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In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem Os Lusiadas. He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression.

When two boys leave for a philosophical journey and only one is prepared for it, their worlds will part forever.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

Filmed in Luanda, Angola, the film follows two young lovers, Liberdade, an Angolan boy, and his Chinese girlfriend, Betty, as they navigate through the complications of their burgeoning identities. Traveling across the urban and natural landscapes of Angola, the couple go from a Chinese karaoke in Shanghai Bahia to the ship graveyard at Santiago beach. Through this voyage, Liberdade and Betty struggle to forge the yet uncreated consciousness of their race.

Three teenage girls are heading home in their Mini Cooper S. They discuss their boyfriends, their boyfriend's mothers, their boyfriend's mother's cars, and Judaism.

Gabriel Abrantes and Alexander Melo deconstruct the 1st section of Shakespeare's Taming of the Shrew as a playful, vibrant ode to bacchanalia, classicism and homoeroticism.