Akira Kurosawa(1910-1998)

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sugata Sanshirô (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Yoidore tenshi (1948) was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Lã Sinh Môn (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Bảy Võ Sĩ Đạo (1954), the barbaric, riveting Shakespeare adaptation Kumonosu-jô (1957), and a fun pair of samurai comedies Vệ Sĩ (1961) and Xuân Tam Thập Lang (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodesukaden (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Võ Sĩ Thế Thân (1980), which Kurosawa described as a dry run for Lãnh Chúa Hidetora (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Yume (1990), Hachigatsu no rapusodî (1991) and Mâdadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Lã Sinh Môn (1950) as The Outrage (1964), Bảy Võ Sĩ Đạo (1954), as Bảy Tay Súng Huyền Thoại (1960), Vệ Sĩ (1961), as Một Nắm Đô La (1964) and Pháo Đài Tàng Ẩn (1958), as Chiến Tranh Giữa Các Vì Sao Tập 4: Niềm Hi Vọng Mới (1977).