On Nov. 29, 1945, Paramount Pictures and Billy Wilder brought their adaptation of The Lost Weekend to theaters in Los Angeles. The film would go on to be nominated for seven Oscars at the 18th Academy Awards, claiming four wins, including best picture. The Hollywood Reporter’s original review, headlined “Brackett, Wilder, Milland Do Great Jobs In ‘Weekend,'” is below:
This is undoubtedly the best horror picture of the year and it is without question one of the best pieces of picture-making, so far as writing, directing, acting and any other techniques are concerned, that Hollywood has turned out in many a long moon. The word-of-mouth advertising alone will prove to be as terrific as the picture is horrific.
Effective is a mild word for the picturization of this novel, taken from the book of the same name. With the exception of the end, it has stuck most faithfully to the original,...
This is undoubtedly the best horror picture of the year and it is without question one of the best pieces of picture-making, so far as writing, directing, acting and any other techniques are concerned, that Hollywood has turned out in many a long moon. The word-of-mouth advertising alone will prove to be as terrific as the picture is horrific.
Effective is a mild word for the picturization of this novel, taken from the book of the same name. With the exception of the end, it has stuck most faithfully to the original,...
- 11/28/2023
- by THR Staff
- The Hollywood Reporter - Movie News
Billy Wilder’s first big Oscar winner holds up as fine work in every respect, and serves as evidence of the writer-director’s moviemaking instincts at a time when he could do no wrong. Starring Ray Milland as a self-destructive alcoholic, Wilder and Charles Brackett manage to retain much of the sordid truth and nightmarish horror of the ordeal of would-be writer Don Birnham, who ducks his guilty self-loathing by taking to the bottle. It’s still a harrowing experience, with a sharp emotional kick. This new remastered edition carries a commentary by Joseph McBride. Co-starring Jane Wyman, Howard Da Silva, Doris Dowling, Frank Faylen and Phillip Terry; the scary music is by Miklos Rozsa.
The Lost Weekend
Blu-ray
Kl Studio Classics
1945 / B&w / 1:37 flat Academy / 101 min. / Street Date November 24, 2020 / available through Kino Lorber / 29.95
Starring: Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva, Doris Dowling, Frank Faylen, Douglas Spencer,...
The Lost Weekend
Blu-ray
Kl Studio Classics
1945 / B&w / 1:37 flat Academy / 101 min. / Street Date November 24, 2020 / available through Kino Lorber / 29.95
Starring: Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva, Doris Dowling, Frank Faylen, Douglas Spencer,...
- 12/26/2020
- by Glenn Erickson
- Trailers from Hell
Normal 0 false false false En-us X-none X-none
“The DTs In High Definition”
By Raymond Benson
In 1945, Billy Wilder’s The Lost Weekend was a big deal. If it wasn’t the first Hollywood movie to portray alcoholism as a serious problem, then it was certainly the most visible and influential one.
In the latter 1940s, Hollywood’s output changed from the sunshine-feel good-entertainments that the Golden Age had produced in the 30s and early 40s. American GIs came home from the war, and many were disillusioned and cynical. The war was the catalyst for Americans to “grow up.” They were ready to accept more serious, darker fare. Thus, we got film noir—crime pictures that were full of angst and betrayals—and we got the “social problem film.” The latter tackled subjects that Hollywood had previously never touched—alcoholism, racism, anti-Semitism, government corruption, and drug abuse. Titles like Gentleman’s Agreement,...
“The DTs In High Definition”
By Raymond Benson
In 1945, Billy Wilder’s The Lost Weekend was a big deal. If it wasn’t the first Hollywood movie to portray alcoholism as a serious problem, then it was certainly the most visible and influential one.
In the latter 1940s, Hollywood’s output changed from the sunshine-feel good-entertainments that the Golden Age had produced in the 30s and early 40s. American GIs came home from the war, and many were disillusioned and cynical. The war was the catalyst for Americans to “grow up.” They were ready to accept more serious, darker fare. Thus, we got film noir—crime pictures that were full of angst and betrayals—and we got the “social problem film.” The latter tackled subjects that Hollywood had previously never touched—alcoholism, racism, anti-Semitism, government corruption, and drug abuse. Titles like Gentleman’s Agreement,...
- 11/30/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Never heard of Wake Island? Its fall terrified Americans at Christmas of 1941. The war’s just begun, we’re definitely not winning, and the assignment was to make a movie about a tragic defeat that might be the first of many tragic defeats for the U.S.A.. Paramount’s careful morale-builder doesn’t exaggerate or sentimentalize the brutal fall of a tiny atoll in the Pacific, and stands as an example of filmmaking reaching for hope in the face of disaster.
Wake Island
Blu-ray
Kl Studio Classics
1942 / B&w / 1:37 flat Academy / 88 min. / Street Date August 18, 2020 / available through Kino Lorber / 29.95
Starring: Brian Donlevy, Robert Preston, Macdonald Carey, William Bendix, Albert Dekker, Walter Abel, Mikhail Rasumny, Rod Cameron, Bill Goodwin, Damian O’Flynn, Frank Albertson, Hugh Beaumont, Barbara Britton, Hillary Brooke, Dane Clark, Frank Faylen, Mary Field, Alan Hale Jr., Richard Loo, James Millican, Jack Mulhall, Keith Richards, Phillip Terry, Mary Thomas,...
Wake Island
Blu-ray
Kl Studio Classics
1942 / B&w / 1:37 flat Academy / 88 min. / Street Date August 18, 2020 / available through Kino Lorber / 29.95
Starring: Brian Donlevy, Robert Preston, Macdonald Carey, William Bendix, Albert Dekker, Walter Abel, Mikhail Rasumny, Rod Cameron, Bill Goodwin, Damian O’Flynn, Frank Albertson, Hugh Beaumont, Barbara Britton, Hillary Brooke, Dane Clark, Frank Faylen, Mary Field, Alan Hale Jr., Richard Loo, James Millican, Jack Mulhall, Keith Richards, Phillip Terry, Mary Thomas,...
- 8/4/2020
- by Glenn Erickson
- Trailers from Hell
Why do we like horror and monster movies that routinely get labeled as ‘bad?’ Because many of them have great story ideas and look at the world from odd, warped viewpoints. Back when ‘warped’ wasn’t a prerequisite for All filmed entertainment (my exaggeration) this murderous rejuvenation tale could be appreciated as something unusual, even quirky. Jeez, the characters are even nastier than the people I know! Lovely Coleen Gray takes a chance on a downmarket Universal programmer and proves how well she can carry a movie, even through several dubious horror make-ups.
The Leech Woman
Blu-ray
Scream Factory
1960 / B&w / 1:85 widescreen / 77 min. / Street Date August 27, 2019 / Available from Scream Factory
Starring: Coleen Gray, Grant Williams, Phillip Terry, Gloria Talbott, John Van Dreelen, Estelle Hemsley, Kim Hamilton, Arthur Batanides, Murray Alper, Paul Thompson.
Cinematography: Ellis W. Carter
Film Editor: Milton Carruth
Original Music: Irving Gertz
Written by David Duncan, story by Ben Pivar,...
The Leech Woman
Blu-ray
Scream Factory
1960 / B&w / 1:85 widescreen / 77 min. / Street Date August 27, 2019 / Available from Scream Factory
Starring: Coleen Gray, Grant Williams, Phillip Terry, Gloria Talbott, John Van Dreelen, Estelle Hemsley, Kim Hamilton, Arthur Batanides, Murray Alper, Paul Thompson.
Cinematography: Ellis W. Carter
Film Editor: Milton Carruth
Original Music: Irving Gertz
Written by David Duncan, story by Ben Pivar,...
- 1/4/2020
- by Glenn Erickson
- Trailers from Hell
Back in April, Scream Factory heated up their summer release schedule with a bunch of new Blu-ray announcements for July, and now they're adding even more must-see scares to the calendar with a new wave of August Blu-ray announcements, including Horror of Frankenstein, Fear in the Night, The Leech Woman, Isle of the Dead, a Collector's Edition of Vice Squad, and Steelbook releases of Forbidden World and Galaxy of Terror.
Vice Squad Collector's Edition Blu-ray: "Hollywood, cops, hookers and killer pimps! Director Gary Sherman’s 1982 “neon-slime” cult classic Vice Squad is finally coming to Blu-ray this Summer!. We’re so excited! And if you’re a fan of movies like Savage Streets, 10 to Midnight or Class of 1984, this is a must have. Here’s the early details we have a current time to share.
• Blu-ray debut!
• National street date for North America (Region A) is August 13th.
• This...
Vice Squad Collector's Edition Blu-ray: "Hollywood, cops, hookers and killer pimps! Director Gary Sherman’s 1982 “neon-slime” cult classic Vice Squad is finally coming to Blu-ray this Summer!. We’re so excited! And if you’re a fan of movies like Savage Streets, 10 to Midnight or Class of 1984, this is a must have. Here’s the early details we have a current time to share.
• Blu-ray debut!
• National street date for North America (Region A) is August 13th.
• This...
- 5/3/2019
- by Derek Anderson
- DailyDead
Richard Brooks' exciting Humphrey Bogart picture is one of the best newspaper sagas ever. An editor deals with a gangster threat and a domestic crisis even as greedy heirs are selling his paper out from under him. Commentator Eddie Muller drives home the film's essential civics lesson about what we've lost -- a functioning free press. Deadline - U.S.A. Blu-ray Kl Studio Classics 1952 / B&W / 1:37 flat Academy / 87 min. / Street Date July 26, 2016 / available through Kino Lorber / 29.95 Starring Humphrey Bogart, Ethel Barrymore, Kim Hunter, Ed Begley, Warren Stevens, Paul Stewart, Martin Gabel, Joe De Santis, Audrey Christie, Jim Backus, Willis Bouchey, Joseph Crehan, Lawrence Dobkin, John Doucette, Paul Dubov, William Forrest, Dabbs Greer, Thomas Browne Henry, Paul Maxey, Ann McCrea, Kasia Orzazewski, Tom Powers, Joe Sawyer, William Self, Phillip Terry, Carleton Young. Cinematography Milton Krasner Film Editor William B.Murphy Original Music Cyril J. Mockridge Produced by Sol C. Siegel...
- 9/2/2016
- by Glenn Erickson
- Trailers from Hell
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Coleen Gray in 'The Sleeping City' with Richard Conte. Coleen Gray after Fox: B Westerns and films noirs (See previous post: “Coleen Gray Actress: From Red River to Film Noir 'Good Girls'.”) Regarding the demise of her Fox career (the year after her divorce from Rod Amateau), Coleen Gray would recall for Confessions of a Scream Queen author Matt Beckoff: I thought that was the end of the world and that I was a total failure. I was a mass of insecurity and depended on agents. … Whether it was an 'A' picture or a 'B' picture didn't bother me. It could be a Western movie, a sci-fi film. A job was a job. You did the best with the script that you had. Fox had dropped Gray at a time of dramatic upheavals in the American film industry: fast-dwindling box office receipts as a result of competition from television,...
- 10/15/2015
- by Andre Soares
- Alt Film Guide
Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch...
- 9/16/2015
- by Andre Soares
- Alt Film Guide
We’ve all had them; but I dare say not many like this as Joakim and Sam Hutchinson from Cinema Etc talk about Billy Wilders The Lost Weekend.
From Masters of Cinema:
Directed by Billy Wilder (Double Indemnity, Sunset Boulevard, Some Like It Hot), this gut-wrenching adaptation of Charles Jackson’s The Lost Weekend horrified its studio, was rejected by test audiences, and was lobbied by temperance groups, yet went on to huge success and became the awards sensation of its year.
Ray Milland stars as Don Birnam, a New York author struggling with years of alcoholism and writer’s block. Trying to keep him on the path to rehabilitation are his straight-laced brother Wick (Philip Terry) and devoted long-time girlfriend Helen (Jane Wyman). When Don absconds from a country excursion, he embarks on a four-day binge, spiralling towards rock bottom.
Winner of the Grand Prix at the first ever Cannes Film Festival,...
From Masters of Cinema:
Directed by Billy Wilder (Double Indemnity, Sunset Boulevard, Some Like It Hot), this gut-wrenching adaptation of Charles Jackson’s The Lost Weekend horrified its studio, was rejected by test audiences, and was lobbied by temperance groups, yet went on to huge success and became the awards sensation of its year.
Ray Milland stars as Don Birnam, a New York author struggling with years of alcoholism and writer’s block. Trying to keep him on the path to rehabilitation are his straight-laced brother Wick (Philip Terry) and devoted long-time girlfriend Helen (Jane Wyman). When Don absconds from a country excursion, he embarks on a four-day binge, spiralling towards rock bottom.
Winner of the Grand Prix at the first ever Cannes Film Festival,...
- 8/21/2015
- by Tom Jennings
- CriterionCast
'To Each His Own' movie with Olivia de Havilland and John Lund 'To Each His Own' movie review: Best Actress Oscar winner Olivia de Havilland stars in Mother Love tearjerker Olivia de Havilland, who had starred in the 1941 melodrama Hold Back the Dawn, returns to the wartime milieu in To Each His Own (1946), once again under the direction of Mitchell Leisen, who guides the proceedings with his characteristic sincerity while cleverly skirting the Production Code's restrictive guidelines. In To Each His Own, de Havilland plays Jody Norris, a small-town woman who falls quickly in love – much like her character in Hold Back the Dawn – but this time during World War I, when Jody's brief liaison with daredevil flying ace Captain Cosgrove (John Lund) results in an out-of-wedlock child. When Cosgrove is killed in battle, the young mother anonymously gives up her baby to a childless couple in her hometown, remaining...
- 5/7/2015
- by Doug Johnson
- Alt Film Guide
Born to Kill
Written by Eve Greene and Richard Macaulay
Directed by Robert Wise
U.S.A., 1947
Helen Brent (Claire Trevor) is in Reno, Nevada for a few days to settle a divorce. She stays at a nearby ‘bed and breakfast’ type establishment where the fun natured caretaker Mrs. Kraft (Esther Howard) and neighbor Laurey Palmer (Isabel Jewell) seem to spend more time drinking and laughing than anything else. Upon visiting a casino one evening, Helen makes eye contact with a tall, square-jawed handsome man named Sam Wilde (Lawrence Tierney), whose family name suites him perfectly. Sam, prone to violent outbursts driven by jealousy and lust, knows Laurey too, even having dated her. When discovering she has a new boyfriend, Sam murders them both in cold blood in a manner that would make Jason Voorhees proud. Sam them follows Helen to San Francisco, hoping to cozy up with the her as well.
Written by Eve Greene and Richard Macaulay
Directed by Robert Wise
U.S.A., 1947
Helen Brent (Claire Trevor) is in Reno, Nevada for a few days to settle a divorce. She stays at a nearby ‘bed and breakfast’ type establishment where the fun natured caretaker Mrs. Kraft (Esther Howard) and neighbor Laurey Palmer (Isabel Jewell) seem to spend more time drinking and laughing than anything else. Upon visiting a casino one evening, Helen makes eye contact with a tall, square-jawed handsome man named Sam Wilde (Lawrence Tierney), whose family name suites him perfectly. Sam, prone to violent outbursts driven by jealousy and lust, knows Laurey too, even having dated her. When discovering she has a new boyfriend, Sam murders them both in cold blood in a manner that would make Jason Voorhees proud. Sam them follows Helen to San Francisco, hoping to cozy up with the her as well.
- 12/13/2013
- by Edgar Chaput
- SoundOnSight
Mickey Rooney movie schedule (Pt): TCM on August 13 See previous post: “Mickey Rooney Movies: Music and Murder.” Photo: Mickey Rooney ca. 1940. 3:00 Am Death On The Diamond (1934). Director: Edward Sedgwick. Cast: Robert Young, Madge Evans, Nat Pendleton, Mickey Rooney. Bw-71 mins. 4:15 Am A Midsummer Night’S Dream (1935). Director: Max Reinhardt and William Dieterle. Cast: James Cagney, Dick Powell, Olivia de Havilland, Ross Alexander, Anita Louise, Mickey Rooney, Joe E. Brown, Victor Jory, Ian Hunter, Verree Teasdale, Jean Muir, Frank McHugh, Grant Mitchell, Hobart Cavanaugh, Dewey Robinson, Hugh Herbert, Arthur Treacher, Otis Harlan, Helen Westcott, Fred Sale, Billy Barty, Rags Ragland. Bw-143 mins. 6:45 Am A Family Affair (1936). Director: George B. Seitz. Cast: Mickey Rooney, Lionel Barrymore, Cecilia Parker, Eric Linden. Bw-69 mins. 8:00 Am Boys Town (1938). Director: Norman Taurog. Cast: Spencer Tracy, Mickey Rooney, Henry Hull, Leslie Fenton, Gene Reynolds, Edward Norris, Addison Richards, Minor Watson, Jonathan Hale,...
- 8/13/2013
- by Andre Soares
- Alt Film Guide
Time To Roam
A free travel magazine has launched today catering to the Australian recreational vehicle market.
Time To Roam Australia is an independent venture developed by Phillip Terry who has 25 years of experience in magazine sales and development. He has teamed with journalist Rod Bruem as editor.
The bi-monthly publication will be free in both print and as an online magazine. An initial 20,000 printed copies will be available at holiday and tourist parts, visitor information centres, and caravan dealerships.
Bruem said: “There is no other free publication like this in Australia and we are confident Australia will love Time to Roam.”
Terry said: “We’re catering to an industry and sector that hasn’t stopped growing for over 40 years. When the Gfc hit, the caravan and camping industry went the other way, with new vehicle registrations doubling in some states.
“Time to Roam will cater to a broad range...
A free travel magazine has launched today catering to the Australian recreational vehicle market.
Time To Roam Australia is an independent venture developed by Phillip Terry who has 25 years of experience in magazine sales and development. He has teamed with journalist Rod Bruem as editor.
The bi-monthly publication will be free in both print and as an online magazine. An initial 20,000 printed copies will be available at holiday and tourist parts, visitor information centres, and caravan dealerships.
Bruem said: “There is no other free publication like this in Australia and we are confident Australia will love Time to Roam.”
Terry said: “We’re catering to an industry and sector that hasn’t stopped growing for over 40 years. When the Gfc hit, the caravan and camping industry went the other way, with new vehicle registrations doubling in some states.
“Time to Roam will cater to a broad range...
- 2/11/2013
- by Colin Delaney
- Encore Magazine
Directed and co-written by two-time Academy Award winner Billy Wilder, The Lost Weekend is to be released in the UK as part of Eureka’s Masters Of Cinema Series on Blu-ray (Standard and SteelBook editions) on 25 June 2012.
We have three copies of the Blu-ray to give away to our readers.
Directed by Billy Wilder (Double Indemnity, Sunset Boulevard, Some Like It Hot), this gut-wrenching adaptation of Charles Jackson’s The Lost Weekend horrified its studio, was rejected by test audiences, and was lobbied by temperance groups, yet went on to huge success and became the awards sensation of its year.
Ray Milland stars as Don Birnam, a New York author struggling with years of alcoholism and writer’s block. Trying to keep him on the path to rehabilitation are his straight-laced brother Wick (Philip Terry) and devoted long-time girlfriend Helen (Jane Wyman). When Don absconds from a country excursion, he embarks on a four-day binge,...
We have three copies of the Blu-ray to give away to our readers.
Directed by Billy Wilder (Double Indemnity, Sunset Boulevard, Some Like It Hot), this gut-wrenching adaptation of Charles Jackson’s The Lost Weekend horrified its studio, was rejected by test audiences, and was lobbied by temperance groups, yet went on to huge success and became the awards sensation of its year.
Ray Milland stars as Don Birnam, a New York author struggling with years of alcoholism and writer’s block. Trying to keep him on the path to rehabilitation are his straight-laced brother Wick (Philip Terry) and devoted long-time girlfriend Helen (Jane Wyman). When Don absconds from a country excursion, he embarks on a four-day binge,...
- 6/22/2012
- by Matt Holmes
- Obsessed with Film
With the road to the Academy Awards well and truly underway, the next few weeks of Top 10 Tuesdays will have a suitable Oscar theme, kicking off this week with the 10 Greatest Oscar winning Performances!
The past 83 years have unquestionably provided some exceptional performances – as well as some that have definitely been overlooked by the Academy – and below are the five best Oscar winning performances by an actor and the five best from an actress…in my opinion!
10. Susan Hayward – I Want To Live! (1958)
Barbara Graham (Susan Hayward) is a woman with a questionable moral fibre. Often found in seedy bars soliciting, she has previously been sentenced for a number of small, petty crimes. When two of Barbara’s sleazy male acquaintances murder an older woman it isn’t long before the police catch them. Falsely believing that Barbara has assisted the police in arresting them they claim that is in...
The past 83 years have unquestionably provided some exceptional performances – as well as some that have definitely been overlooked by the Academy – and below are the five best Oscar winning performances by an actor and the five best from an actress…in my opinion!
10. Susan Hayward – I Want To Live! (1958)
Barbara Graham (Susan Hayward) is a woman with a questionable moral fibre. Often found in seedy bars soliciting, she has previously been sentenced for a number of small, petty crimes. When two of Barbara’s sleazy male acquaintances murder an older woman it isn’t long before the police catch them. Falsely believing that Barbara has assisted the police in arresting them they claim that is in...
- 2/9/2011
- by Stuart Cummins
- Obsessed with Film
To Each His Own (1946) Direction: Mitchell Leisen Screenplay: Charles Brackett and Jacques Théry; from a story by Brackett Cast: Olivia de Havilland, John Lund, Mary Anderson, Roland Culver, Phillip Terry, Bill Goodwin Olivia de Havilland, John Lund in To Each His Own Olivia de Havilland, who had starred in the 1941 melodrama Hold Back the Dawn, returns to the wartime milieu in To Each His Own (1946), once again under the direction of Mitchell Leisen, who guides the proceedings with his characteristic sincerity while cleverly skirting the Production Code’s restrictive guidelines. In To Each His Own, de Havilland plays Jody Norris, a small-town woman who falls quickly in love — much like her character in Hold Back the Dawn, but this time [...]...
- 11/14/2009
- by Doug Johnson
- Alt Film Guide
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