{"id":6200,"date":"2013-07-02T18:38:45","date_gmt":"2013-07-02T22:38:45","guid":{"rendered":"https:\/\/classicrockreview.com\/?page_id=6200"},"modified":"2023-10-21T19:52:13","modified_gmt":"2023-10-21T23:52:13","slug":"1988-list","status":"publish","type":"page","link":"https:\/\/www.classicrockreview.com\/1988-list\/","title":{"rendered":"The Rock Year 1988"},"content":{"rendered":"

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\"1988<\/th>\n<\/tr>\n
Although somewhat weak on emerging artists, the music of 1988 was highlighted by the revitalization of established musicians from the past. Groups like Cheap Trick, Iron Maiden, and Van Halen found their last peak of charting success while Talking Heads released their final album ever. Robert Plant reached the highest level of success in his post-Zeppelin solo career while ex-band mate Jimmy Page released his only solo LP. Topping it all was the incredible coming together of five rock legends to form Traveling Wilburys, who lived up their talent by producing our album of the year for 1988. <\/p>\n

We featured albums from the year 1988 during July and August 2013. During this 25th<\/sup> anniversary celebration of this music, we have originally reviewed these albums:<\/p>\n

<\/td>\n<\/tr>\n
July 2, 2013<\/td>\n<\/tr>\n
\"Kingdom<\/a>Kingdom Come<\/strong> released their well-received, self-titled debut album in early 1988, and the band scored their most popular and best selling album right out of the gate. While Kingdom Come<\/em> is a top-quality album by any metric, the band was plagued by constant comparisons to another classic rock act.<\/p>\n

Review of Kingdom Come<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 5, 2013<\/td>\n<\/tr>\n
\"Rumble<\/a>Aside from being an accomplished blues guitarist, Tommy Conwell<\/strong> was keenly tuned into his audience and gave them his all at every live show. Rumble<\/em> was his first major label record with his band The Young Rumblers and it did a fair job of capturing a bit of this live energy in the recording.<\/p>\n

Review of Rumble<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 10, 2013<\/td>\n<\/tr>\n
\"And<\/a>…And Justice for All<\/em> was Metallica<\/strong>‘s most complex, ambitious work ever and a surprise commercial success, reaching number six on the Billboard charts. While it is still regarded a quarter century later, fans and critics lament the odd mixing decisions, which leave some potent compositions tarnished with a half-spectrum sound.<\/p>\n

Review of …And Justice for All<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 14, 2013<\/td>\n<\/tr>\n
\"Naked<\/a>Talking Heads<\/strong> eighth and final album was Naked<\/em>, released in 1988. The album was recorded in distinct phases and was an attempt at a quasi-concept album lyrically. Musically, achieved a world music sound by using dozens of session musicians, making it the most musically diverse album by the band. <\/p>\n

Review of Naked<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 18, 2013<\/td>\n<\/tr>\n
\"Outrider<\/a>Although Jimmy Page<\/strong> had a pretty rich post-Led Zeppelin career, he only released one solo studio album, Outrider<\/em> in 1988. Originally intended to be a double album, the project was pared back when Page’s demo tapes were stolen, leaving him with no pre-production material. As a result, the single LP finished product has a bit of an unpolished sound. <\/p>\n

Review of Outrider<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 22, 2013<\/td>\n<\/tr>\n
\"OU812<\/a>Van Halen<\/strong> followed up the success of 5150<\/em>, with the similarly successful OU812<\/em> in 1988. This was the first album which vocalist Sammy Hagar began as a full and equal member of the group and his influence was reflected in the diversity and new direction of the music. <\/p>\n

Review of OU812<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 25, 2013<\/td>\n<\/tr>\n
\"Lap<\/a>Lap of Luxury<\/em> was, by most definitions, a comeback album for Cheap Trick<\/strong>, although it didn’t quite reach the blockbuster status of which the band and their label were attempting to achieve. Still, it brought the band back to prominence and helped them sustain their career for another two decades. <\/p>\n

Review of Lap of Luxury<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
July 28, 2013<\/td>\n<\/tr>\n
\"Melissa<\/a>Melissa Etheridge<\/strong>‘s 1988 debut album was the most intense and quality album of her long career. Etheridge found a rather unique niche and filled a rather huge void in the popular music scene of the late 1980s which totally contrasted conventional norms of the day. <\/p>\n

Review of Melissa Etheridge<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
August 3, 2013<\/td>\n<\/tr>\n
\"Seventh<\/a>Seventh Son of a Seventh Son<\/em> is both the last Iron Maiden<\/strong> of their classic era and the first release to prominently feature a progressive metal arrangement and include keyboards. This concept album is based on English folklore and worked well as the group’s seventh overall album.<\/p>\n

Review of Seventh Son of a Seventh Son<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
August 13, 2013<\/td>\n<\/tr>\n
\"Green<\/a>Green<\/em> was the breakout album for R.E.M.<\/strong> in 1988. It follows the group’s quintet of critically acclaimed but commercially light albums earlier in the decade with a successful attempt to strike the right balance in both fields and branch out to an international audience.<\/p>\n

Review of Green<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
August 17, 2013<\/td>\n<\/tr>\n
\"Copperhead<\/a> Steve Earle<\/strong> has always woven in and out of the outlaw country genre exploring different sectors of musical territory. Back in 1988, Earle took his first major turn into what would eventually be called “Americana” with the album Copperhead Road<\/em>. This hybrid of country twang and solid rock elements propelled the Texas native into an area all his own for decades to come.<\/p>\n

Review of Copperhead Road<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
August 20, 2013<\/td>\n<\/tr>\n
\"Now<\/a> Robert Plant<\/strong> launched his post-Led Zeppelin solo career with two fine albums but his career then got a little murky in the mid-1980s with the short-lived cover band The Honeydrippers and his bizarre third album Shaken and Stirred<\/em>. 1988\u2019s Now and Zen<\/em> was a career renaissance as the vocalist and songwriter once again found his groove in eighties pop.<\/p>\n

Review of Now and Zen<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
August 26, 2013<\/td>\n<\/tr>\n
\"Volume<\/a>
“Super Groups” were commonplace during the seventies and eighties, but no super group was ever more super than the Traveling Wilburys<\/strong>. This lineup of Harrison-Dylan-Orbinson-Lynne-Petty produced a downright brilliant debut in 1988 with Traveling Wilburys Vol. 1<\/em>, which displays an incredible array of music and is easily our Album of the Year<\/strong> for 1988. <\/p>\n

Review of Traveling Wilburys Vol. 1<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
January 28, 2018<\/td>\n<\/tr>\n
\"Skyscraper<\/a>The second full length album by the David Lee Roth band, Skyscraper had a good commercial run but mixed reviews due to its balance of muciacal compositions. The album was co-produced by Roth and guitarist Steve Vai.<\/p>\n

Review of Skyscraper<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
October 10, 2018<\/td>\n<\/tr>\n
\"Rattle<\/a>A combination of a live soundtrack to a feature-film documentary and a studio follow-up to U2<\/strong>‘s most successful album, Rattle and Hum<\/em> is diverse but disjointed. There are some true highlights, especially those which embrace American roots rock, as well as a few collaborations with some music legends along the way.<\/p>\n

Review of Rattle and Hum<\/em><\/a><\/td>\n<\/tr>\n

<\/td>\n<\/tr>\n
Final 1988 Poll Results<\/strong><\/th>\n<\/tr>\n
Q: What is the best album of 1988?<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nTraveling Wilburys Vol. 1<\/em> by Traveling Wilburys<\/strong><\/td>\n29%<\/td>\n<\/tr>\n
2<\/td>\nAnd Justice for All<\/em> by Metallica<\/strong><\/td>\n25%<\/td>\n<\/tr>\n
3<\/td>\nNow and Zen<\/em> by Robert Plant<\/strong><\/td>\n18%<\/td>\n<\/tr>\n
4<\/td>\nNaked<\/em> by Talking Heads<\/strong><\/td>\n11%<\/td>\n<\/tr>\n
5<\/td>\nLap of Luxury<\/em> by Cheap Trick<\/strong><\/td>\n 7%<\/td>\n<\/tr>\n
5<\/td>\nKingdom Come<\/em> by Kingdom Come<\/strong><\/td>\n 7%<\/td>\n<\/tr>\n
7<\/td>\nOut of Order<\/em> by Rod Stewart<\/strong><\/td>\n 4%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Conducted on our site, July-August, 2013<\/em><\/td>\n<\/tr>\n

← 1987<\/a>      All Reviews<\/a>      1989 →<\/a><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Although somewhat weak on emerging artists, the music of 1988 was highlighted by the revitalization of established musicians from the past. Groups like Cheap Trick, Iron Maiden, and Van Halen found their last peak of charting success while Talking Heads released their final album ever. Robert Plant reached the highest level of success in his […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6200","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"_links":{"self":[{"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/pages\/6200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/comments?post=6200"}],"version-history":[{"count":16,"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/pages\/6200\/revisions"}],"predecessor-version":[{"id":21333,"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/pages\/6200\/revisions\/21333"}],"wp:attachment":[{"href":"https:\/\/www.classicrockreview.com\/wp-json\/wp\/v2\/media?parent=6200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}