M. Emmet Walsh(1935-2024)
- Actor
- Producer
- Stunts
Wonderfully talented, heavyset character actor (from New York, but regularly playing Southerners) M. Emmet Walsh has made a solid career of playing corrupt cops, deadly crooks, and zany comedic roles since the early 1970s.
Michael Emmet Walsh was born in Ogdensburg, to Agnes Katharine (Sullivan) and Harry Maurice Walsh, a customs agent. He was of Irish descent. Walsh first appeared in a few fairly forgettable roles both on TV and onscreen before cropping up in several well remembered films, including a courtroom police officer in What's Up, Doc? (1972), as the weird Dickie Dunn in Slap Shot (1977), and as a loony sniper hunting Steve Martin in The Jerk (1979). On-screen demand heated up for him in the early 1980s with attention-grabbing work in key hits, including Brubaker (1980), Phóng Viên Reed (1981), and as Harrison Ford's police chief in the futuristic thriller Tội Phạm Nhân Bản (1982). Walsh then turned in a stellar performance as the sleazy, double-crossing private detective in the Joel Coen and Ethan Coen film noir Đơn Giản Là Máu (1984), and showed up again for the Coens as a loud-mouthed sheet-metal worker bugging Nicolas Cage in the hilarious Bắt Cóc Bé Arizona (1987). As Walsh moved into his fifties and beyond, Hollywood continued to offer him plenty of work, and he has appeared in over 50 movies since passing the half-century mark. His consistent ability to turn out highly entertaining portrayals led film critic Roger Ebert to coin the "Stanton-Walsh Rule," which states that any film starring Walsh or Harry Dean Stanton has to have some merit. And the "M" stands for Michael!
Michael Emmet Walsh was born in Ogdensburg, to Agnes Katharine (Sullivan) and Harry Maurice Walsh, a customs agent. He was of Irish descent. Walsh first appeared in a few fairly forgettable roles both on TV and onscreen before cropping up in several well remembered films, including a courtroom police officer in What's Up, Doc? (1972), as the weird Dickie Dunn in Slap Shot (1977), and as a loony sniper hunting Steve Martin in The Jerk (1979). On-screen demand heated up for him in the early 1980s with attention-grabbing work in key hits, including Brubaker (1980), Phóng Viên Reed (1981), and as Harrison Ford's police chief in the futuristic thriller Tội Phạm Nhân Bản (1982). Walsh then turned in a stellar performance as the sleazy, double-crossing private detective in the Joel Coen and Ethan Coen film noir Đơn Giản Là Máu (1984), and showed up again for the Coens as a loud-mouthed sheet-metal worker bugging Nicolas Cage in the hilarious Bắt Cóc Bé Arizona (1987). As Walsh moved into his fifties and beyond, Hollywood continued to offer him plenty of work, and he has appeared in over 50 movies since passing the half-century mark. His consistent ability to turn out highly entertaining portrayals led film critic Roger Ebert to coin the "Stanton-Walsh Rule," which states that any film starring Walsh or Harry Dean Stanton has to have some merit. And the "M" stands for Michael!
