Basil Sydney(1894-1968)
- Actor
- Additional Crew
The son of a stage manager, Basil Sydney entered the acting profession
in 1909. His burgeoning career was interrupted by the outbreak of World
War I, during which he saw action with the Norfolk Regiment in the
British Army. In the early 1920's, Basil established himself as a
matinée idol on the London stage. His film debut, however, took place
on the other side of the Atlantic in the silent feature
Romance (1920), based on a play by
Edward Sheldon. His co-star was
the prominent American Broadway star
Doris Keane, with whom he had appeared in
the theatrical performance of the play five years prior and
subsequently married. Basil was rapidly promoted through a starring
role in his second screen outing, the comedy
Red Hot Romance (1922), but
decided to turn down the offer of a lucrative Hollywood contract. His
single-minded insistence on being cast exclusively in roles based on
works by Shakespeare or Shaw led him to New York and back to the
theatre. He spent the remainder of the decade as a leading player on
Broadway, playing the parts he craved and duly receiving critical
plaudits for his Mercutio of "Romeo and Juliet" (1922-23) and for his
leads as Hamlet (1925-26) and Petruchio in "The Taming of the Shrew"
(1927-28).
Basil did not return to films until 1932, back in Britain and henceforth as a burly character actor, albeit of never less than commanding presence. His stock-in-trade were shifty opportunists, public servants, domineering fathers or military types. He alternated smoothly between charming or dependable and menacing or sinister. Generally typed as a quintessential Englishman, his casting as a German infiltrator in the wartime drama Went the Day Well? (1942), lent additional gravitas to the warning against complacency. Otherwise, he stood out as Caesar's military aide-de-camp Rufio in the decidedly stodgy screen adaptation of George Bernard Shaw's Caesar and Cleopatra (1945); as the brutish squire Nick Helmar in the period Gainsborough melodrama Jassy (1947); as the indefatigable Captain Smollett battling the pirates of Treasure Island (1950) and as Waldemar Fitzurse, advisor to the devious Prince John (played by Guy Rolfe) in MGM's excellent Technicolor swashbuckler Dũng Sĩ Ivanhoe (1952).
Basil did not return to films until 1932, back in Britain and henceforth as a burly character actor, albeit of never less than commanding presence. His stock-in-trade were shifty opportunists, public servants, domineering fathers or military types. He alternated smoothly between charming or dependable and menacing or sinister. Generally typed as a quintessential Englishman, his casting as a German infiltrator in the wartime drama Went the Day Well? (1942), lent additional gravitas to the warning against complacency. Otherwise, he stood out as Caesar's military aide-de-camp Rufio in the decidedly stodgy screen adaptation of George Bernard Shaw's Caesar and Cleopatra (1945); as the brutish squire Nick Helmar in the period Gainsborough melodrama Jassy (1947); as the indefatigable Captain Smollett battling the pirates of Treasure Island (1950) and as Waldemar Fitzurse, advisor to the devious Prince John (played by Guy Rolfe) in MGM's excellent Technicolor swashbuckler Dũng Sĩ Ivanhoe (1952).