A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being.A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being.A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being.
- Awards
- 2 nominations
Frank Cannon
- CIA Agent
- (uncredited)
Chrissie Harris
- Diner Passerby
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMorgan, in its opening weekend, couldn't even crack the weekend top ten after an estimated $615,000 on the Friday it was released in the US, from 2,020 theaters, heading toward a three-day weekend around $1.8 million and a four-day weekend around $2.3 million. It ended up being one of the worst openers of the summer and one of the worst openings for a film debuting in over 2,000 theaters. The film was subsequently pulled from theatres after 2 and a half weeks.
- GoofsIn the opening scene, during the recording that Lee hears, Dr. Shapiro's first name is Ben, however, in the credits it's Alan.
- Quotes
Dr. Lui Cheng: Do you know the cruelest thing you can do to someone you've locked in a room? Press their face to the window.
- SoundtracksLittle Cow and Calf
Written by Skip James (as Nehemiah James)
Performed by Skip James
Courtesy of Entertainment One U.S. LP o/b/o Shanachie Records
Featured review
Morgan starts with a simple premise of the moral and ethical implications of genetically crafting a biological being from scratch. Even if such a being looks and acts human, is it? Is the being a "she" or an "it"–and does the being have rights or autonomy, or can it be owned like a pet, or an iPhone?
Based on nothing more than the trailers, the movie struck me as a sort of biological / genetic mirror of Ex Machina. That turns out to be true to an extent, but Morgan doesn't do as good a job of exploring the philosophical question or examining the humanity of the being. The question is sort of posed, and then quickly falls aside as Morgan turns into more of a blood and guts action flick.
There is a twist at the end that I actually didn't see coming. My son says it was obvious early on, but the first hint I got was only moments before the truth of the twist was revealed.
I enjoyed the movie–and I recommend you go see it. I just feel like there was much more potential there to really dig into the philosophical issues and ethical debates of creating a genetic hybrid.
I had a chance to speak to director Luke Scott after seeing Morgan, and we dove into those issues a bit further. Scott told me that in his opinion the basic premise of Morgan is entirely plausible. "A lot of the background science–of course it's a fantasy that we made–but a lot of the background science is rooted in truth."
We talked some about the similarities and differences between the premise of Ex Machina and the premise of Morgan–a cybernetic android being versus a genetic hybrid biological being. Scott shared his belief that the technical possibility of creating something as advanced as the android in Ex Machina is far beyond our abilities, but Morgan, and the ability to create a biological being, is within our reach.
"The science is there," explained Scott. "The only thing holding us back is a moral question."
It is a valid and important moral question, too. If a company like Monsanto can create genetically modified seeds to produce healthier or more bountiful crops and own a patent on that seed, would we allow a genetic engineering company to craft healthier or more capable gene pools and own a patent on those genes? Could we create a society where those with the financial resources are able to purchase superior genetics–thereby artificially widening the gap and creating a population of genetic "Haves" and "Have Nots"? Or, would we deem a genetically modified or engineered being to be less than human–a thing or creature that can be owned, rather than a sentient being with rights?
Those are all great questions to explore, but Morgan really just scratches the surface of them.
I asked Luke Scott what's next on his horizon, and he let me know he's working on a project that also comes with a moral and ethical dilemma, but this one is based on a true story. Scott told me he is working on a script based on a book describing the story of the Donner Party–a group of homesteading pioneers that got caught in bad weather and stranded on a glacier and had to resort to cannibalism to survive.
Based on nothing more than the trailers, the movie struck me as a sort of biological / genetic mirror of Ex Machina. That turns out to be true to an extent, but Morgan doesn't do as good a job of exploring the philosophical question or examining the humanity of the being. The question is sort of posed, and then quickly falls aside as Morgan turns into more of a blood and guts action flick.
There is a twist at the end that I actually didn't see coming. My son says it was obvious early on, but the first hint I got was only moments before the truth of the twist was revealed.
I enjoyed the movie–and I recommend you go see it. I just feel like there was much more potential there to really dig into the philosophical issues and ethical debates of creating a genetic hybrid.
I had a chance to speak to director Luke Scott after seeing Morgan, and we dove into those issues a bit further. Scott told me that in his opinion the basic premise of Morgan is entirely plausible. "A lot of the background science–of course it's a fantasy that we made–but a lot of the background science is rooted in truth."
We talked some about the similarities and differences between the premise of Ex Machina and the premise of Morgan–a cybernetic android being versus a genetic hybrid biological being. Scott shared his belief that the technical possibility of creating something as advanced as the android in Ex Machina is far beyond our abilities, but Morgan, and the ability to create a biological being, is within our reach.
"The science is there," explained Scott. "The only thing holding us back is a moral question."
It is a valid and important moral question, too. If a company like Monsanto can create genetically modified seeds to produce healthier or more bountiful crops and own a patent on that seed, would we allow a genetic engineering company to craft healthier or more capable gene pools and own a patent on those genes? Could we create a society where those with the financial resources are able to purchase superior genetics–thereby artificially widening the gap and creating a population of genetic "Haves" and "Have Nots"? Or, would we deem a genetically modified or engineered being to be less than human–a thing or creature that can be owned, rather than a sentient being with rights?
Those are all great questions to explore, but Morgan really just scratches the surface of them.
I asked Luke Scott what's next on his horizon, and he let me know he's working on a project that also comes with a moral and ethical dilemma, but this one is based on a true story. Scott told me he is working on a script based on a book describing the story of the Donner Party–a group of homesteading pioneers that got caught in bad weather and stranded on a glacier and had to resort to cannibalism to survive.
- PopSpective_net
- Sep 1, 2016
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Морган
- Filming locations
- Cairndhu House, Larne, County Antrim, Northern Ireland, UK(Exterior House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $3,915,251
- Opening weekend US & Canada
- $2,012,709
- Sep 4, 2016
- Gross worldwide
- $8,809,407
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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