Biography

Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in Der blaue Engel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.

- IMDb Mini Biography By: Bruce Cameron <dumarest@midcoast.com>

Marie Magdelene Dietrich was born in Berlin, Germany on December 27, 1901. Her father was an army officer who had served in the Franco-Prussian War. Because of his constant absences from the family due to his army duties, Marlene and the rest had to rely on themselves. When he died, while she was 11, Marlene's mother married Eduard von Losch. Marlene enjoyed music and attended concerts. She was adept at playing the violin and piano. By the time she was in her mid-teens, Marlene had discovered the stage. Acting was to be her vocation. In 1921, Marlene applied for an acting school run by Max Reinhardt. She was accepted. She appeared in several stage production, but never had more than a couple of spoken lines. In short, she wasn't setting the stage world on fire. She attempted films for the first time in 1922 Her first film was So sind die Männer (1923) which was followed by Tragödie der Liebe (1923). On this last project, she met Rudolf Sieber and married him in 1923. The union lasted until his death in 1976 although they didn't live together that whole time. The remainder of her early film career was generally filled with bit roles that never amounted to a whole lot. After being seen in the German production of Der blaue Engel (1930) in 1930, Marlene was given a crack at Hollywood. Her first US film was Morocco (1930) with Gary Cooper later that year followed, by Dishonored (1931) in 1931. This latter movie had her cast as a street walker who is appointed a spy. The film was a rather boring affair but was a success because of Marlene's presence. Movie goers were simply attracted to her. In 1932, Marlene filmed Shanghai Express (1932) which proved to be immensely popular raking in $3 million. Once again, she was cast as a prostitute. The next film was Blonde Venus (1932) which turned out to be a horrible production. Her co-star was Cary Grant and once again she was cast as a prostitute. Marlene seemed to be typecast as a woman of low morals and she wanted different parts. Some films such as Desire (1936) in 1936 didn't do that but she wanted to expand. Her chance came in 1939 in Destry Rides Again (1939) when she was cast as "Frenchy", a Western saloon hostess. This began a new direction for Marlene since it shed the typecasting which she was forced to endure during her career. All through the 1940s, she appeared in well-produced, well-directed films such as Manpower (1942), [error], The Lady Is Willing (1942) and Pittsburgh (1942) all in 1942. Afterwards the roles came fewer, perhaps one to two films every year. In 1945, Marlene didn't appear in any. She only made seven productions in the 1950's. Her last role of any substance was Tòa Án Chiến Tranh (1961) in 1961. Despite the lack of theatrical roles, Marlene still made appearances on the stage. However, by 1979, she was a shell of her former self. After breaking her leg in one performance, she never made a go of it in show business again. Spending the last 12 years of her life bed-ridden, Marlene died on May 6, 1992 in Paris, France of natural causes at the age of 90.

- IMDb Mini Biography By: Denny Jackson