By Hank Reineke
Though often dismissed as a low-budget “Made for TV” feature, director Franklin Adreon’s Cyborg 2087 enjoyed a brief theatrical run prior to its debut on broadcast television in March of 1968. In April of 1967 the film was packaged alongside such similarly low-budgeted, independent features as Death Curse of Tartu, Sting of Death, and even a second Adreon “time travel” themed film, Dimension 5. Though this somewhat lackluster film seemed destined for relegation to the late-night drive-in horror movie circuit, Cyborg 2087 nonetheless displayed some small measure of staying power. That same summer, Adreon’s film was still making the rounds of the secondary flea-pit theater circuit, sometimes serving as the under bill to Sidney J. Furie’s contemporary political thriller The Naked Runner featuring Frank Sinatra.
Though he had worked on serials and a handful of feature films in the early stages of his career, director Adreon was laboring...
Though often dismissed as a low-budget “Made for TV” feature, director Franklin Adreon’s Cyborg 2087 enjoyed a brief theatrical run prior to its debut on broadcast television in March of 1968. In April of 1967 the film was packaged alongside such similarly low-budgeted, independent features as Death Curse of Tartu, Sting of Death, and even a second Adreon “time travel” themed film, Dimension 5. Though this somewhat lackluster film seemed destined for relegation to the late-night drive-in horror movie circuit, Cyborg 2087 nonetheless displayed some small measure of staying power. That same summer, Adreon’s film was still making the rounds of the secondary flea-pit theater circuit, sometimes serving as the under bill to Sidney J. Furie’s contemporary political thriller The Naked Runner featuring Frank Sinatra.
Though he had worked on serials and a handful of feature films in the early stages of his career, director Adreon was laboring...
- 12/28/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
By Hank Reineke
As one might expect from any 1960’s James Bond pastiche, an assortment of cool spy gadgetry is on display in Franklin Adreon’s Dimension 5 (1966): microchips secreted in the rear compartment of a Bulova wristwatch, a poison dart firing pen, an exploding briefcase, and a cool bullet-firing point-and-shoot 35mm camera. If that’s not enough – and with possible exception of the invisible car from Die Another Day (2002) - Dimension 5 offers us one of the more ridiculous and dubious items found in any secret agent arsenal… a “time-convertor” belt.
We’re first introduced to this device during the film’s mildly exciting pre-credits sequence. In the first few minutes we’re treated to what one expects from a nifty ‘60s spy thriller: a bit of a car chase, a surprising punch-to-the mouth of a double-crossing Asian villainess and a swooping helicopter rescue. What we do not...
As one might expect from any 1960’s James Bond pastiche, an assortment of cool spy gadgetry is on display in Franklin Adreon’s Dimension 5 (1966): microchips secreted in the rear compartment of a Bulova wristwatch, a poison dart firing pen, an exploding briefcase, and a cool bullet-firing point-and-shoot 35mm camera. If that’s not enough – and with possible exception of the invisible car from Die Another Day (2002) - Dimension 5 offers us one of the more ridiculous and dubious items found in any secret agent arsenal… a “time-convertor” belt.
We’re first introduced to this device during the film’s mildly exciting pre-credits sequence. In the first few minutes we’re treated to what one expects from a nifty ‘60s spy thriller: a bit of a car chase, a surprising punch-to-the mouth of a double-crossing Asian villainess and a swooping helicopter rescue. What we do not...
- 12/8/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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