Jerome Cowan(1897-1972)
- Actor
- Soundtrack
Jerome Cowan was one of Hollywood's most prolific and instantly
recognizable character actors. His trademark pencil-thin mustache and
slicked back hair, immaculate suits and sophisticated manner were his
stock-in-trade for impersonating an assortment of rejected husbands,
shifty politicians, lawyers and shady detectives. He also excelled at
delivering snappy repartee and witty or barbed one-liners which were
typical of the gritty Warner Brothers films of the 1930's and 40's.
Straight out of high school, Jerome began to work his way up through stock companies and burlesque, making his debut on Broadway in the 1923 comedy 'We've Got to Have Money'. On the strength of his most successful stage performance in 'Boy Meets Girl' (1935-37), he was contracted by producer Samuel Goldwyn to appear in Beloved Enemy (1936) as an Irish patriot. Several films later, he found his niche as the dapper sophisticate with attitude, in films like There's Always a Woman (1938), as Nick Shane, Torrid Zone (1940), Crime by Night (1944) - a rare leading role as private eye Sam Campbell; and Mr. Skeffington (1944), as Bette Davis's ex. He was the short-lived partner, Miles Archer, to Humphrey Bogart's Sam Spade in Chim Ưng Malta (1941), a nervous informer in Riffraff (1947) and the district attorney who fails to indict Kris Kringle in Điều Kỳ Diệu Trên Phố 34 (1947). Add to that several well-acted gangsters (Frisco Lil (1942), Fog Island (1945), Deadline for Murder (1946), to mention a few) and some unexpected comedy, particularly as Dagwood's boss George Radcliffe in the Blondie (1957) series. In the 1950's and 1960's, Cowan adapted perfectly to the medium of television and became a regular on several shows, alternating drama with comedy, from Perry Mason (1957)to The Munsters (1964). He gave a short, but poignant performance opposite Ida Lupino in 'The Sixteen-Millimeter Shrine', a 1959 episode of Rod Serling's Miền Ảo Ảnh (1959), as an unrecognizable aged former matinee idol.
Straight out of high school, Jerome began to work his way up through stock companies and burlesque, making his debut on Broadway in the 1923 comedy 'We've Got to Have Money'. On the strength of his most successful stage performance in 'Boy Meets Girl' (1935-37), he was contracted by producer Samuel Goldwyn to appear in Beloved Enemy (1936) as an Irish patriot. Several films later, he found his niche as the dapper sophisticate with attitude, in films like There's Always a Woman (1938), as Nick Shane, Torrid Zone (1940), Crime by Night (1944) - a rare leading role as private eye Sam Campbell; and Mr. Skeffington (1944), as Bette Davis's ex. He was the short-lived partner, Miles Archer, to Humphrey Bogart's Sam Spade in Chim Ưng Malta (1941), a nervous informer in Riffraff (1947) and the district attorney who fails to indict Kris Kringle in Điều Kỳ Diệu Trên Phố 34 (1947). Add to that several well-acted gangsters (Frisco Lil (1942), Fog Island (1945), Deadline for Murder (1946), to mention a few) and some unexpected comedy, particularly as Dagwood's boss George Radcliffe in the Blondie (1957) series. In the 1950's and 1960's, Cowan adapted perfectly to the medium of television and became a regular on several shows, alternating drama with comedy, from Perry Mason (1957)to The Munsters (1964). He gave a short, but poignant performance opposite Ida Lupino in 'The Sixteen-Millimeter Shrine', a 1959 episode of Rod Serling's Miền Ảo Ảnh (1959), as an unrecognizable aged former matinee idol.
