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A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.

After the death of his wife and child, an author travels to Barcelona to see his estranged brother and dying father, where he learns that his life is plagued by events that occur on 11/11/11.

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job and his agent wants to leave him - current directors will never give him a role. He hates current talentless stars on TV talk shows. Suddenly, he finds some job - as a living sculpture in a whore house working for a Mr. Reficul and his transsexual assistant Dora Grizzel. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state. He also meets job partner Tic-Tac, an ex-prostitute who will sympathize with Pablo. Pablo also attracts the attention of unusual producer Ambrose Fuch, who wants him to act and direct movies. Everybody seems to have something to hide - including serial killer Pablo.

Alex, an eight-year-old boy, seems to have a macabre fascination for violent images that he sees on television. After his two brothers are born, he feels lonely, and he makes up two imaginary friends. Hurt and betrayed, he blackmails his father to get a television for his room. Through television, he discovers the violence of wars, and he is left fascinated.

In BOYSTOWN (Chuecatown), Victor (Pablo Puyol of 20 Centimeters) is a real estate agent in the quickly gentrifying neighborhood of Chueca in Madrid. But he hides a terrible secret; his apartments become available for sale when he murders the elderly women owners and disguises them as suicides. Then Victor quickly refurbishes the apartments to upwardly-mobile gay couples because his ultimate goal is to transform the neighborhood into a hip gayborhood like the Castro in San Francisco and Chelsea in New York. The latest victim s apartment is next door to gay couple Ray (Carlos Fuentes of Kilometer Zero) and Leo (Pepón Nieto of Bulgarian Lovers) who eventually inherit the apartment and offer it as a gift to Ray s mother Antonia (Concha Velasco of Kilometer Zero). But Victor only wants high income gays to move in and he begins a plot to remove Antonia from the premises. Toss in the eccentric Inspector Mila (Rosa Maria Sardà of All About My Mother) and her charmingly clueless son Luis, assigned to investigate the murders, and soon the neighborhood of Chueca is brimming with comic mishaps, sexy seductions and more murders!

After the tragic death of his wife and child, famed American author Joseph Crone travels from the United States to Barcelona, Spain, to reunite with his estranged brother Samuel and dying father, Richard. However, fate has a different plan for Joseph as his life becomes plagued with strange happenings, and the constant sightings of the number 11. Curiosity quickly turns to obsession, and Joseph soon realizes that this number holds a horrific meaning not only to himself but possibly to all of religion. Isolated in a foreign country with only the support of his companion, Sadie, Joseph soon realizes that 11-11-11 is more than just a date, it's a WARNING!

Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.

A crazy week-end in Ibiza for a farm girl who dreams of being a go-go dancer at a club. Her Fantasy almost fulfilled she will have to decide whether she is fitted for a tranquil life or the excitement of the last 48 hours. Un fin de semana loco en Ibiza para una chica campesina que suena con ser una bailarina a go-go en un club nocturno. Elegira la granja y su tranquilidad o la excitacion de las últimas 48 horas al borde del mar?

Mía is applying for a job as a photographer in Vic's studio, but she manages to show up when the hip, famous pro is having a really bad day: his model girlfriend Ana has just dumped him. He decides to leave Barcelona for 1,000 days and suggests that Mía take his place. This 1,000-day stint sets in motion all kinds of mini-stories, tales of love and romantic misadventure, creating concentric circles which fleetingly fill Vic's studio with the colorful characters who turn up for various photo shoots, modeling work and castings. The models let themselves be hauled through an artificially-created world, putting work before love, yet also seeking affection in an unreal world. "Circuit" soaks up the spirit of Barcelona and draws on its distinction as a major center of the avant-garde, architecture, photography, painting, and art in general. The film constructs a visually polished, modern portrait of the city, incorporating a series of interactive music and dance numbers, fashion shows, and 3D animation.

Station of the Forgotten is a story that bridges the generation gap: a story about an old sailor and a young teenager brought together by fate. Together, joined by the old sailor's granddaughter and an urn containing his wife's ashes, they will journey back to the fishing town where the old man used to live.

This is the first of a series of two documentaries concerning the way the cinema industry is not respecting the author works as they were conceived, in the many ways this can be done. This first documentary is dedicated to technical ways that industry implements thinking to be an improvement to make better public oriented movies, but what's really happening is that these works are being sadly manipulated.

A film crew arrives in a borderland village in Spain to film a low-budget western, which changes the daily routine of its inhabitants, especially that of a group of young boys. The film represents the return of Sonia to her homeland, because she comes back home to play the leading role in the film. However, this is not the first time that the cinema industry has explored these lands. Fifty years before, Orson Welles wanted to shoot a western in the same area. Inspired by this story, Fran Ruvira searches for the phantom remains of this western, which was never made, and wants to finish the work as a form of expression.