Jackie Chan(I)
- Producer
- Actor
- Stunts
Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.
Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Jing wu men (1972) (aka "The Chinese Connection"), and the Warner Bros. production Long Tranh Hổ Đấu (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.
Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shao Lin mu ren xiang (1976), Jian hua yan yu jiang nan (1977), Yi zhao ban shi chuang jiang hu (1978) and Fei du juan yun shan (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Túy Quyền (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with Tiểu Sư Phụ (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!
Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Ngũ Phúc Tinh (1983), Kế Hoạch A (1983), Quán Ăn Lưu Động (1984), Fuk sing go jiu (1985) (aka "Winners & Sinners 2"), Xia ri fu xing (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Câu Chuyện Cảnh Sát (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!
This was quickly followed up with the Indiana Jones Và Chiếc Rương Thánh Tích (1981)-influenced Lung hing foo dai (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Kế Hoạch A 2 (1987), Câu Chuyện Cảnh Sát 2 (1988), Kỳ Tích (1989) (aka "Mr. Canton and Lady Rose)", Fei ying gai wak (1991) (aka "Armour of God 2") and Câu Chuyện Cảnh Sát 3: Siêu Cảnh Sát (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Náo Loạn Phố Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.
Jackie did not waste any time and went to work on Câu Chuyện Cảnh Sát 4: Nhiệm Vụ Đơn Giản (1996) (aka "Police Story 4"), Yat goh ho yan (1997), Tôi Là Ai? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Giờ Cao Điểm (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Trưa Thượng Hải (2000) and its sequel, Hiệp Sĩ Thượng Hải (2003), and re-teamed with Tucker in Giờ Cao Điểm 2 (2001), as well as starring in Bộ Vest Tuxedo (2002), Huy Hiệu Rồng (2003) and the delightful 80 Ngày Vòng Quanh Thế Giới (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with Tân Câu Chuyện Cảnh Sát (2004) and Thần Thoại (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.
Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.
Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Jing wu men (1972) (aka "The Chinese Connection"), and the Warner Bros. production Long Tranh Hổ Đấu (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.
Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shao Lin mu ren xiang (1976), Jian hua yan yu jiang nan (1977), Yi zhao ban shi chuang jiang hu (1978) and Fei du juan yun shan (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Túy Quyền (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with Tiểu Sư Phụ (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!
Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Ngũ Phúc Tinh (1983), Kế Hoạch A (1983), Quán Ăn Lưu Động (1984), Fuk sing go jiu (1985) (aka "Winners & Sinners 2"), Xia ri fu xing (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Câu Chuyện Cảnh Sát (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!
This was quickly followed up with the Indiana Jones Và Chiếc Rương Thánh Tích (1981)-influenced Lung hing foo dai (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Kế Hoạch A 2 (1987), Câu Chuyện Cảnh Sát 2 (1988), Kỳ Tích (1989) (aka "Mr. Canton and Lady Rose)", Fei ying gai wak (1991) (aka "Armour of God 2") and Câu Chuyện Cảnh Sát 3: Siêu Cảnh Sát (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Náo Loạn Phố Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.
Jackie did not waste any time and went to work on Câu Chuyện Cảnh Sát 4: Nhiệm Vụ Đơn Giản (1996) (aka "Police Story 4"), Yat goh ho yan (1997), Tôi Là Ai? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Giờ Cao Điểm (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Trưa Thượng Hải (2000) and its sequel, Hiệp Sĩ Thượng Hải (2003), and re-teamed with Tucker in Giờ Cao Điểm 2 (2001), as well as starring in Bộ Vest Tuxedo (2002), Huy Hiệu Rồng (2003) and the delightful 80 Ngày Vòng Quanh Thế Giới (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with Tân Câu Chuyện Cảnh Sát (2004) and Thần Thoại (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.
Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.
