Alexander Knox(1907-1995)
- Actor
- Writer
- Director
A Presbyterian minister's son, softly-spoken, intellectual-looking
Alexander Knox received his education from the University of Western
Ontario where he studied English literature. An excellent
elocutionist (a member of the university's Hesperian Club) he had his
first fling with dramatic acting playing the lead in "Hamlet". His
professional theatrical debut began on the Boston stage in 1929 while
simultaneously earning an income as a journalist for the Boston Post.
After just one year he went looking for better acting opportunities in
England, specializing in 'serious' classical parts which required just
the right measure of
'gravitas'. During another journalistic stint with the London Advertiser he made the acquaintance of noted stage director and producer Tyrone Guthrie
who helped him to make a name for himself on the London stage at the
Old Vic. As the decade progressed, Knox appeared opposite such
theatrical icons as
Ralph Richardson and
Laurence Olivier (in "The King of
Nowhere"), and in plays by James Bridie and
George Bernard Shaw.
Movie work followed in 1938 with appearances in The Gaunt Stranger (1938) and a bit part in Bốn Sợi Lông Vũ (1939). However, the outbreak of World War II prompted his return to America. In 1940, Knox got his big break on Broadway cast in the role of Friar Laurence in "Romeo and Juliet", written and staged by Olivier and starring Vivien Leigh as Juliet. A later leading role in "The Three Sisters" (1942-43) -- a turn-of-the-century drama set in Russia -- saw him as Baron Tuzenbach opposite Katharine Cornell and Judith Anderson. With a brace of good critical notices, it became only a matter of time before the screen beckoned again. In 1941, Knox made his Hollywood film bow and was perfectly cast as the quiet intellectual Humphrey Van Weyden, protagonist of Jack London's maritime classic The Sea Wolf (1941). His performance was somewhat overshadowed by those of his co-stars, Edward G. Robinson (in the titular role of Wolf Larsen) and the dynamic John Garfield (as chief mutineer George Leech) but it led to further work as a reliable lead character player.
For most of his career, Knox tended to be typecast as men of integrity (though he did play the odd villain): stern authority figures, psychiatrists, academics and politicians - undoubtedly, this was because of his inherently sincere, though rather sombre on-screen personality. It was also a consequence of having been cast in the starring role of Woodrow Wilson, the 28th U.S. President, in Darryl F. Zanuck's over-ambitious biopic Wilson (1944). Bosley Crowther commented for The New York Times (August 2, 1944): "Much of the film's quality is due to the performance of Alexander Knox in the title role. Mr. Knox....draws a character that is full of inner strength - honest, forceful and intelligent, yet marked by a fine reserve... The casting of Mr. Knox, a comparative unknown, in this role was truly inspired". Despite the excellent personal notices, 'Wilson' was a rather slow and ponderous affair, a flop at the box office and one of Zanuck's most conspicuous failures. His personal reputation intact, Knox had several leading roles come his way in the wake of 'Wilson', even a rare comedy part in The Judge Steps Out (1948) as a starchy, but likeable Boston judge. However, in 1952, his career suffered a serious setback when he was blacklisted by HUAC for alleged left-wing affinities and forced to leave for England.
From 1954, Alexander Knox appeared in scores of British films and was particularly good in two productions for the director Joseph Losey (who had also been black-listed in Hollywood): The Damned (1962) and Accident (1967). He also played another U.S. president in the James Bond thriller Anh Chỉ Sống Hai Lần (1967) and was a memorable spook (the ill-fated 'Control') in Tinker Tailor Soldier Spy (1979) on television. He made a successful return to the London stage, frequently in plays by Henrik Ibsen and Clifford Odets. Outside of his principal occupation he was finally able to devote himself wholeheartedly to his long-standing literary ambition, as the author of plays ("Old Master", "Trafalgar Square"), screenplays and five adventure novels set in the wilds of 19th century Canada. Knox died in his adopted home in Berwick-Upon-Tweed, England, in 1995 at the age of 88.
Movie work followed in 1938 with appearances in The Gaunt Stranger (1938) and a bit part in Bốn Sợi Lông Vũ (1939). However, the outbreak of World War II prompted his return to America. In 1940, Knox got his big break on Broadway cast in the role of Friar Laurence in "Romeo and Juliet", written and staged by Olivier and starring Vivien Leigh as Juliet. A later leading role in "The Three Sisters" (1942-43) -- a turn-of-the-century drama set in Russia -- saw him as Baron Tuzenbach opposite Katharine Cornell and Judith Anderson. With a brace of good critical notices, it became only a matter of time before the screen beckoned again. In 1941, Knox made his Hollywood film bow and was perfectly cast as the quiet intellectual Humphrey Van Weyden, protagonist of Jack London's maritime classic The Sea Wolf (1941). His performance was somewhat overshadowed by those of his co-stars, Edward G. Robinson (in the titular role of Wolf Larsen) and the dynamic John Garfield (as chief mutineer George Leech) but it led to further work as a reliable lead character player.
For most of his career, Knox tended to be typecast as men of integrity (though he did play the odd villain): stern authority figures, psychiatrists, academics and politicians - undoubtedly, this was because of his inherently sincere, though rather sombre on-screen personality. It was also a consequence of having been cast in the starring role of Woodrow Wilson, the 28th U.S. President, in Darryl F. Zanuck's over-ambitious biopic Wilson (1944). Bosley Crowther commented for The New York Times (August 2, 1944): "Much of the film's quality is due to the performance of Alexander Knox in the title role. Mr. Knox....draws a character that is full of inner strength - honest, forceful and intelligent, yet marked by a fine reserve... The casting of Mr. Knox, a comparative unknown, in this role was truly inspired". Despite the excellent personal notices, 'Wilson' was a rather slow and ponderous affair, a flop at the box office and one of Zanuck's most conspicuous failures. His personal reputation intact, Knox had several leading roles come his way in the wake of 'Wilson', even a rare comedy part in The Judge Steps Out (1948) as a starchy, but likeable Boston judge. However, in 1952, his career suffered a serious setback when he was blacklisted by HUAC for alleged left-wing affinities and forced to leave for England.
From 1954, Alexander Knox appeared in scores of British films and was particularly good in two productions for the director Joseph Losey (who had also been black-listed in Hollywood): The Damned (1962) and Accident (1967). He also played another U.S. president in the James Bond thriller Anh Chỉ Sống Hai Lần (1967) and was a memorable spook (the ill-fated 'Control') in Tinker Tailor Soldier Spy (1979) on television. He made a successful return to the London stage, frequently in plays by Henrik Ibsen and Clifford Odets. Outside of his principal occupation he was finally able to devote himself wholeheartedly to his long-standing literary ambition, as the author of plays ("Old Master", "Trafalgar Square"), screenplays and five adventure novels set in the wilds of 19th century Canada. Knox died in his adopted home in Berwick-Upon-Tweed, England, in 1995 at the age of 88.
