Fifteen features will world premiere at the 68th BFI London Film Festival (Lff), including Elizabeth Chai Vasarhelyi and Jimmy Chin’s documentary Endurance, and previously announced opening title Steve McQueen’s Blitz.
The festival takes place from October 9-20.
Free Solo and Nyad directing duo Vasarhelyi and Chin direct Endurance alongside Natalie Hewit, which examines the lost ship of Antarctic explorer Ernest Shackleton. Further world premieres include Sophie Compton and Daisy-May Hudson’s documentary Holloway, about one of the largest women’s prisons in Europe.
Steven Knight’s Victorian boxing series A Thousand Blows, starring Stephen Graham, will receive its world premiere.
The festival takes place from October 9-20.
Free Solo and Nyad directing duo Vasarhelyi and Chin direct Endurance alongside Natalie Hewit, which examines the lost ship of Antarctic explorer Ernest Shackleton. Further world premieres include Sophie Compton and Daisy-May Hudson’s documentary Holloway, about one of the largest women’s prisons in Europe.
Steven Knight’s Victorian boxing series A Thousand Blows, starring Stephen Graham, will receive its world premiere.
- 9/4/2024
- ScreenDaily
Elizabeth Chai Vasarhelyi and Jimmy Chin’s latest documentary feature Endurance about the epic search to find the lost ship of Antarctic explorer Sir Ernest Shackleton, Sean Baker’s Anora, and Marielle Heller’s Nightbitch starring Amy Adams are among the titles that have been announced within the full lineup of the British Film Institute’s (BFI) 68th London Film Festival. Scroll down for the full list.
Endurance, which Oscar winners Vasarhelyi and Chin have made for National Geographic, will screen as a world premiere. Running October 9-20, Lff will feature 40 World Premieres, 12 International Premieres, and 21 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of Sean Baker’s Palme d’Or winner Anora, Edward Berger’s latest feature Conclave, and Ali Abbasi’s much-talked-about Donald Trump biopic The Apprentice. Other highly-anticipated titles that arrive from the...
Endurance, which Oscar winners Vasarhelyi and Chin have made for National Geographic, will screen as a world premiere. Running October 9-20, Lff will feature 40 World Premieres, 12 International Premieres, and 21 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of Sean Baker’s Palme d’Or winner Anora, Edward Berger’s latest feature Conclave, and Ali Abbasi’s much-talked-about Donald Trump biopic The Apprentice. Other highly-anticipated titles that arrive from the...
- 9/4/2024
- by Zac Ntim
- Deadline Film + TV
Telluride Film Festival has announced the line-up before the festival starts on Friday, with world premieres for Edward Berger’s Conclave, RaMell Ross’ Nickel Boys, and Robbie Williams musical biopic Better Man.
Also making the cut in the main programme are documentaries Leonardo Da Vinci from Ken Burns, Kevin Macdonald’s One To One: John & Yoko, and R. J. Cutler’s Martha Stewart film.
Tim Fehlbaum’s September 5 and Joshua Openheimer’s The End are in the main programme, alongside Cannes favourites Anora, The Seed Of The Sacred Fig, All We Imagine As Light, and Emilia Pérez.
The 51st...
Also making the cut in the main programme are documentaries Leonardo Da Vinci from Ken Burns, Kevin Macdonald’s One To One: John & Yoko, and R. J. Cutler’s Martha Stewart film.
Tim Fehlbaum’s September 5 and Joshua Openheimer’s The End are in the main programme, alongside Cannes favourites Anora, The Seed Of The Sacred Fig, All We Imagine As Light, and Emilia Pérez.
The 51st...
- 8/29/2024
- ScreenDaily
Unless you’re a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the distinction / misfortune of firing the starting gun for fall festivals and that ever-deleterious phenomenon we call “Oscar buzz.” Their 2024 lineup nevertheless features some films of note: Guy Maddin, Evan Johnson, and Galen Johnson’s Rumours; Alain Guiraudie’s Misericordia; Payal Kapadia’s All That We Imagine as Light; Sean Baker’s Anora; and Alfonso Cuarón’s Apple series Disclaimer.
On a repertory end, Kenneth Lonergan’s been anointed this year’s Guest Director and has programmed the following: Arch of Triumph, Barry Lyndon, Doctor Zhivago, Grand Hotel, and My Darling Clementine. And Telluride’s 2024 Special Medallion goes to Les Films du Losange, who will represent Misericordia and have their history celebrated with the following screenings: Beauty and the Beast; Charles, Dead or...
On a repertory end, Kenneth Lonergan’s been anointed this year’s Guest Director and has programmed the following: Arch of Triumph, Barry Lyndon, Doctor Zhivago, Grand Hotel, and My Darling Clementine. And Telluride’s 2024 Special Medallion goes to Les Films du Losange, who will represent Misericordia and have their history celebrated with the following screenings: Beauty and the Beast; Charles, Dead or...
- 8/29/2024
- by Leonard Pearce
- The Film Stage
This very traditional chamber murder mystery starring David Farrar and Geraldine Fitzgerald has been beautifully restored by Studiocanal and bears the original U.K. title The Late Edwina Black. When the sickly wife Edwina dies in bed the bitter housekeeper accuses the husband and another very attractive servant; all the Scotland Yard Inspector need do is stir the pot, and paranoid suspicions take over. Is Edwina’s spirit still present in the house? The housekeeper thinks she communicates through a wind chime by the window . . .
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
- 3/7/2023
- by Glenn Erickson
- Trailers from Hell
The closing gala of this year's Hippodrome Silent Film Festival, held in in Scotland's oldest purpose-built cinema in the sleepy town of Bo'ness, was a real highlight. Hindle Wakes (1927) is not only a smart adaptation of a celebrated 1910 stage play (from the "Manchester school" of socially committed Northern realism that also gave us the source for David Lean's Hobson's Choice), it's proof positive that there was more to British silent cinema than Hitchcock—though there are strong connections, since the movie features character actress Marie Ault, the landlady from The Lodger, John Stuart, the staunch detective from Number 17, and was photographed in part by Jack Cox, Hitchcock's regular cinematographer at this time. The story is set among the cotton mills of Lancashire in what was the U.K.'s industrial heartland. The young mill workers depart for their annual week's holiday in Blackpool, a sort of combination of...
- 3/27/2019
- MUBI
Australia is already the most parochial film environment in the developed world. No surprise there. Look at the horror stories that litter the national cinema time line.
Think burning Amalgamated's library and the holdings of the ethnic distributors, freighting the lending collection to Melbourne and back at they say a million a time, cancelling the Lillian Gish tour, flogging Cinema Papers to a team unable to get past three shonky issues, the aborted Sydney Quay Cinematheque. The dismantling of the National Film Theater must be most alarming. It's no accident that that organization's establishment coincided with the development of an Australian feature production industry acknowledged world wide and it's disappearance marked the end of consistently plausible product - and that is just a side issue. The money spent on ill informed production alone could have made this country a world leader in cinema savvy. We're only on the third paragraph...
Think burning Amalgamated's library and the holdings of the ethnic distributors, freighting the lending collection to Melbourne and back at they say a million a time, cancelling the Lillian Gish tour, flogging Cinema Papers to a team unable to get past three shonky issues, the aborted Sydney Quay Cinematheque. The dismantling of the National Film Theater must be most alarming. It's no accident that that organization's establishment coincided with the development of an Australian feature production industry acknowledged world wide and it's disappearance marked the end of consistently plausible product - and that is just a side issue. The money spent on ill informed production alone could have made this country a world leader in cinema savvy. We're only on the third paragraph...
- 5/19/2014
- by Barrie Pattison*
- IF.com.au
Hitchcock's silents are now on the Memory of the World register – I can think of five others that deserve the same recognition
If, when you consider our national heritage, you think of murder, guilt, sex and cheeky humour – well, somebody out there agrees with you. The decision to add Alfred Hitchcock's nine surviving silent movies to Unesco's UK Memory of the World register puts his early work on a cultural par with the Domesday Book and Field Marshal Douglas Haig's war diaries – also selected for the list this year.
The nine silents were all directed by Hitchcock in the 1920s and include better-known films in the director's classic thriller mode such as The Lodger and Blackmail as well as comedies (Champagne, The Farmer's Wife) a boxing movie (The Ring) and dramas (The Pleasure Garden, Downhill, Easy Virtue and the lush, rustic romance The Manxman). The collection was nominated by the BFI,...
If, when you consider our national heritage, you think of murder, guilt, sex and cheeky humour – well, somebody out there agrees with you. The decision to add Alfred Hitchcock's nine surviving silent movies to Unesco's UK Memory of the World register puts his early work on a cultural par with the Domesday Book and Field Marshal Douglas Haig's war diaries – also selected for the list this year.
The nine silents were all directed by Hitchcock in the 1920s and include better-known films in the director's classic thriller mode such as The Lodger and Blackmail as well as comedies (Champagne, The Farmer's Wife) a boxing movie (The Ring) and dramas (The Pleasure Garden, Downhill, Easy Virtue and the lush, rustic romance The Manxman). The collection was nominated by the BFI,...
- 7/12/2013
- by Pamela Hutchinson
- The Guardian - Film News
Funny faces to lost gems, war horses to strange censorship, silent film is a wondrous way to immerse oneself in history
A trip to the British silent film festival is a unique opportunity to wallow in some unfamiliar waters. Four days immersed in silent cinema is time spent in the company of many films that have been forgotten or misremembered, films that have only been seen before by archivists and researchers, and that may never get a public airing again. Some of these films are great, but even those that aren't are fascinating, as cinema history, and as a glimpse of what it was like to live in Britain 100 years ago.
1. "They didn't need dialogue, they had faces"
We're all familiar with Gloria Swanson's famous line in Sunset Boulevard, but she was talking about the blandly beautiful people of Hollywood. The faces of British silent cinema may not be attached to famous names,...
A trip to the British silent film festival is a unique opportunity to wallow in some unfamiliar waters. Four days immersed in silent cinema is time spent in the company of many films that have been forgotten or misremembered, films that have only been seen before by archivists and researchers, and that may never get a public airing again. Some of these films are great, but even those that aren't are fascinating, as cinema history, and as a glimpse of what it was like to live in Britain 100 years ago.
1. "They didn't need dialogue, they had faces"
We're all familiar with Gloria Swanson's famous line in Sunset Boulevard, but she was talking about the blandly beautiful people of Hollywood. The faces of British silent cinema may not be attached to famous names,...
- 4/24/2012
- by Pamela Hutchinson
- The Guardian - Film News
"Meretricious agents of the Kaiser were stationed at such places as Marble Arch and Hyde Park Corner. In this black book of sin details were given of the unnatural defloration of children...wives of men in supreme positions were entangled. In Lesbian ecstasy the most sacred secrets of the state were threatened."
The above quote, from Wikipedia by way of Philip Hoare's Oscar Wilde's Last Stand, refers to the bizarre obsessions of one Noel Pemberton Billing, aviator, inventor, member of parliament, and author-producer of High Treason, Britain's answer to Metropolis.
Npb was a queer duck: a passionate, pathological homophobe, as well as a champion of victory through airpower, as well as something of a feminist and peacemonger, going by this movie. A weird set of qualities to find in one personality.
"He founded a journal, Imperialist, in which he wrote an article based on information provided by Harold...
The above quote, from Wikipedia by way of Philip Hoare's Oscar Wilde's Last Stand, refers to the bizarre obsessions of one Noel Pemberton Billing, aviator, inventor, member of parliament, and author-producer of High Treason, Britain's answer to Metropolis.
Npb was a queer duck: a passionate, pathological homophobe, as well as a champion of victory through airpower, as well as something of a feminist and peacemonger, going by this movie. A weird set of qualities to find in one personality.
"He founded a journal, Imperialist, in which he wrote an article based on information provided by Harold...
- 4/18/2011
- MUBI
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