- Born
- Died
- Birth nameRose Joan Blondell
- Height1.57 m
- With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and Cây Mọc Ở Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).- IMDb Mini Biography By: Tony Fontana <tony.fontana@spacebbs.com>
- SpousesMike Todd(July 4, 1947 - June 8, 1950) (divorced)Dick Powell(September 19, 1936 - July 14, 1944) (divorced, 1 child)George Barnes(January 4, 1933 - September 4, 1936) (divorced, 1 child)
- Children
- ParentsEddie Joan Blondell Jr.Kathryn Cain
- RelativesGloria Blondell(Sibling)Kathryn Blondell(Niece or Nephew)
- Made six movies with James Cagney at Warner Brothers - more than any other individual actress. Cagney said that the only woman he loved other than his wife was Blondell.
- In 1927, while closing the library she worked at, she was raped by a police officer. He told her he would kill her if she told anyone. She kept her silence for decades, until finally telling her grown daughter. She went public with this in her memoirs.
- Her marriage to theatrical impresario Mike Todd was an emotional and financial disaster. Todd was a heavy spender who lost hundreds of thousands of dollars gambling (high-stakes bridge was one of his weaknesses) and went through a controversial bankruptcy during their marriage. While continuing to live the high-life on a huge estate in New York's Westchester County, the irresponsible Todd ran through Blondell's savings.
- She playfully called her friend Bette Davis's four ex-husbands "The Four Skins" since they were all gentiles.
- Felt that her best performance was as Aunt Sissy in Cây Mọc Ở Brooklyn (1945).
- There's a very fine line between underacting and not acting at all. And not acting is what a lot of actors are guilty of. It amazes me how some of these little numbers with dreamy looks and a dead pan are getting away wit it. I'd hate to see them on stage with a dog act.
- [on Al Jolson] The screen didn't give him enough space to project in. I remember as a kid seeing him on stage and I think to this day there have been two great performers in the world: one is Jolson and the other is Judy Garland. They had some kind of magic in front of people that no one could surpass -- they were sheer, magnificent talent beyond belief.
- [on Leslie Howard] Leslie Howard was a darling flirt. He'd be caressing your eyes and have his hand on someone else's leg at the same time. He was adorable. He was a little devil and just wanted his hands on every woman around. He just loved ladies.
- [on Jean Harlow] You know, she never wore underclothes and she was walking past the guys on The Public Enemy (1931) one day and James Cagney said, "How do you hold those things up?" and she said, "I ice them." And she was very serious.
- [on director Edmund Goulding] He did something that drove actors crazy. He'd get out there and act out everybody's role for them -- even the women! And we were supposed to imitate him. We wanted to give our own interpretations.
- Sinners' Holiday (1930) - $250 /week (three-week shoot)
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