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In 1806, William Thornhill is sentenced to New South Wales for life where he is drawn into a terrifying conflict that will leave a bloody and indelible stain.

A mother and daughter's lives change for the worst as they struggle to make ends meet after the husband/father's death.

"Rostered On" is an independent Australian comedy show based around the day to day struggles of working for a faceless retail corporation "Electroworld".

A simplistic bloke with innocent eyes who sees movie stars getting money and girls and says, "Why not me?"

Internment is a six-part web series about two girls stuck in the internship from hell. That is, if hell was a trendy office where no one was doing anything or being paid. The girls are keen to make a good impression. However, it becomes apparent that they're never going to accomplish the absurdly impossible tasks they're lumped with. Internment is a twisted observation into the sometimes weird and questionable world of internships that many young people experience.

'HACTRESSES' is a wacked 6-part comedy web series about Evie and Lucy, two naive best friends who ambitiously strive to achieve one big dream: to become successful actresses before they hit thirty. Despite years of failed auditions, demeaning jobs and unscrupulous bosses, abject poverty, failed relationships and very little progress, their dream (or is it a delusion???) never dies.

Axed after just two episodes, this was a disastrous Australian version of the long-running US comedy show Saturday Night Live (1975).

A series of sketches made through ABC's Freshblood initiative that sees two girls, Helena and Pippa make increasingly bad decisions.

Now stuck in Rainbow's End, Louisa is deeply depressed and humiliated as she's forced to sell her clothes at a garage sale and search for unskilled work.

Louisa's husband Jack Atherton suffers a heart attack and dies, leaving massive debts and a mobile phone containing photos of him hugging another woman.

Shannon Atherton is lost, but a footy legend doesn't admit to feelings of insecurity, nor will he face the fact that he's a has-been at 24.

Shonky builder Marty Mason is still the bane of Louisa and Holly's life. Holly demands that Louisa sack him, but Louisa's too intimidated.

An exhausted Louisa is juggling her cleaning and photography jobs with heavy labour, as she struggles to finish the shack by herself.

Louisa is about to start a new phase of her life. The shack is for sale, the auction sign's up; the minute it's sold Louisa is moving on.

With the best of intentions, Peter Moon manages to poison his wife, the neighbours and their dog. He then causes untold distress to a grieving family by turning a funeral into a clumsy, slapstick nightmare.

Moon finally quits showbiz and opens a restaurant called The Fat Pig. But will he be lured back by an advertising hotshot who appoints him to front an anti-skin cancer publicity campaign?