Advanced search

The loving relationship between a sculptor and a dancer.

Nico leaves a promising acting career in Argentina after a romantic break-up with his married producer. He lands in New York City, lured into believing that his talent will help him succeed "on his own". But that's not what he discovers.

A brother and sister return to the country of their birth, Argentina, for the first time in their adult lives they fall in love with tango and uncover dark family secrets.

A father gets into a desperate search to find his children who disappeared while going down stairs from their apartment in the seventh floor.

Magallanes, a former army soldier (Damian Alcazar) drives a taxi and eventually a driver of a retired colonel (Federico Luppi), who was in command of his troops in times of struggle against subversion in Ayacucho. But something more involving both. A secret that begin to reveal when, in the midst of his pilgrimage as a taxi driver in the city of Lima, Magallanes believes see in Celina, a humble woman (Magaly Solier), which now runs, barely a hair salon on the outskirts of the capital, one of the protagonists of a dark episode in the past.

Vera, imprisoned at a military fortress during the dictatorship, 1969, gets to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera's mother. Despite the horrors of the time, the film works on this possibility of a dialog between two lonely and lost human beings, a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debate with her students about politics, forgiveness and Hannah Arendt.

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another. The only variations seem to be in the weather. One day Rita arrives looking for a place to stay. She came upon the village while traveling through the valley, following the unused railroad tracks. She is a photographer, intent on capturing the village's special allure. Initially reticent, the townsfolk gradually open up to her, sharing their stories and allowing themselves to be photographed. Rita is comfortable with technologies old and new, and Madalena teaches her to knead dough by the light of an oil lamp. Only the village priest continues to find Rita's presence worrisome, especially when she begins asking about the locked cemetery.

A drama set in turbulent, turn-of-the-millennium Ecuador and centered on a young man who begins to develop complicated feelings for Juano after he saves him from a beating.

Glória is a woman from Rio de Janeiro who tries to move on with her life despite the traumas caused by an abusive father and a drug dealer brother. She starts therapy with Camila, a young Portuguese psychoanalyst.

An Argentinian girl returns to her natal town on Basque Country to discover who killed her father.

Vicenta lives with Laura, her 19-year-old daughter, who suffers from a developmental delay. Laura is pregnant, the product of rape by a family member. She is legally allowed to have an abortion, but the system will put all kinds of obstacles to make sure this doesn't happen.

A large white house with garden and palm trees, in Havana, Cuba, home for many years of a group of 30 children whose ages ranged from 6 months to 10 years. They were children of militants of the organization Montoneros, who spent an important part of their childhood away from their parents, who left them there to protect them, while they fought in the country.

Five young people are involved in a serious car accident that leaves four of them dead. Isabel, the youngest, is the only survivor and helps her four friends realize they have passed on.

It follows Joan, an old and ill-faced peasant, tired of suffering robberies in the mas. He decides to join the nightly rounds of the militia. His son, Pepe, accompanies him. During the round, Joan and Pepe run into a thief in the land.

Three teenage boys love soccer, are troublemakers, and always lie to their teachers and miss class. They are always up to no good. And they aren't alone. Their families are surrounded by restlessness. It almost seems like a so-so movie about teens from Argentina. But when one of the boys steals a gun from another boy's house, things start to take a different turn. There is an accident, and the boy disappears. Where did he go? Sometime later, the two boys and the missing boy's sister head off to an unknown location. With the accident as the starting point, the film turns into a little odyssey within the heart of Buenos Aires.

Between Jules Verne's novels and spicy stews, we see the day-to-day in the classrooms of a rural school in the province of Salta, where a married couple of rural teachers take care of teaching and feeding 45 children.

The Board of Children of Buenos Aires is a center designed to protect underprivileged children. In 1939, the first symphonic orchestra in the world composed exclusively of blind youth was founded there. For decades, eleven teenagers gave themselves to music in body and soul. Basilio, the last survivor of that orchestra is about to retire. The film shows how the Braille scores are made and read, how the instruments are executed while describing the story that hides each of the Patronato's rooms.

The film presents a kind of parallel times, but it is nothing more than a metaphor for the watchmaker's desire to return to childhood. The film shows two ways of seeing time, questions its conventional notion and accepts that there may be other ways of perceiving it.