film to the Academy of Motion Picture Arts and Sciences for Oscar consideration.
Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
A young husband, and soon-to-be father, manages a local brothel with his wife. When one of the night’s customers leaves behind an unexpected mess, the husband's keen eye for opportunity and quick thinking may change their fortunes forever.
Panavision Grand Jury Award – Winner received a Panavision Camera Package valued at $60,000.
Paulie (USA), Andrew Nackman
Paulie is a nine year old in the seventh grade. Used to being the smartest kid in the room Paulie aces every test, wins every spelling bee and science fair, and does not lose. So when bully Tony beats him one day at an essay contest, Paulie refuses to let it go.
Future Filmmaker Award – Winner received a $2,000 cash prize and a post production package courtesy of Greenhouse Studios.
Khaana (UK), Rajinder Sawhney
A pregnant, orthodox Muslim woman living in London has an appetite for life as well as for food, in this delightful exploration of the ways in which her homeland’s culture intersects with her still novel foreign surroundings.
Audience Awards
Audience Favorite Live Action Short
A Curious Conjunction of Coincidences (Netherlands), Joost Reijmers
An absurdist journey through time with an explosive ending in the heart of Amsterdam, this Dutch treat won the Best Comedy Award at the recent Aspen ShortsFest, and rightly so: its inventive tale links up three hapless heroes living in different centuries whose worlds collide unexpectedly in the present day.
Runner-up – Talking Dog For Sale, 10 Euros (Se Vende PerroQue Habla, 10 Euros) (France/Spain), Lewis-Martin Soucy
Audience Favorite Documentary Short
Mr. Christmas (USA), Nick Palmer
Bruce Mertz is the kind of guy who lights up the lives of those around him -- quite literally -- when every holiday season he transforms his house into a beacon with 50,000 colorful lights and himself into Mr. Christmas.
Runner-up – The Little Team (L’Equip Petit) (Spain), Robert Gomez
Audience Favorite Animation Short
The Boy in the Bubble (Ireland), Kealan O’Rourke
Young Rupert Shelley utilizes magic to win the heart of his true love at school and save his own heart from breaking. The magic works, but not in quite the way that Rupert had expected.
Runner-up – The Gruffalo’s Child (UK), Uwe Heidschötter, Johannes Weiland
Best Animation short
First Place ($2,000) – Nuru (Belgium), Michael Palmaers
In this dazzling, CG-enhanced story about an abandoned zoo and its lone animal inhabitant, a zookeeper looks after a giant gorilla who is being subjected to a dark experiment run by an opportunistic director.
Second Place ($500) – Amen! (Germany), Moritz Mayerhofer
Best Live Action short over 15 minutes
First Place ($2,000) – Dura Lex (Belgium), Anke Blondé
When two detectives show up at Kristi’s house asking lots of questions about her Albanian maid, she has little time to decide what to think, say, and do – and her answers will have major consequences for all concerned.
Second Place ($500) – Light Years (Lichtjahre) (Germany), Florian Knittel
Best Live Action short 15 Minutes And Under
First Place ($2,000) – The Devil’s Ballroom (Mannen fra isødet) (Norway/Greenland), Henrik Martin Dahlsbakken
After burying his last remaining companion, a fearless explorer has to find his way to the North Pole alone, fighting snow-blindness and physical strain. An unexpected encounter forces him to decide between honor and fame in the history books or keeping the moral high ground—a choice which will haunt the rest of his life.
Second Place ($500) – The Moment (Australia), Troy Bellchambers
Best Documentary short:
First Place ($2,000) – The Record Breaker (Denmark), Brian McGinn
Climbing Machu Picchu on stilts is not for everybody, but it suits Ashrita Furman just fine. Furman holds the official record for the most Guinness World Records by one individual, and he has set his sights on one more for the books.
Second Place ($500) – The Globe Collector (Australia), Summer DeRoche
Student Categories
All first place winners in these categories received a software package courtesy of The Showbiz Café & Store along with a one-year download membership to videoblocks.com or stock footage DVD set courtesy of Video Block and Footage Firm.
Best Student Animation
First Place – Bear Me (Germany), Katarzyna Wilk
A young woman’s object of love, and other desires, is a surprisingly strange choice in her seemingly otherwise quite normal world.
Second Place – Flamingo Pride (Germany), Tomer Eshed
Best Student Live Action short over 15 minutes
First Place – Hatch (Austria/USA), Christoph Kushnig
On a wintry Vienna night, a young couple makes the decision to give up their child, knowing they cannot raise it and realize their own youthful dreams. Across town, another couple is desperate for a child of their own, with no way to conceive one. When the paths of these two couples briefly cross, fate holds an unexpected lesson for each of them.
Second Place – Good Night (UK), Muriel d’Ansembourg
Best Student Live Action short 15 Minutes And Under
First Place – Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
A young husband, and soon-to-be father, manages a local brothel with his wife. When one of the night’s customers leaves behind an unexpected mess, the husband's keen eye for opportunity and quick thinking may change their fortunes forever.
Second Place – Paulie (USA), Andrew Nackman
Best Student Documentary short
In an unprecedented decision, the ShortFest jury has decided to award first place jointly to two documentaries: The Battle of the Jazz Guitarist and Julian. The jury issued the following statement: “With strikingly different techniques, each paints a remarkable portrait of family ties. Although we didn’t set out to define the category thematically, we noted that both films raised questions of parental legacy, filial responsibility, and the indelible cost of personal ambition. Each left an unmistakable impression on us. And so, after sustained and impassioned deliberations, we decided that the only real option was to recognize both films.”
First Place (tie) – The Battle of the Jazz Guitarist (USA), Mark Columbus
Filmmaker Mark Columbus takes an inventive, probing and amusing look at his relationship with his dad, a once famous jazz guitarist from the Fiji Islands, whose career stalled when he moved to the U.S.
First Place (tie) – Julian (USA), Bao Nguyen
When a young man named Julian looks straight into the camera and talks about the lure of joining the Marines and the possibility of not returning home, so begins this riveting portrait of a young soldier and his family.
Best Student Cinematography - Software package courtesy of The Showbiz Café & Store.
Saro Varjabedian (cinematographer), Jesus Loves Youssef (Lebanon)
Young Youssef is praying for a bike for a first communion gift, but communion involves confession, and the boy is feeling awfully guilty about something that he doesn’t want to confess to the priest.
Second Place – Anand Kishore (cinematographer), Mong (China)
Best Student Film Award (From A Us Film School) - $2,000 cash prize courtesy of Kqed, San Francisco.
First Place – Hatch (Austria/USA), Christoph Kuschnig
On a wintry Vienna night, a young couple makes the decision to give up their child, knowing they cannot raise it and realize their own youthful dreams. Across town, another couple is desperate for a child of their own, with no way to conceive one. When the paths of these two couples briefly cross, fate holds an unexpected lesson for each of them.
Additional Prizes
The Alexis Award for Best Emerging Student Filmmaker went to Kiss Me (USA), directed by Jules Nurrish. The recipient received Final Cut Pro X courtesy of Apple. The Alexis Award is selected by the Festival’s programming team and was created in honor of Alexis Echavarria, a young filmmaker, whose talent as a budding filmmaker and gift for inspiring excellence among his fellow students were cut short suddenly in 2005 at age 16.
Bridging the Borders Award presented by Cinema Without Borders went to Road to Peshawar (USA), directed by Hammad Rizvi. The winner received a certificate for an upcoming Method Acting Intensive with a value of $2000 from Lee Strasberg Theatre & Film Institute. The runner-up was Dura Lex (Belgium), directed by Anke Blondé.
The Palm Springs International Film Festival will be held January 3-14, 2013.
Darryl Macdonald, ShortFest Programming and Executive Director, said, “It's been a great year for ShortFest, with record crowds, a spectacular lineup of provocative and engaging new films and a banner year for the ShortFest Forums, with acclaimed talents like Robert Elswit, Gus Van Sant and Oorlagh George participating. All in all, we've achieved everything we set out to accomplish with this year's Festival. I'm confident we've provided a fitting springboard for the astonishingly accomplished young filmmakers who participated.”
Returning for a second year, the Palm Springs International ShortFest continued the ShortFest Online Film Festival. Ten films were chosen to represent the Festival online. The ShortFest Online Audience Award went to Lost & Found (UK), directed by Sam Washington. The film will be available to view online for the next three months.
Jury Category Awards
Awards in the non-student and student categories were selected by ShortFest jury members Richard Abramowitz (President of Abramorama, distribution and marketing company), Lael Loewenstein, (President of the Los Angeles Film Critics Association and a critic for Variety) and Jane Schoettle (International Programmer for the Toronto International Film Festival). All first place winners in the non-student categories received a cash award of $2,000. First place winners in the non-student Animation and Live Action categories may be eligible for Academy Awards consideration. Second place recipients received a $500 cash prize.
Designated by AMPAS as an award-qualifying festival, and accredited by the International Short Film Conference, the Palm Springs International ShortFest and its Short Film Market are the largest and most prominent short film showcase in North America. The Festival and its concurrent 3,000-film Market continue to serve as a scouting ground for new filmmaking talent and are well attended by those in the business of buying and selling short films.
The Palm Springs International ShortFest is supported by an ever-growing number of new and longtime sponsors with local, national and international prominence. The Title Sponsor is the City of Palm Springs with Presenting Sponsors The Desert Sun and Spencer’s. Major Sponsors include, Panavision, The BottomLine, Stampede Post Productions, Greenhouse Studios, Kqed San Francisco and The Australian Consulate General in Los Angeles. Special support has been provided by The Academy of Motion Pictures Arts and Sciences.
The 2012 Palm Springs International ShortFest award winners are:
Jury Awards
Best Of Festival Award – Winner received $2,000 cash prize, Software Package courtesy of The Showbiz Café & Store, Post Production award courtesy of Greenhouse Studios and Final Cut Pro X courtesy of Apple. The winner of this award may be eligible to submit their film to the Academy of Motion Picture Arts and Sciences for Oscar consideration.
Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
A young husband, and soon-to-be father, manages a local brothel with his wife. When one of the night’s customers leaves behind an unexpected mess, the husband's keen eye for opportunity and quick thinking may change their fortunes forever.
Panavision Grand Jury Award – Winner received a Panavision Camera Package valued at $60,000.
Paulie (USA), Andrew Nackman
Paulie is a nine year old in the seventh grade. Used to being the smartest kid in the room Paulie aces every test, wins every spelling bee and science fair, and does not lose. So when bully Tony beats him one day at an essay contest, Paulie refuses to let it go.
Future Filmmaker Award – Winner received a $2,000 cash prize and a post production package courtesy of Greenhouse Studios.
Khaana (UK), Rajinder Sawhney
A pregnant, orthodox Muslim woman living in London has an appetite for life as well as for food, in this delightful exploration of the ways in which her homeland’s culture intersects with her still novel foreign surroundings.
Audience Awards
Audience Favorite Live Action Short
A Curious Conjunction of Coincidences (Netherlands), Joost Reijmers
An absurdist journey through time with an explosive ending in the heart of Amsterdam, this Dutch treat won the Best Comedy Award at the recent Aspen ShortsFest, and rightly so: its inventive tale links up three hapless heroes living in different centuries whose worlds collide unexpectedly in the present day.
Runner-up – Talking Dog For Sale, 10 Euros (Se Vende PerroQue Habla, 10 Euros) (France/Spain), Lewis-Martin Soucy
Audience Favorite Documentary Short
Mr. Christmas (USA), Nick Palmer
Bruce Mertz is the kind of guy who lights up the lives of those around him -- quite literally -- when every holiday season he transforms his house into a beacon with 50,000 colorful lights and himself into Mr. Christmas.
Runner-up – The Little Team (L’Equip Petit) (Spain), Robert Gomez
Audience Favorite Animation Short
The Boy in the Bubble (Ireland), Kealan O’Rourke
Young Rupert Shelley utilizes magic to win the heart of his true love at school and save his own heart from breaking. The magic works, but not in quite the way that Rupert had expected.
Runner-up – The Gruffalo’s Child (UK), Uwe Heidschötter, Johannes Weiland
Best Animation short
First Place ($2,000) – Nuru (Belgium), Michael Palmaers
In this dazzling, CG-enhanced story about an abandoned zoo and its lone animal inhabitant, a zookeeper looks after a giant gorilla who is being subjected to a dark experiment run by an opportunistic director.
Second Place ($500) – Amen! (Germany), Moritz Mayerhofer
Best Live Action short over 15 minutes
First Place ($2,000) – Dura Lex (Belgium), Anke Blondé
When two detectives show up at Kristi’s house asking lots of questions about her Albanian maid, she has little time to decide what to think, say, and do – and her answers will have major consequences for all concerned.
Second Place ($500) – Light Years (Lichtjahre) (Germany), Florian Knittel
Best Live Action short 15 Minutes And Under
First Place ($2,000) – The Devil’s Ballroom (Mannen fra isødet) (Norway/Greenland), Henrik Martin Dahlsbakken
After burying his last remaining companion, a fearless explorer has to find his way to the North Pole alone, fighting snow-blindness and physical strain. An unexpected encounter forces him to decide between honor and fame in the history books or keeping the moral high ground—a choice which will haunt the rest of his life.
Second Place ($500) – The Moment (Australia), Troy Bellchambers
Best Documentary short:
First Place ($2,000) – The Record Breaker (Denmark), Brian McGinn
Climbing Machu Picchu on stilts is not for everybody, but it suits Ashrita Furman just fine. Furman holds the official record for the most Guinness World Records by one individual, and he has set his sights on one more for the books.
Second Place ($500) – The Globe Collector (Australia), Summer DeRoche
Student Categories
All first place winners in these categories received a software package courtesy of The Showbiz Café & Store along with a one-year download membership to videoblocks.com or stock footage DVD set courtesy of Video Block and Footage Firm.
Best Student Animation
First Place – Bear Me (Germany), Katarzyna Wilk
A young woman’s object of love, and other desires, is a surprisingly strange choice in her seemingly otherwise quite normal world.
Second Place – Flamingo Pride (Germany), Tomer Eshed
Best Student Live Action short over 15 minutes
First Place – Hatch (Austria/USA), Christoph Kushnig
On a wintry Vienna night, a young couple makes the decision to give up their child, knowing they cannot raise it and realize their own youthful dreams. Across town, another couple is desperate for a child of their own, with no way to conceive one. When the paths of these two couples briefly cross, fate holds an unexpected lesson for each of them.
Second Place – Good Night (UK), Muriel d’Ansembourg
Best Student Live Action short 15 Minutes And Under
First Place – Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
A young husband, and soon-to-be father, manages a local brothel with his wife. When one of the night’s customers leaves behind an unexpected mess, the husband's keen eye for opportunity and quick thinking may change their fortunes forever.
Second Place – Paulie (USA), Andrew Nackman
Best Student Documentary short
In an unprecedented decision, the ShortFest jury has decided to award first place jointly to two documentaries: The Battle of the Jazz Guitarist and Julian. The jury issued the following statement: “With strikingly different techniques, each paints a remarkable portrait of family ties. Although we didn’t set out to define the category thematically, we noted that both films raised questions of parental legacy, filial responsibility, and the indelible cost of personal ambition. Each left an unmistakable impression on us. And so, after sustained and impassioned deliberations, we decided that the only real option was to recognize both films.”
First Place (tie) – The Battle of the Jazz Guitarist (USA), Mark Columbus
Filmmaker Mark Columbus takes an inventive, probing and amusing look at his relationship with his dad, a once famous jazz guitarist from the Fiji Islands, whose career stalled when he moved to the U.S.
First Place (tie) – Julian (USA), Bao Nguyen
When a young man named Julian looks straight into the camera and talks about the lure of joining the Marines and the possibility of not returning home, so begins this riveting portrait of a young soldier and his family.
Best Student Cinematography - Software package courtesy of The Showbiz Café & Store.
Saro Varjabedian (cinematographer), Jesus Loves Youssef (Lebanon)
Young Youssef is praying for a bike for a first communion gift, but communion involves confession, and the boy is feeling awfully guilty about something that he doesn’t want to confess to the priest.
Second Place – Anand Kishore (cinematographer), Mong (China)
Best Student Film Award (From A Us Film School) - $2,000 cash prize courtesy of Kqed, San Francisco.
First Place – Hatch (Austria/USA), Christoph Kuschnig
On a wintry Vienna night, a young couple makes the decision to give up their child, knowing they cannot raise it and realize their own youthful dreams. Across town, another couple is desperate for a child of their own, with no way to conceive one. When the paths of these two couples briefly cross, fate holds an unexpected lesson for each of them.
Additional Prizes
The Alexis Award for Best Emerging Student Filmmaker went to Kiss Me (USA), directed by Jules Nurrish. The recipient received Final Cut Pro X courtesy of Apple. The Alexis Award is selected by the Festival’s programming team and was created in honor of Alexis Echavarria, a young filmmaker, whose talent as a budding filmmaker and gift for inspiring excellence among his fellow students were cut short suddenly in 2005 at age 16.
Bridging the Borders Award presented by Cinema Without Borders went to Road to Peshawar (USA), directed by Hammad Rizvi. The winner received a certificate for an upcoming Method Acting Intensive with a value of $2000 from Lee Strasberg Theatre & Film Institute. The runner-up was Dura Lex (Belgium), directed by Anke Blondé.
The Palm Springs International Film Festival will be held January 3-14, 2013.
- 7/5/2012
- by Sydney Levine
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.