[on working with Orson Welles on "Catch-22"]: He was a terrible lens-hog. Whenever Mike did a master-shot, Orson would mess up his lines so they would have to be done in close-up.
[on "Catch-22]: The Welles situation was almost identical to what was written in the script. We were all under the thumb of this huge, cigar-smoking general. The discomfort we were feeling was real.