News

Purists will argue that film noir was born in 1941 with the release of John Huston’s The Maltese Falcon and died in 1958 with Marlene Dietrich traipsing down a long, dark, lonely road at the end of Orson Welles’s Touch of Evil. And while this period contains the quintessence of what Italian-born French film critic Nino Frank originally characterized as film noir, the genre has always been in a constant state of flux, adapting to the different times and cultures out of which these films emerged.

Noir came into its own alongside the ravages of World War II, with the gangster and detective films of the era drastically transforming into something altogether new as the aesthetics of German Expressionism took hold in America, and in large part due to the influx of German expatriates like Fritz Lang. These already dark, hardboiled films suddenly gained a newfound viciousness and sense of ambiguity,...

With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November’s Criterion Channel series spanning 1976’s A Real Young Girl to 2004’s Anatomy of Hell––just one of numerous retrospectives arriving next month. They’re also spotlighting Ida Lupino, directorial efforts of John Turturro (who also gets an “Adventures In Moviegoing”), the Coen brothers, and Jacques Audiard.

In a slightly more macroscopic view, Columbia Noir and a new edition of “Queersighting” ring in Noirvember. Gregg Araki’s Teen Apocalypse trilogy and Miller’s Crossing get Criterion Editions, while restorations of David Bowie-starrer The Linguini Incident, Med Hondo’s West Indies, and Dennis Hopper’s Out of the Blue make streaming debuts; and Kevin Jerome Everson’s Tonsler Park arrives just in time for another grim election day.

See the full list of titles arriving in November below:

36 fillette, Catherine Breillat, 1988

Anatomy of Hell, Catherine Breillat,...

Cinema lovers are spoiled in just how many places are on their bucket list. We think of the Hollywood sign in Los Angeles, the steps of the Palais in Cannes, Mount Rushmore We can visit all of these, but one that is out of reach is the famed Criterion Closet, a tiny room packed wall-to-wall with the catalog of The Criterion Collection. But now, you may have your chance…with a twist.

The Criterion Collection has announced that they are taking their Closet out on the highway, posting on their website that this comes at just the right time. “In celebration of our fortieth anniversary, Criterion has built a replica of our famous film closet inside an eighteen-foot delivery van, and later this month, we’ll be taking our Criterion Closet Picks show on the road. Stocked with more than 1,500 of the greatest films from around the world, the Criterion...

While his work might not enjoy the iconic status of the Columbia Pictures classics that formed a key part of the retrospective programming at the 72nd Locarno Film Festival, Samuel Fuller is a director who’s nevertheless had a significant influence on the kind of independent cinema that the event seeks to champion. However, a screening of Fuller’s penultimate feature, Street of No Return, which formed part of this year’s Histoires de Cinema section at Locarno, couldn’t help but seem like an outlier in today’s film landscape.

After its visually striking opening sequence sees a gang war waged in the streets of an absurdly rundown, almost post-apocalyptic city, the 1989 film follows a homeless man (Keith Carradine) as he tracks down a former lover (Valentina Vargas) and seeks revenge on the drug dealer (Marc de Jonge) who cut his throat and ended his career as a chart-topping,...

About 40 minutes into Twilight of the Warriors: Walled In, Raymond Lam cracks a smile. Hardly a momentous development out of context, but for Lam’s protagonist, Chan Lok-Kwan—a refugee in Hong Kong’s notorious Kowloon Walled City who’s spent every preceding moment of the film desperately clawing for survival—it marks a point of no return.

Sharing a game of mahjong with three newfound allies, Chan forges the kind of emotional bond that represents both a lifeline and a liability in the unforgiving world of Walled In. It’s one of the many small moments of humanity that dot Soi Cheang’s action epic, and evidence of the director’s capacity for personal expression even at the largest of filmmaking scales.

Though it’s been in the making for over a decade now, there’s still something hard to believe about Soi’s ascent to the top of the Hong Kong film industry.

There’s always the risk of misusing 15 tightly mandated minutes on a director’s junket day. One imagines it increases twofold when the subject’s been of interest nearly your entire film-watching life, with whom you’d sooner exchange questions about a 2019 short produced for the Pompidou Centre than, say, what it’s like working with Glen Powell.

It was under these circumstances I had the fortune to interview Richard Linklater, who’s been on a major press jag for Hit Man, his biggest crowdpleaser in several years that arrives on Netflix this Friday, June 7. In a tight frame we managed to cover the strange connections it bears with his other recent premiere, and––an issue about which he clearly feels passionate––why the culture is asking us to remain 13 years old forever.

The Film Stage: I watched Gabe Klinger’s Double Play, and I loved seeing the many, many posters in your editing room.

While it was fascinating to see the results of the 2022 Sight & Sound poll, we’re just as curious to see what lies outside the established canon. As part of a comprehensive project at the essential resource They Shoot Pictures, Don’t They?, Ángel González polled nearly 839 critics on the best films that didn’t receive a single vote on the Sight & Sound poll, which they’ve now compiled into a massive Beyond the Sight & Sound Canon, which initially features 1,030 films but expands to a whopping 14,558 total films.

As a preview, we’ve collected the films that received at least 20 votes in this new poll, which is 263. It’s led by Spike Jonze’s Her, and they’ve also noted the directors that were most represented. Fritz Lang leads the pack with eight films mentioned, while François Truffaut has seven, and Anthony Mann, Clint Eastwood, Eric Rohmer, John Ford, Samuel Fuller,...

NYC Weekend Watch is our weekly round-up of repertory offerings.

Museum of Modern Art

A massive run of Luis Buñuel’s Mexican films begins; “To Save and Project,” continues.

Film at Lincoln Center

“Never Look Away: Serge Daney’s Radical 1970s” brings films by Tati, Samuel Fuller, Nicholas Ray (x2), Godard, Straub-Huillet, Pasolini, and more.

Film Forum

“Sapph-o-rama” highlights lesbian cinema with films by Chantal Akerman, Lizzie Borden, Ulrike Ottinger, Yvonne Rainer, Celine Sciamma, and more; a 4K restoration of The Pianist, I Heard It Through the Grapevine, and The Third Man continue; a print of Calamity Jane plays on Sunday.

IFC Center

As Francis Ford Coppola’s latest recut, One from the Heart: Reprise, continues, Bertrand Bonello’s masterpiece Coma gets a New York premiere and a Dario Argento series begins; Barb and Star Go to Vista Del Mar plays late.

Roxy Cinema

Cronenberg’s Crash and Keith McNally...

The broad beats of a courtroom drama are simple and finite; any procedural fan would know. And French film “Anatomy of a Fall” has everything you would expect from a taut crime thriller: a mystery that runs deeper than our initial understanding, cops trying to prove different theories, warring lawyers in the courtroom, a piece of new evidence that throws the case into confusion, a major scene on the witness stand. But the film does not approach those moments in an expected fashion, neither emotionally nor formally. Director Justine Triet is more interested in pushing back on genre tropes wherever she can to create a messier, but more involving, picture of the many narratives we use to explain a fall.

The titular fall — and possible murder — is of frustrated writer and stay-at-home dad Samuel (Samuel Theis). The main suspect is his wife, a successful author named Sandra (Sandra Hüller). “Anatomy of a Fall...

Among the myriad reasons we could call the Criterion Channel the single greatest streaming service is its leveling of cinematic snobbery. Where a new World Cinema Project restoration plays, so too does Tales from the Crypt: Demon Knight. I think about this looking at November’s lineup and being happiest about two new additions: a nine-film Robert Bresson retro including L’argent and The Devil, Probably; and a one-film Hype Williams retro including Belly and only Belly, but bringing as a bonus the direct-to-video Belly 2: Millionaire Boyz Club. Until recently such curation seemed impossible.

November will also feature a 20-film noir series boasting the obvious and the not. Maybe the single tightest collection is “Women of the West,” with Johnny Guitar and The Beguiled and Rancho Notorious and The Furies only half of it. Lynch/Oz, Irradiated, and My Two Voices make streaming premieres; Drylongso gets a Criterion Edition; and joining...

The 80th annual Venice Film Festival launches on the Lido on August 30. This edition features a slew of Oscar hopefuls including Sofia Coppola’s “Priscilla,” Bradley Cooper’s “Maestro,” David Fincher’s “The Killer,” Yorgas Lanthimos’ “Poor Things” and Michael Mann’s “Ferrari.” They’re all vying for the top prize, the Golden Lion.

Seventy years ago, there were four now-classics in competition: William Wyler’s “Roman Holiday,” for which Audrey Hepburn would win Oscar, John Huston’s “Moulin Rouge,” Samuel Fuller’s “Pickup on South Street” and Vincente Minnelli’s “The Bad and the Beautiful,” which had recently picked up five Oscars. But the Golden Lion didn’t roar at the 14th edition of the international film festival.

The jury headed by future Nobel Prize laureate in literature Eugenio Montale just couldn’t decide on the best of the fest because according to the New York Times “the quality...

The following interview was originally published in the second issue of Outskirts Film Magazine, an independent print magazine on the past and present of cinema. Issue two is now available from the Outskirts e-shop.At 189 pages, Outskirts Nº2 is made up of original essays, interviews, reviews, translations, and a single large dossier dedicated to Japanese filmmaker and actress Tanaka Kinuyo.Forever a Woman.During the last edition of the Locarno Film Festival, a retrospective dedicated to Douglas Sirk took place, organised by Bernard Eisenschitz and Roberto Turigliatto. Among the many incredible guests invited to introduce Sirk’s films, such as Miguel Marías, Jon Halliday, Olaf Möller, Martina Müller, was Laura Mulvey. In speaking to her several months later, what started out initially as a conversation between myself and Mulvey about Sirk, unexpectedly morphed into a broader investigation that included the work of Tanaka Kinuyo, the subject of our dossier.The...

“The Vanishing Soldier” is a coming of age story, as breathless as its protagonist: the kind of film that will make cinephiles of seventeen-year-olds. Which is one of the reasons that Dani Rosenberg, the film’s 43-year-old director, is delighted to be in Locarno, where the film, sold by Intramovies, is screening in main competition, and has just got a trailer, and poster, shared in exclusivity with Variety.

“We had options for other festivals,” Rosenberg told Variety at the Swiss fest.

“But Locarno is the best place because it’s a festival that admires films and not topics. We want the film to be first seen as cinema; not as an Israeli story about conflict.”

So what cinema inspired you?

“My first image when I was writing the script was Buster Keaton. I imagined the chases like slapstick chases, like “Cops,” from his era. And obviously, the ‘70s paranoia films,...

U.S. director and artist Harmony Korine, whose films include “Gummo,” “Spring Breakers” and “Beach Bum” – which stars Matthew McConaughey as a stoner poet named Moondog – is being honored by the Locarno Film Festival with its Pardo d’onore Manor lifetime achievement award.

Born in Bolinas, California, in 1974, Harmony Korine broke out in the filmmaking world in 1995 when he wrote the screenplay for Larry Clark’s controversial “Kids.” In 1997 he made his directorial debut with “Gummo,” a realistic look at youth alienation in America, for which he won awards at the Venice Film Festival’s Critics’ Week and at the Rotterdam fest.

In 1998, he directed his first music video for the song “Sunday” by Sonic Youth, starring Macaulay Culkin. The same year Korine published his debut novel “A Crack-Up at the Race Riots.”

Korine’s second feature “Julien Donkey-Boy,” the experimentally told story of a schizophrenic, went to Venice in...

It is my experience that one gets a far richer, stranger cinema education in pursuing the careers of actors, that group defined first by (assuming luck shines upon them) two or three era-defining films and then so much that dictates their industry—pet projects, contractual obligations, called-in favors alimony payments, auteur one-offs, and on and on. Few embody that deluge of circumstance better than Michelle Yeoh and Isabelle Huppert, both of whom are receiving spotlights in March. The former’s is a who’s-who of Hong Kong talent, new favorites (The Heroic Trio), items we can at least say are of interest (Trio‘s not-great sequel Executioners), etc.

Huppert’s series runs longer, and notwithstanding certain standards that have long sat on the channel it adds some heavy hitters: Hong’s In Another Country, Cimino’s Heaven’s Gate, Breillat’s Abuse of Weakness, Hansen-Løve’s Things to Come. And, of course,...

The most striking aspect of the commemorative events marking the 75th anniversary of the D-Day landings on 6 June 2019 was the testimony of the veterans who participated in the conflict and who spoke eloquently and movingly about the events of 6 June 1944.

These interviews should be compulsory viewing so people understand the courage and sacrifice of a generation of men and women who displayed the “unconquerable resolve” the Queen spoke about during her speech in Portsmouth.

The film world has, of course, brought us many depictions of the Normandy landings and the subsequent battles. You will find a number of those titles in this list of the 20 greatest Second World War films.

These 20 movies only scratch the surface of the countless number made about the momentous event, but remind us of the horrors and sacrifices made during the devastating global conflict.

Scroll through the gallery below to see the 20 greatest war films:...

Wally Campo, the Roger Corman regular who did his best Det. Joe Friday impersonation as Sgt. Joe Fink — and also served as the narrator — in the original The Little Shop of Horrors, has died. He was 99.

Campo died Jan. 14 of natural causes in Studio City, his son, musician Tony Campodonico, told The Hollywood Reporter.

Campo also played a goofball in Monte Hellman‘s Beast From Haunted Cave (1959) and appeared for director Burt Topper in Hell Squad (1958), Tank Commandos (1959) — where he was top-billed — and the Victor Buono-starring The Strangler (1964).

Campo showed up in the Corman-directed Machine-Gun Kelly (1958), Ski Troop Attack (1960) and Tales of Terror (1962) and in the Corman-produced Devil’s Angels (1967). Many of his movies were made at the filmmaker’s low-budget American International Pictures.

His acting credits also included Edward Dmytryk’s Warlock (1959), the Vincent Price-starring Master of the World (1961) and Shock Corridor (1963), directed by Sam Fuller.

Born...

Harrison Ford has had such a long and varied career, it might be difficult to discern what he might be best known for. Many might cite the science fiction and adventure films he made in the late '70s and early '80s. Films like "Star Wars," "Raiders of the Lost Ark," and "Blade Runner." Others might be more fond of his intense, adult dramas like "Witness," "The Mosquito Coast," or "Regarding Henry." Others still might prefer his thrillers like "The Fugitive," "Patriot Games," and "Air Force One." Currently, Ford appears to be a nostalgic mood, reprising roles from his sci-fi/adventure era. 

The point being, Ford has enjoyed a great deal of texture and variation in the roles he's played over the years, and has proven time and again that he is capable of moving comfortably throughout genres. Ford tends to play confident, righteous, and forthright characters -- he...

Kim’s Video was a grungy movie rental empire and cinephile paradise in downtown Manhattan that grouped its tapes and DVDs by director. Started in 1987 out of a dry-cleaning business by Yongman Kim, who was a little-seen and mysterious figure to even his employees, Kim’s Video eventually expanded to five stores and became a way of life for both the customers and the people who worked there.

(I worked at the Kim’s farthest west on Bleecker Street one summer and we all gorged ourselves on movie classics, cult films, outsider art, bootlegs of rarities, and shelves and shelves of unclassifiable ephemera.)

Video stores started to close by 2008 when the near-mythical Mr. Kim offered his collection of 55,000 movies to any institution that would keep it intact. The town of Salemi, Sicily, acquired the archive, and in 2012 there was an article in The Village Voice by Karina Longworth that attempted...

Back in 1953, 20th Century Fox released the Sam Fuller film Pickup On South Street. It's a Cold War noir. The FBI are trailing a courier, hoping she will lead them to her commie masters. Enter Skip McCoy, a pickpocket, whose fingers go wandering through the courier's handbag and make off with the microfilm. The plot progresses sensationally and, more importantly, logically, with enough twists and turns to fill a few TV episodes. It never relies on cheep devices like deus ex machina or withholding information from the audience to generate a big reveal.

What has an old film got to do with a 21st Century TV series? Dough uses the same underlying plot structure. Replace the FBI and commies with criminals, Skip with a bankrupt businesswoman, and the microfilm with a bag of money, and you've got pretty much the same thing. Where Dough differs is in the...

This article was originally published as "Life Is Nothing But Glances" in the Spring 2021 issue of Trafic. It is being presented here through the generosity of the author, newly retitled at his request, and in a new translation by Ted Fendt. It is preceded by a short note shared by Moullet after the death of Jean-Luc Godard:Godard represents, first of all, a search for novelty, one defined by risk and an openness to the possibility of making mistakes over the course of many experiments (over 100 films). For him, a failed film was not a serious matter.Godard made films against: against the milieu from which he came, against dominant rules, and also against himself and his previous films.Godard’s thinking can only be defined by seeing his films, and not through his statements which are often not worthwhile for what they say but for his desire to provoke.

Actor / Filmmaker Alex Winter joins Josh Olson and Joe Dante to discuss movies featuring a cog in the machine – the individual struggling to exist within the system.

Show Notes: Movies Referenced In This Episode

Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings

Bill And Ted’s Bogus Journey (1991)

Bill And Ted Face The Music (2020)

The Game (1997)

Showbiz Kids (2020)

The Panama Papers (2018)

Zappa (2020)

200 Motels (1971)

Modern Times (1936)

Metropolis (1927) – Glenn Erickson’s Blu-ray review

Avatar (2009)

Things To Come (1936) – Jesus Trevino’s trailer commentary

M (1931)

M (1951)

The Last Laugh (1924) – Glenn Erickson’s Blu-ray review

Brazil (1985)

Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness

City Lights (1931)

Goin’ Down The Road (1970)

The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review

The Young And The Damned (1950)

Shock Corridor (1963) – Katt Shea’s trailer commentary

The Naked Kiss (1964)

Stroszek (1977)

Even Dwarves Started Small (1970)

Ikiru (1952) – Glenn Erickson’s trailer...

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSacheen Littlefeather: Breaking the Silence.Sacheen Littlefeather, Native American actress and activist, has died at 75. At the 1973 Academy Awards, she declined Marlon Brando’s Oscar for The Godfather on his behalf to condemn the treatment of Native Americans by the film industry and bring attention to the Wounded Knee protests.After five years in charge of BFI Flare and the London Film Festival, Tricia Tuttle has stepped down from her role as Festivals Director at the British Film Institute.Feminist film journal Another Gaze has announced a publishing imprint. Another Gaze Editions launches in late 2022 with My Cinema, a collection of writings by and interviews with Marguerite Duras, and a new translation of The Sky Is Falling, Lorenza Mazzetti's first novel.Recommended VIEWINGHunt, the directorial debut from popular South Korean actor Lee Jung-jae (Squid Game), has a trailer.

Once the biggest staple of Hollywood filmmaking, the Western has seen ebbs and flows through the history of cinema. In recent decades you’d be hard-pressed to find many examples in multiplexes near you—especially ones that fit the traditional mold of the genre, rather than tongue-in-cheek revisionist takes. It’s fitting, then, that it would be Walter Hill who would deliver a new gift onto audiences eager for a journey into that gunslinging world.

Hill has said that all his films are Westerns, which can certainly be seen for anyone familiar with his oeuvre—from his directorial debut in 1975’s Hard Times through 1987’s neo-Western Extreme Prejudice, his own revisionist streak of Westerns in the early ‘90s with Geronimo: An American Legend and Wild Bill, and even into 21st century actioners like Bullet to the Head. Whether he’s in the traditional milieu of the genre or not, those...

Though their “’80s Horror” lineup would constitute enough of a Halloween push, the Criterion Channel enter October all guns blazing. The month’s lineup also includes a 19-movie vampire series running from 1931’s Dracula (English and Spanish both) to 2014’s A Girl Walks Home Alone at Night, the collection in-between including Herzog’s Nosferatu, Near Dark, and Let the Right One In. Last year’s “Universal Horror” collection returns, a 17-title Ishirō Honda retrospective has been set, and a few genre titles stand alone: Hush…Hush, Sweet Charlotte, The House of the Devil, and Island of Lost Souls.

Streaming premieres include restorations of Tsai Ming-liang’s Vive L’amour and Ed Lachman’s Lou Reed / John Cale concert film Songs for Drella; October’s Criterion editions are Samuel Fuller’s Forty Guns, Bill Duke’s Deep Cover, Haxan, and My Own Private Idaho. Meanwhile, Ari Aster has curated an “Adventures...

Jean-Luc Godard, the French-Swiss director who was one of the most revolutionary filmmakers of the 20th century, died in Rolle, Switzerland at the age of 91. His family said that he died peacefully in an assisted suicide procedure surrounded by his loved ones.

In Memoriam 2022: 100 Great Celebrities Who Died This Year!

The family did not specify what conditions Godard had been suffering from, and he has indicated his interest in assisted suicide in previous interviews. He was an influential film critic for the Cahiers du Cinéma through the 1950s while also shooting short films, and established himself as an exciting new film director with the 1960 film Breathless.

Jean-Luc Godard was born on December 3, 1930, in Paris, France to a wealthy family and quickly moved to Switzerland at the age of four after the outbreak of the Second World War. He was educated at a young age in Nyon, Switzerland and returned...

Cinematography retrospectives are the way to go—more than a thorough display of talent, it exposes the vast expanse a Dp will travel, like an education in form and business all the same. Accordingly I’m happy to see the Criterion Channel give a 25-film tribute to James Wong Howe, whose career spanned silent cinema to the ’70s, populated with work by Howard Hawks, Michael Curtz, Samuel Fuller, Alexander Mackendrick, Sydney Pollack, John Frankenheimer, and Raoul Walsh.

Further retrospectives are granted to Romy Schneider (recent repertory sensation La piscine among them), Carlos Saura (finally a chance to see Peppermint frappe!), the British New Wave, and groundbreaking distributor Cinema 5, who brought to U.S. shores everything from The Man Who Fell to Earth and Putney Swope to Pumping Iron and Scenes from a Marriage.

September also yields streaming premieres for the recently restored Bronco Bullfrog, Ang Lee’s Pushing Hands,...

The Criterion Channel’s July lineup is an across-the-board display of strengths, ranging as it does from very specific programming cues to actor retrospectives and hardly ignoring the strength of Criterion Editions. Surely much fun’s to be had with “In the Ring,” a decade-spanning, 16-film curation of boxing pictures—Raging Bull and Fat City, of course, with some you forget are boxing movies (Rocco and His Brothers) and others you’ve likely never seen at all (count me excited for King Vidor’s The Champ). “Noir in Color” brilliantly upends common conception of a drama (and gives you excuse to see Nicholas Ray’s Party Girl); Setsuko Hara films are gathered into a handy collection; and Blake Edwards gets six.

On the Criterion Editions front they’ve gone all out: the Before trilogy, Alex Cox’s Walker, Leave Her to Heaven, Shaft, Destry Rides Again, Raging Bull, Hedwig and the Angry Inch,...

Antonio Campos, creator of the new HBO Max miniseries The Staircase, walks hosts Josh Olson and Joe Dante through his favorite films noir.

Show Notes: Movies Referenced In This Episode

Afterschool (2008)

The Devil All The Time (2020)

Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review

The Typewriter, the Rifle & the Movie Camera (1996)

Raw Deal (1948) – Glenn Erickson’s Blu-ray review

T-Men (1947) – Glenn Erickson’s Blu-ray review

A Personal Journey with Martin Scorsese Through American Movies (1995)

House of Bamboo (1955) – Allan Arkush’s trailer commentary

Pickup On South Street (1953) – Sam Hamm’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Naked Kiss (1964)

Reign of Terror (1949)

Detour (1945) – Glenn Erickson’s Criterion Blu-ray review

Scarlet Street (1945)

The House on 92nd Street (1945) – Glenn Erickson’s Blu-ray review

Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review

The Killing (1956) – Michael Lehmann’s trailer commentary

Kiss of Death (1947) – Glenn Erickson’s Blu-ray review

Kiss of Death...

The messy politics of the Indo-China War didn’t confuse writer-director Samuel Fuller; as the machine gun- toting Nat King Cole snarls, hating Commies is an end unto itself! Fuller’s second outrageous Cold War combat fantasy pits a handful of French Legionnaires and mercenaries against the might of the International Communist Conspiracy, to stop the flow of Chinese and Russian weapons into Vietnam. Commander Gene Barry has an ally who could be straight from a Terry and the Pirates comic strip: Eurasian adventuress Lucky Legs. Young Angie Dickinson is the good-time-girl / wronged spouse / caring mother who also maintains cordial pillow-talk relations with the Red vermin. If those are the Good and the Bad, Lee Van Cleef’s Chinese General is the Ugly: his troops guard the China Gate, the key to Commie victory!

China Gate

Blu-ray

Viavision [Imprint] 111

1957 / B&w / 2:35 widescreen / 95 min. / Street Date April 8, 2022 / Available from Amazon.

American auteur Kelly Reichardt, an icon of the international film community thanks to her signature “slow cinema” style, will be honored by the Locarno Film Festival with its Pardo d’onore Manor lifetime achievement award.

Since making her acclaimed 1994 debut “River of Grass,” Reichardt has followed her own singular orbit as a true outlier of indie cinema over the course of nearly quarter of a century and a dozen works including “Old Joy,” “Wendy and Lucy,” “Meek’s Cutoff,” “Night Moves,” and “First Cow” — which opened Locarno in 2020 — that have cemented her reputation as one of the most distinctive voices in cinema today.

Reichardt’s new pic “Showing Up” is tipped to premiere in Cannes in May.

The Swiss fest dedicated to indie and cutting-edge cinema in a statement described Reichardt’s films, which she also edits, as being “characterized by intense research on realism and hallmarked by proudly independent creative and production processes.

Exclusive: Kacey Rohl is set as a lead in ABC drama pilot L.A. Law, a revival of the iconic Steven Bochco legal drama. She joins original cast members Blair Underwood and Corbin Bernsen, who are reprising their roles as Jonathan Rollins and Arnie Becker, respectively, as well as fellow new series regulars Hari Nef, Toks Olagundoye, Ian Duff, John Harlan Kim and Juliana Harkavey.

In the pilot, written by Marc Guggenheim and Ubah Mohamed and to be directed by Anthony Hemingway, the venerable law firm of McKenzie Brackman — now named Becker Rollins — reinvents itself as a litigation firm specializing in only the most high-profile, boundary-pushing and incendiary cases.

2022 ABC Pilots & Series Orders

Rohl will play Sonia Layton, a social justice warrior who works as the office administrator at McKenzie Brackman — but probably has as sharp a legal mind as any of the attorneys on staff.

Underwood, Guggenheim and Mohamed executive...

Peter Bogdanovich’s harrowing directorial debut was made independently and sold to Paramount, becoming an effective calling card for his career in the majors. In the wake of the rash of 1968 political assassinations the studio got cold feet and slapped on a misjudged gun control card at the beginning. Bogdanovich plays a film director named Sammy Michaels in tribute to Samuel Fuller, whose middle name was Michael and who refused screen credit for his contributions to the screenplay. This reissue trailer leans heavily on the director’s The Last Picture Show fame.

The post Targets appeared first on Trailers From Hell.

by Cláudio Alves

Before "Noirvember" ends, it's imperative to explore some examples of the shadowy underbelly of Classic Hollywood. The Criterion Channel has programmed a vast array of film noir offerings, from Robert Mitchum's early successes to a cornucopia of Twentieth Century-Fox delights. You will find many a classic within the latter, including the Samuel Fuller masterpiece that should have earned one of the industry's hardest-working character actresses an overdue Academy Award. Throughout her career, Thelma Ritter was Oscar-nominated six times, always in the Best Supporting Actress category (an all time record), but always lost. 1953's perfect Pickup On South Street should have been her time to win…...

As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new masters Ryusuke Hamaguchi and Garrett Bradley, Dan Sallitt’s Fourteen (one of 2020’s best films) couched in a fantastic retrospective, and Criterion editions of old favorites.

Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.

See the full list of October titles below and more on the Criterion Channel.

300 Nassau, Marina Lameiro, 2015

5 Card Stud, Henry Hathaway, 1968

Alone, Garrett Bradley, 2017

Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015

America, Garrett Bradley, 2019

Angel Face, Otto Preminger, 1953

Angels Wear White,...

TV director Dan Attias discusses his favorite cinematic moments with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Sweet Smell of Success (1957) – John Landis’s trailer commentary

Twilight Zone: The Movie (1983)

White Dog (1982)

Silver Bullet (1985)

Witness (1985)

The Verdict (1982)

Scent Of A Woman (1992)

The Piano (1993)

The Pawnbroker (1965)

Dog Day Afternoon (1975)

True Romance (1993)

Infested (2002)

A History Of Violence (2005)

The Lost World: Jurassic Park (1997)

Gremlins (1984) – Glenn Erickson’s review, Tfh’s 30th anniversary links

It’s A Wonderful Life (1946) – Bill Duke’s trailer commentary, John Landis’s trailer commentary

Jaws (1975) – Josh Olson’s trailer commentary

Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s Criterion review

Heaven Can Wait (1978)

Here Comes Mr. Jordan (1941) – Glenn Erickson’s Criterion review

12 Angry Men (1957)

Dodes’ka-den (1970)

Memento (2000)

Lawrence of Arabia (1962)

Other Notable Items

Phillips Club in NYC

Tfh Guru Alan Spencer

Sledge Hammer! TV series (1986-1988)

The Garland in...

Pickup on South Street was released in 1953 and directed by Samuel Fuller. This 80-minute noir is an in-depth look at the seedier side of society, in which Fuller was well versed. Watch any of the supplements on this release and he'll regale you from beyond the grave with glee on how he admired people existing outside of the system, aka criminals and those who made their own path. The film centers around a few criminal elements, but mainly on Candy, a moll who decides to get romantically involved with Skip, a pick-pocket who lives in an overwater shack abutting the Brooklyn Bridge. Skip is played by Richard Widmark (Don't...

[Read the whole post on screenanarchy.com...]...

Sam Fuller turns from combat in Korea to cat ‘n mouse games in New York City, with America’s stand-up defenders being exactly one low-life pickpocket and one saucy woman of the sidewalks. Richard Widmark is a charming chiseler with a wicked grin, Jean Peters is the hot number who takes a knockdown as a love pat, and Thelma Ritter steals the show as a wholly endearing snitch trying to earn money for a nice burial plot. But Fuller’s directorial powers are going full tilt, with scenes of cinematic power to match any ‘auteur’ — you’ll be mesmerized by a sordid subway encounter that could be rated X for basic erotic chemistry.

Pickup on South Street

Blu-ray

The Criterion Collection 224

1953 / B&w / 1:37 Academy / 80 min. / available through The Criterion Collection / Street Date June 29, 2021 / 39.95

Starring: Richard Widmark, Jean Peters, Thelma Ritter, Murvyn Vye, Richard Kiley, Willis Bouchey, Milburn Stone, Vic Perry,...

Yes, sure, all the new films are exciting and sure to dominate discourse from here to January, but every year (i.e. when a pandemic doesn’t kneecap them) the Cannes Film Festival provides an equal-if-not-greater service: Cannes Classics, their mix of favorite and soon-to-be-discovered films from yesteryear.

2021’s lineup is representative of that variety, offering as it does Orson Welles and David Lynch alongside an early Raoul Peck feature (restored by Scorsese’s World Cinema Project), Tilda Swinton’s screen debut, a lesser-seen Masahiro Shinoda, and (frankly!) names that don’t ring a bell.

Take a look at the list below, with hope that these will make their way to American shores.

A Tribute To Bill Duke

The director, actor and producer, in Competition at Cannes with A Rage in Harlem in 1991, returns to the Croisette with his first film as director, presented at the Semaine de la critique...

Classic movie lovers, rejoice! Going virtual once again this year, the TCM Classic Film Festival will take place from May 6 to 9 and will be extended to HBO Max’s platform as well. The lineup has now been unveiled and there’s no shortage of both canonical classics and gems worth discovering.

Along with much-adored classics from Breathless to North by Northwest to Mean Streets, the lineup also features a Nichols and May documentary, a pair of Chantal Akerman films, Anthony Mann’s T-Men, Frank Borzage’s The Mortal Storm, Samuel Fuller’s Underworld U.S.A., Powell & Pressburger’s I Know Where I’m Going!, the world premieres of the new restorations of Irving Pichel’s noir gem They Won’t Believe Me, the French drama Princess Tam Tam, the Pre-Code film Her Man, and more.

There’s also a number of special events, including a star-studded Plan 9 From Outer Space table read,...

The Criterion Collection’s June 2021 lineup has been unveiled, led by Masaki Kobayashi’s staggering, 9.5-hour epic The Human Condition, a seven-film set dedicated to poignant, incisive works of Marlon Riggs, best known for Tongues Untied, and Dee Rees’ acclaimed debut Pariah.

One of the greatest film noirs, Samuel Fuller’s immensely entertaining Pickup on South Street, will also get a release, along with Martin Bell’s two-film series Streetwise and Tiny: The Life of Erin Blackwell, and the Munich 1972 Olympics feature Visions of Eight, with contributions by Miloš Forman, Kon Ichikawa, Claude Lelouch, Juri Ozerov, Arthur Penn, Michael Pfleghar, John Schlesinger, and Mai Zetterling.

Check out the cover art for each below and see more here.

The post The Criterion Collection's June Lineup Includes The Human Condition, Marlon Riggs, Pariah & More first appeared on The Film Stage.

Hard Case Crime previously published two of my favorite Stephen King novels—The Colorado Kid and Joyland—so I'm thrilled that they've teamed up with King once again to publish his new book, Later. With the supernatural noir now available in paperback, audio, and digital (ahead of its limited edition hardcover release on March 30th), we've been provided with an excerpt to share with Daily Dead readers!

Click the cover art below to read an excerpt from Later, and to learn more about King's new novel, read the official press release and visit:

https://titanbooks.com/70537-later/

Press Release: Hard Case Crime, the award-winning line of pulp-styled crime novels published by Titan Books, will publish Later, a brand-new novel by Stephen King, on March 2, 2021.

Later tells the story of Jamie Conklin, a boy whose unusual abilities could aid his single mom and her police detective lover – but only at a terrible cost.

Set to premiere at Berlin International Film Festival’s Forum section this week is From Where They Stood (aka À pas aveugles), which takes a unique look at Holocaust history through archival photographs and real-life locations. During the war, a handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance. Ahead of the premiere, we’re pleased to present the first teaser.

“The discovery of the Nazi concentration camps, camera in hand, created an aperture for cinematic representation. In The Big Red One, Samuel Fuller stages his own discovery of the Falkenau concentration camp.

Writer, producer, director Lee Daniels discusses some of his favorite films with Josh & Joe.

Show Notes: Movies Referenced In This Episode

Infested (2002)

Shadowboxer (2005)

The United States Vs. Billie Holiday (2021)

A Star Is Born (1937)

Lee Daniels’ The Butler (2013)

Dawn of the Planet of the Apes (2014)

Lady Sings The Blues (1972)

Island In The Sun (1957)

Carmen Jones (1954)

Claudine (1974)

Mandingo (1975)

Drum (1976)

Caligula (1979)

Gloria (1980)

The Exorcist (1973)

Abby (1974)

Blacula (1972)

Scream Blacula Scream (1973)

Cabaret (1972)

Lenny (1974)

Sounder (1972)

All That Jazz (1979)

I Am A Camera (1955)

Travels With My Aunt (1972)

The Emigrants (1971)

Star 80 (1983)

Harold And Maude (1971)

The Godfather (1972)

The Godfather Part II (1974)

Pickup On South Street (1953)

In The Mood For Love (2000)

Leave Her To Heaven (1945)

Laura (1944)

Dragonwyck (1946)

The Baron of Arizona (1950)

His Kind of Woman (1951)

Explorers (1985)

Innerspace (1987)

Jack Reacher (2012)

Them (1954)

Revenge of the Creature (1955)

Tarantula! (1955)

Coogan’s Bluff (1968)

Going In Style (1979)

Going In Style (2017)

Judas And The Black Messiah (2021)

Stroszek (1977)

Fitzcarraldo (1982)

Land of Silence and Darkness (1971)

Cave Of Forgotten Dreams...

Lynn Stalmaster, who was the first casting director to receive an Academy Award, died today at home in Los Angeles. He was 93 and his death was confirmed by Laura Adler of the Casting Society of America.

Stalmaster had a legendary vision for casting. He is credited with moving Dustin Hoffman into The Graduate, Christopher Reeve as Superman, and tabbing the young John Travolta for TV comedy classic Welcome Back, Kotter, among many others.

The November 2016 Governors Awards saw Stalmaster become the first casting director to receive an Academy Award. The honorary Oscar recognized his long and meritorious career.

Stalmaster also had another notable achievement: on Norman Jewison’s 1968 film The Thomas Crown Affair Stalmaster became the first casting director to receive a single-card credit in the titles.

Stalmaster has more than 400 casting credits among them such classics as Inherit the Wind (1960), The Great Escape (1963), In the Heat of the Night (1967), They Shoot Horses,...

Witness one Robert Lippert, an American independent producer who flourished in multiple eras of Hollywood. We discuss his adaptation to changes in the movie biz in conjunction with a double bill DVD of two typical Lippert shows from the very early fifties, one produced in Hollywood and another in England. Robert Lippert is the proof that ‘Life Finds a Way’ in the movies as well, a sentiment reinterpreted as ‘staying in the game.’

I’ll Get You + Fingerprints Don’t Lie

Forgotten Noir Volume 6

DVD

Vci / Kit Parker

1951, 1952 / B&w / 1:37 Academy / Street Date April 24 2007, 2020

Starring: George Raft, Sally Gray, Clifford Evans; Richard Travis, Sheila Ryan, Sid Melton.

I’ve wanted to review the two ‘programmers’ in this double-bill disc for some time, not realizing that I was really more interested in a producer associated with them. The name Robert L. Lippert pops up continually in the history of some of my favorite genre pictures.

As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***I believe David Thomson once said something about Fox's fifties output being "the antithesis of cinema," which is very slightly nuts if you consider the films of Samuel Fuller (Pick-Up on South Street among others), Nicholas Ray (Bigger Than Life), Frank Tashlin (The Girl Can't Help It), and more.But we sort of know what he means: the advent of CinemaScope caused aesthetic confusion, as technical advances often do, and we can all picture laundry lines of less-than-fresh 1940s actors eking out their remaining B.

Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. I awoke to news that some 70 million bottles of Italian wine are being turned into hand sanitizer. This pandemic, before it’s all over, may reduce me to pairing alcohol gel with movies.

This week’s offerings are three films by Samuel Fuller, with whom I share a last name. There is no DNA trace here – about which I am aware – so I have no stories about ol’ uncle Sammy misbehaving after downing too much Beaujolais Nouveau at Thanksgiving dinners. We do, however, have a celluloid history of his penchant for making movies on topics many other filmmakers wouldn’t touch.

In the 1959 noir classic The Crimson Kimono, Fuller takes on the relationship between race and romance. Two L.A. cops both fall for the same girl in Little Tokyo,...

When the late, great writer-director Samuel Fuller finished shooting what turned out to be his final Hollywood studio film, in 1981, his producer Jon Davison asked who he had in mind to compose the score. After a reflective pull on his cigar, Fuller barked, “Let’s get Morricone.”

And so it was that one of the greatest film music composers of all time made one of his early jaunts to Hollywood to record a haunting soundtrack that, for more than 20 years, was not available on vinyl or anywhere else. And neither was the film itself, the controversial White Dog, which was barely released and only came out on DVD, from Criterion, in 2008.

Although the august film music composer Ennio Morricone, who died last weekend at 91, became internationally renowned in the late 1960s in the wake of his sensational scores for Sergio Leone’s Dollars Westerns, just a small minority of his work came on Hollywood films.

The saga continues, featuring Adam Rifkin, Robert D. Krzykowski, John Sayles, Maggie Renzi, Mick Garris and Larry Wilmore with special guest star Blaire Bercy from the Hollywood Food Coalition.

Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!

Show Notes: Movies Referenced In This Episode

Key Largo (1948)

I Don’t Want to Talk About It (1993)

Camila (1984)

I, the Worst of All (1990)

The Wages of Fear (1953)

Le Corbeau (1943)

Diabolique (1955)

Red Beard (1965)

Seven Samurai (1954)

Ikiru (1952)

General Della Rovere (1959)

The Gold of Naples (1959)

Bitter Rice (1949)

Pickup On South Street (1953)

My Darling Clementine (1946)

Viva Zapata! (1952)

Panic In The Streets (1950)

Yellow Sky (1948)

Ace In The Hole (1951)

Wall Street (1987)

Women’s Prison (1955)

True Love (1989)

Mean Streets (1973)

Close Encounters of the Third Kind (1977)

The Abyss (1989)

The China Syndrome (1979)

Big (1988)

Splash (1984)

The ’Burbs (1989)

Long Strange Trip (2017)

Little Women (2019)

Learning To Skateboard In A War Zone (If You’re A Girl) (2019)

The Guns of Navarone...