La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.
- Candidato a 6 Oscar
- 10 vittorie e 24 candidature totali
Ellen Latzen
- Ellen Gallagher
- (as Ellen Hamilton Latzen)
Sam Coppola
- Fuselli
- (as Sam J. Coppola)
Trama
Lo sapevi?
- QuizGlenn Close still has the knife she used in the movie hanging in her kitchen, stating: "It's beautiful, made of wood and paper. It's a work of art! And it's nice for our guests to see it. It lets them know they can't stay forever."
- BlooperWhile Dan is in his attic study listening to a tape, Beth can be seen reflected in the window, waiting just out of shot for her cue.
- Citazioni
Alex Forrest: [to Dan] Well, what am I supposed to do? You won't answer my calls, you change your number. I mean, I'm not gonna be ignored, Dan!
- Curiosità sui creditiBarbara Harris is sometimes credited under the name Barbara Iley. In the final credits here, under 'Party Guests,' she is credited under both names.
- Versioni alternativeIn the network version shown on TNT in the scene where Alex phones Dan at 2:13 a.m., there is additional dialogue between Dan and Beth after Dan hangs up the phone that is not in the theatrical/DVD version. Beth asks, "Who in the hell was that?" Dan says that it was a client calling and that this happens when you're a lawyer (being called at odd hours). Beth says that it's the middle of the night, still wondering why someone would call at 2:15 a.m. Dan justifies this by saying it's only 11:00 or so in L.A.
- Colonne sonoreSelections from Puccini's Madama Butterfly
Music by Giacomo Puccini (as Puccini)
Performed by Mirella Freni, Luciano Pavarotti, and Christa Ludwig
Conducted by Herbert von Karajan (as Herbert Von Karajan)
Courtesy of London Records, a division of Polygram Classics, Inc.
Recensione in evidenza
A married man (Michael Douglas)'s one night stand comes back to haunt him when that lover (Glenn Close) begins to stalk him and his family.
Apparently when this film came out it had some feminist backlash because it appears to show a career woman as psychotic, while the stay-at-home wife is good and subservient. That is one way to read it, but it would be putting meaning in there that probably was never intended.
This is quite simply someone with mental issues going after another person. It has a bit of a morality tale in there, scaring men off of cheating. But there is not much in it about gender. It simple works better as a psychotic woman rather than a man, because a psychotic man with a knife is pretty mundane.
Apparently when this film came out it had some feminist backlash because it appears to show a career woman as psychotic, while the stay-at-home wife is good and subservient. That is one way to read it, but it would be putting meaning in there that probably was never intended.
This is quite simply someone with mental issues going after another person. It has a bit of a morality tale in there, scaring men off of cheating. But there is not much in it about gender. It simple works better as a psychotic woman rather than a man, because a psychotic man with a knife is pretty mundane.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Atracción fatal
- Luoghi delle riprese
- 135 Mianus River Road, Bedford, New York, Stati Uniti(exteriors: Gallagher country-house)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 156.645.693 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.602.740 USD
- 20 set 1987
- Lordo in tutto il mondo
- 320.145.693 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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