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NAUTANKI SAALA is a romantic-comedy film starring Ayushmann Khurrana, Kunal Roy Kapur, Pooja Salvi and Gaelyn Mendonca. It is directed by Rohan Sippy and produced by Rohit Sippy.

The film revolves around the life of Ram Parmar (Ayushmann Khurrana), preferably called RP. He is an actor who works in a Ramayana play called Raavan, directed by him. One day after his show, he's on his way home where he comes across Mandar Lele (Kunal Roy Kapur) committing suicide in the middle of the road by hanging himself. In a quick heroic act, RP manages to save him, and comes to realize that Mandar is a very depressed person and feels that he's a burden to God and on Earth. He's a very pessimistic person. He also finds out that Mandar is depressed due to a recent break-up with a girl named Nandini (Pooja Salvi) who he loves very much. Feeling sorry for Mandar, RP decides to help him out, thus beginning a huge friendship between the two.

Okay, so when I saw the trailer for this movie, I couldn't make out whether it was a good movie or not. The only thing that caught my attention was Ayushmann Khurrana who had recently become one of my favorite actors after Vicky Donor. It was surprising to see Kunal Roy Kapur in a serious role after Delhi Belly. But anyways, apart from the two of them, I didn't know what the movie had in store for me. Finally, I decided to see it, only to see what it contained and I was pretty sure that Ayushmann would justify his role and the movie would be pretty watchable. At the end of the movie, I can say Nautanki Saala was pretty much what I expected- a rom-com film with a couple of laughs here and there, some mushy romantic stuff and some song and you've got your movie. Now from what I just said you'd probably think this was movie was really bad, although it actually wasn't. I really liked some of the jokes. It did it's best not to be slapstick but to make sense. And the songs weren't much. Whatever was added to the movie from the soundtrack was cut to be made as short as possible. The only problem was the ending, which was SOOO clichéd, but the film put the same point through in an indirect way; a different way from the other rom-coms.

Performance-wise, even though Ayushmann Khurrana is our big star here, I would have to give the trophy to Kunal Roy Kapur. Don't get me wrong over here, Ayushmann is one of my favorite Bollywood actors and his acting was really great, but somehow I felt Kunal Roy Kapur's role was more sophisticated, and while you would think that an actor who played a constipated guy's role in his first break-through film, it would be impossible to see him play a depressed guy coping with his life's destiny. He played his role so well. The way he expressed his comedy, his emotions... it was really great. Pooja Salvi did a pretty decent job. Not the BEST I would say but it's pretty decent. Gaelyn Mendonca's acting was just background. It was unnecessary but just had to be there due to the plot.

The replay value is a few times, but its not extraordinary so you are bound to get sick of it at some time.

I wouldn't give this movie a 6 or a 7 but it's somewhat in between. Nautanki Saala is a 6.5/10 rating for me.

I think that this movie proves that 'The Sensible Comedy Movies' are back. For the past couple of months we have been experiencing a couple of wacky, slapstick movies that are humorous yet mindless. Nautanki Saala proves that a movie doesn't need to have a bad story and a bunch of meaningless jokes for the audience to laugh. Nautanki Saala manages to achieve a good story line, jokes related to the matter and which actually make sense. With films like Jolly LLB and Nautanki Saala, lets just hope with get more like these and maybe an occasional Chashme Baddoor and a Mere Dad Ki Maruti but definitely not a Himmatwala.

Score 7/10 Director Mr. Rohan Sippy has done good work. He has taken the script one level ahead by adding very fine nuances through visuals. Story is linear but screenplay gives it new dimensions. Screenplay is full of metaphors. Screenplay has some minus points also, i.e., a person dedicated to theater, why did he force and manipulate to cast a duffer, who could have ruined the show. After all considering the merits such type of minuses should be ignored. Dialogues are very good. Writing credit goes to Rohan Sippy, Nipun Dharmadhikari and Charudutt Acharya. Love and comedy are blended very well so you can feel the both emotions in maximum number of scenes. Climax is light and good. Performance wise Ayushman Khuran as Ram Parmar is impressive. Kunal Roy Kapoor as Mandar Leleis fine. Pooja Salvi as Nandini is good. Gaelyn Mendonca as Chitra is OK. An actor who played the character of producer of drama company is very good. Music by Mikey Mccleary supports the film well.Especially love tracks are soothing.

Inspired from the French Film "Apres Vous", 'Nautanki Saala!' Directed by Rohan Sippy, is A Decent Comedy, that has its share of rib-tickling moments working for it. Even the performances are pretty good.

'Nautanki Saala!' Synopsis: An actor's life changes dramatically when he saves a stranger from suicide.

'Nautanki Saala!' is not a slapstick comedy, its a situational comedy. The first-hour progresses well, as most of the jokes & sequences work. The second-hour, on the other-hand, is stretched & slightly boring. The Adapted Screenplay has its share of pluses & minuses. Rohan Sippy is technically sound. He knows his job well. Cinematography is lavish. Editing is crisp. Music by various artists, is hummable.

Performance-Wise: Ayushmann Khurrana & Kunaal Roy Kapur share a fabulous on-screen chemistry. They both are wonderful in their respective parts. Pooja Salvi needs proper grooming. Gaelyn Mendonca is excellent. Abhishek Bachchan has a funny cameo.

On the whole, 'Nautanki Saala!' offers humor.

this movie was really entertaining,and the comedy was quiet good. the characters are very lively and they connect well with the audience. it starts with ram parmar going to a doctor for his worsening mental condition, he tells the doctor that he has had three breakups in three months. the whole story is about his three breakups,which are linked together very beautifully in a story. the comedy in this film is very natural.the actors do not try to forcefully make you laugh but it is the situation which compels you to laugh. i will really recommend this film. it is comical,entertaining and very well written and executed,which is very rare in Bollywood.

With lots of newness comes a film that rarely moves out of the box. Derived from his father's epic action movie, Nautanki Saala! is a very poor entertainer by Rohan Sippy.

Ayushmann Khurrana is surprisingly parallel with his role as a lover-boy from Vicky Donor, only that here the situations are different. He works so hard to keep up with his antics, but the film's blueprint just rejects his help. Kunal Roy Kapur is annoying in the first half and towards the end, his ambiguous character touches puberty only to be "so mature & moved-on." Not just him, almost all the characters have equivocal stances related to them with newcomer Pooja Salvi still thinking she is acting in a TV commercial. Evelyn Sharma compensates for the lack of item-number here. But the song "Life Ki Toh Lat Lagi" is kinda cool.

There is no story, but the plot driven out of it is what makes me rate it 3.5/10. Music is cheerful & so is the screenplay with its own share of some nice dialogs (Marathi ones), punch lines & slapstick. That's all.

With the lead female characters used as love-toys, Pooja Salvi works in a flower shop which entertains only 2 customers, Ayushmann's character wanders here and there. The movie reminds us it is 2013 but fails, abruptly to make it look like it is. Very poor attempt & I hear it is a remake. God! Why?

BOTTOM LINE: The second half is the most ennui-ridden, but if you are fan of any of the factors of this movie, I would recommend you to go for it only for the first part. One ambiguous, uninteresting movie this! And I hear Commando (another release this week) is hopeless.

Can be watched with a typical Indian family? MAYBE

Language: Strong | Sex: No, Implied | Nudity: Mediocre | Mouth-Kiss: Strong | Foreplay: Mild | Violence: Mediocre | Gore: No | Traumatizing Factor: No

We are not meant to appreciate the acting and understand the intricacies of a highly acclaimed movie.

Movie is about having spent sometime of your life in someone else's shoes and enjoying it there.

The most important part of a movie is keeping you interest which this movie CANNOT!

To say I didn't laugh would be wrong. I did, few times but dude! It was predictable. In five minutes, anyone could tell you the whole plot including the stupid ass jokes. :|

I was so bored I WALKED OUT. I for once don't like seeing a dime go to waste. Hell, I sat through unimaginably excruciating movies like Tom, Dick and Harry. Still, this went unbearable.

Ayushman is a good actor, but this movie is so boring that even he looks like a buffoon.

Please, DON'T go.

PS: I can't tell you about the second half but, then you probably won't need to know.

Much better than Chandigarh kare aashiqui. This movie is nice, comedic & shows how weird life is of our main character 😂😜

I like this movie and I recommend it! 👍🏽

not many words are needed to rate this movie,once u visit the cinema hall u will find urself crying only these words"wat a lol i am" or maybe "@#!$ me",,,,, i think director slept while movie was being shot or they have started fixing in bollywood too,well who knows?????? ayushman failed to cash on much hard fought hype of his previous stint,all other characters were there for just sake of being... music__yeah one or two songs might ring in ur ears but again they cannot compensate for poor acting,no story,poor casting and in fact this movie must have been released on 1st april i think. In such comptetive world how diligently Rohan Sippy must have worked to rot the movie....

Good acting, script is beautiful (to those who understand it), good overall mixer of entertainment. When you see the film you don't need to keep your brain off (like other Bollywood movies) rather you should feel the movie.

This was Ayushmann Khurana's second film released way back in 2013.

There are some genuinely hilarious sequences in this film and most of them are from the 1st half which is breezy and fun. However, it's the 2nd half that completely ruins the film thanks to being boring and stretched .

The film available on hotstar has several censors and weird cuts making the experience poor.

Songs are the USP of this film. Back in 2013, i fell in love with the songs of this film especially the ones sung by the lead himself.

Ayushmann khurana had played a stage actor character in Dream Girl too and even in this film. The female leads of this film have absolutely nothing to do other than be the candies for male, especially Pooja Salvi . Kunal Roy Kapoor is the best of the lot he brings in the maximum laughs, along with that south Indian stage actor.

One time watch. Could have been more better executed and edited in the 2nd half.

This happened after many days. Even with low expectations, I felt I should leave the cinema without watching the show until the end.

The movie was quite a bit theatrical, quite a bit over-dramatic. By the way, I like art-house stuff but even on those parameters, I can't call this good by a stretch.

The sets are slick. The acting was passable. Some of the background music was cool. It appeared I was watching an English comic movie. Not the comedy I would want to watch in a Hindi movie. And I do love subtle comedy. This movie didn't have it. Some intelligent word-play were all I could get but they were all forced in and shallow.

The main culprit is the story, or lack of it. Is it a love triangle, is it a comedy, is it a romance? The direction was OK, given that there wasn't much to direct. I wouldn't have noticed if the direction was lacking any more. The cinematography was good parts.

I haven't been this bored by a movie in a long time. I was quite relieved when it ended.

Although intended as a farce, the film is never as outrageous as it needs to be, settling instead for the kind of inoffensive silliness that's often plain boring. What sucks the soul out of Nautanki Saala is the unfathomable casting of the vapid female lead. Newcomer Pooja Salvi is about as expressive as a sack of grains. Sippy never brings the lightness of touch needed to pull off this kind of film. Like the title suggests, it's all empty theatrics. And wait, the film also has the unique distinction of capturing one of the longest on-screen smooches in a long time…shot in such excruciating close-up that you might throw up your lunch.

Starting with some good aspects of this movie, that you can watch with family together. A Clean and light hearted movie with a good moral lesson.

What's Good: Background Music, Songs ,Chemistry between Ayushmaan(RP) and Pooja Salvi(Nandini)

What's Bad: No Story-line or anything else worth watching in a theater .No emotion,comedy,action, sense or etc :p

Acting of cast is Average.

I got to say, not worth 200 bucks. Go and Rent a DVD if you are dying to watch this movie

Nautanki Saala! was a thoroughly enjoyable movie, from beginning to end. The first half is hilarious and the audience was laughing uncontrollably. The second half becomes a little more serious, but the story of the three main characters is artfully interwoven throughout. The dialog is witty and the acting was superb -- I was particularly impressed with the lead actor, Ayushmann Khurrana, whose range of expression and detail to the nuances of his character was on full display. Kunaal Roy Kapur was lovable and is comical with his goofy, aloof look. Finally, Pooja Salvi starts a little slow but grows into her role progressively and delivers a powerful flourish at the end.

In short: watch the movie, you will not be disappointed. You will identify with the characters, you will laugh at their banter, and you will appreciate the creativity and imagination of the storyline.

P.S. This is the kind of movie you would want to watch with your partner or your friends, since some of the "romantic" scenes are not conducive to parent-child watching.

An official remake of the French film APRES VOUS 2003, NAUTANKI SAALA! is *not* another slapstick comedy that uses every trick in the book to make you laugh. On the contrary, the humor here is tailored for spectators who love new-age cinema. Rohan steps into a new terrain with NAUTANKI SAALA!, but the plot as well as the situations are so unfussy and uncomplicated and the characters so convincing and timid too! that you start taking to the goings-on without much struggle. On the whole, NAUTANKI SAALA! is uncontaminated, witty and amusing, offers an interesting premise with plenty of good laughs. A lightweight fare that caters to filmmakers with an appetite for contemporary cinema, this movie ought to be on your 'to watch' list for sure!

Evidently, reiterating our faith that good humor does not necessarily translate into shameful buffoonery. Rohan layers it with side-splitting comedy, some great lines and incredible performances. It's no 'Delhi Belly' or 'Vicky Donor', yet it holds its own with some striking performers and wickedly clever humor If, it's clean, intelligent fun that you are looking for, then 'Nautanki Saala!' is where you need to be headed.

I saw Nautanki Saala around 6 years back and I liked it then, so much so that I saw it again today when I personally believe I have a much better capability to appreciate a well made film.

The movie is far from perfect, but attains its targets by being a really different romantic comedy buffed up by amazing performances by all the actors involved. Apart from a bit irritating characters like the producer of the theater and the girlfriend of Ayushmann, the movie holds pretty good over the audience.

The sad part really is that such movies are often box office failures, despite being much more reality driven compared to some blockbuster flicks.

Very very surprised by the poor reviews. Just goes to show that subtlety is much too undervalued these days. Just LOVED this film. A comedy that doesn't depend on slapstick/ fart jokes and the likes.

Sure, the story is quite predictable, but its the smaller things that make the film stand out... the sign board on Mandar's gate, Mandar greeting King Janak in the drama with a 'HI'& Janak responding and realizing his folly and trying to correct, RP refusing to support Loli's claim that things happen between men & women, RP's justification by using the 'profile' test, and many many more.

Performances are all above average but its the use of music in this film that shines through. The songs don't feel forced and take the story forward.

The support cast including Sanjeev bhatt as Chandra and Sulabha Arya as Aaji were fantastic. All in all a complete entertainer that left me wanting for more.

This is honestly one of the best comedy films to come out of Bollywood. I've watched this film countless times and it still feels fresh and enjoyable. The comic timing of the two leads, the love angle and the cinematography are all so beautiful. I just love this film so much. Also the songs. What beautiful, top quality songs. This is the most underrated film ever!

Must Watch...Ayushman Khurana has nailed it. Feel good movie.

A deep love and powerful comedy movie Must and watch movie