When the island's dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.When the island's dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.When the island's dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
- Awards
- 5 wins & 26 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFive animatronic dinosaurs were created for this movie, unlike Thế Giới Khủng Long (2015), which only featured one. More animatronics were used due to the many various and closer interactions actors had with the dinosaurs. One scene was when Bryce Dallas Howard rode atop the sedated T-Rex.
- Goofs(at around 1h 30 mins) Multiple human characters are sedated with animal tranquilizers, with Wu specifically naming the particular narcotic used as carfentanil at one point. Carfentanil is extremely potent and has a lethal human dose in the micrograms, meaning any human injected with a dinosaur-sized dosage of carfentanil should have experienced a quick and fatal respiratory failure. Wu and Owen recover fairly quickly and suffer no lingering side effects. Because the tranquilizer is so potent, real-world veterinarians who sedate heavy animals like elephants must be accompanied by assistants who can administer naloxone (the antidote) and provide artificial respiration.
- Quotes
Senator Sherwood: Do these animals deserve the same protection given to other species? Or should they just be left to die?
- Crazy creditsPost-credits scene: Pteranodons are shown flying on the Las Vegas Strip.
- Alternate versionsThe Italian version has three scenes trimmed for violence before submitting the film to the local censorship commissions. These are: 1) T-Rex inside a cage swallowing a goat 2) Indoraptor swallowing the bitten-off hand of Ken Wheatley) Ted Levine and then roaring his hat off. 3) T-Rex and Carnosaur ripping in two the body of Eli Mills (Rafe Spall)
- ConnectionsFeatured in Half in the Bag: 2017 Movie Catch-up: Part 1 (2018)
- SoundtracksDon't Look Now
Written by John Fogerty (as John Cameron Fogerty)
Performed by Creedence Clearwater Revival
Courtesy of Fantasy Records, a division of Concord Music
Featured review
Bottom line: This is one of the best action adventure films of 2018. And I have to be careful not to be writing a rant against ignorant revievers instead of an actual review. So, to get it out of the way: It's interesting to note that most negative reviews on this film circle around unrealistic premises and plot points - even the eloquent reviews, and eloquence should be a sign of wisdom. Seems it isn't. People, how many times over do we have to state it: Films like these do only EXIST because realism is not core of the story. These films need to be plausible - or at least probable -, but not realistic. That's at the core of the genre. If they'd left out everything unrealistic in the film, there would be no film. And no, the first Jurassic Park movie was in no way more realistic. There are no more dinosaurs walking the earth, and there will not be any for a long time to come (if any). And it's absolutely OK for such a film to stretch suspension of disbelief from time to time, to show stupid behaviour of people and technical inaccuracies. I really don't care that the wailing Brachiosaurus is probably too heavy for the dock he's standing on. Seeing it being left behind and facing its death breaks my heart, and what kind of person do you have to be to rather be facepalming yourself during that scene instead of immersing yourself into the story? The little technicality with the presumably weak dock is by no means distractive to the story, and it is very clear why people need to point it out, along with a scathing sneer: It is more important to have a reason to join the nitpicking contest with narcisisstically motivated ranting than approving of obiously very good overall work. The story is so old: Someone took a long time to build a beautiful sand castle, so let's destroy it with one quick blow. And why do those haters keep complaining about sloppy and unimaginative writing? In a world with 8 billion people and after a long storytelling history, there is only a finite number of very intelligent, surprising and new plots left to be written (if any at all). So what do actually want? Films like this not being made anymore? I have another suggestion: Just stay away from film genres you don't like. Yes, there are expensive yet stupid and wholly uninventive and sloppily written blockbuster films out there, but JWFK is by no means one of them!
And now straight to the point: JWFK is one big surprise. It ups the ante of the series significantly, and I found myself being surprised that this is my second favorite of the Jurassic Park films (right after the first one). And that credit goes primarily to director J. A. Bayona. His vision and the capability to bring it on screen is just remarkable - and that's not easy to achieve. It's not a surprise that NOT everyone is a director these days, despite contradicting claims. The staging, framing and lighting of the dinosaurs (the auction and the confrontation on the glass roof in particular), Bayona's timing, his work with actors and imaginary creatures is just great. At no point of the film I felt left cheated, bored or even insulted, as some other people say. It was just one impressing, thrilling, aesthetic rollercoaster ride. And it's also the first time in the series (which I have been an avid fan of since 1993) that I really feel with the dinosaurs. Despite earlier tries to make them (in part) the victim, the previous films where centered more on the people being the victims of dinosaur-related mayhem. But this one made me think for the first time that it was maybe wrong to un-extinct the dinosars for their own sake (yeah, yeah, you guys figured that out long before, I know), and the character of Maisie Lockwood plays a pivotal role in that realization.
I could go on and on with positive traits of the film, but there are other reviews here to find them. I have turned 46 recently and seen too many action-adventure, sci-fi, mystery and thriller films. I am bit bored by my own inability to find impressing films anymore and would love being able to start over. But I vividly remember, JWFK made my cinematic 2018. It it the best action-adventure I have seen this year. J. A. Bayona and his team have built one very beautiful sand castle. If you think you can relate to my self-characterization: Watch it. You won't be disappointed. By the way, if you are interested: I' am one of the people who loved 2017's KONG - SKULL ISLAND. I'm confident that if you liked that one, you will like this one, too - or the other way round.
And now straight to the point: JWFK is one big surprise. It ups the ante of the series significantly, and I found myself being surprised that this is my second favorite of the Jurassic Park films (right after the first one). And that credit goes primarily to director J. A. Bayona. His vision and the capability to bring it on screen is just remarkable - and that's not easy to achieve. It's not a surprise that NOT everyone is a director these days, despite contradicting claims. The staging, framing and lighting of the dinosaurs (the auction and the confrontation on the glass roof in particular), Bayona's timing, his work with actors and imaginary creatures is just great. At no point of the film I felt left cheated, bored or even insulted, as some other people say. It was just one impressing, thrilling, aesthetic rollercoaster ride. And it's also the first time in the series (which I have been an avid fan of since 1993) that I really feel with the dinosaurs. Despite earlier tries to make them (in part) the victim, the previous films where centered more on the people being the victims of dinosaur-related mayhem. But this one made me think for the first time that it was maybe wrong to un-extinct the dinosars for their own sake (yeah, yeah, you guys figured that out long before, I know), and the character of Maisie Lockwood plays a pivotal role in that realization.
I could go on and on with positive traits of the film, but there are other reviews here to find them. I have turned 46 recently and seen too many action-adventure, sci-fi, mystery and thriller films. I am bit bored by my own inability to find impressing films anymore and would love being able to start over. But I vividly remember, JWFK made my cinematic 2018. It it the best action-adventure I have seen this year. J. A. Bayona and his team have built one very beautiful sand castle. If you think you can relate to my self-characterization: Watch it. You won't be disappointed. By the way, if you are interested: I' am one of the people who loved 2017's KONG - SKULL ISLAND. I'm confident that if you liked that one, you will like this one, too - or the other way round.
- Fred_Mopkopf
- Oct 31, 2020
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Jurassic World: El reino caído
- Filming locations
- Cragside, Rothbury, Northumberland, England, UK(Exterior shots of Lockwood's mansion)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $417,719,760
- Opening weekend US & Canada
- $148,024,610
- Jun 24, 2018
- Gross worldwide
- $1,310,469,037
- Runtime2 hours 8 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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