New Year's Eve, 1969: While driving on the Pearblossom Highway, a lesbian couple encounters the creator of the universe. Laid to rest for 40 years, the women wake up on New Year's Day as reb... Read allNew Year's Eve, 1969: While driving on the Pearblossom Highway, a lesbian couple encounters the creator of the universe. Laid to rest for 40 years, the women wake up on New Year's Day as reborn creatures.New Year's Eve, 1969: While driving on the Pearblossom Highway, a lesbian couple encounters the creator of the universe. Laid to rest for 40 years, the women wake up on New Year's Day as reborn creatures.
- Patricia
- (as Gina Gallegos)
- Lizzy
- (as Electra Avellan)
- Tim
- (as Stephen Monroe-Taylor)
- Self
- (as Tave Smiley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPearblossom began production in late May 2007, was than renamed Murder World.
- GoofsIn the closing cast credits, the word "Sheriff" is misspelled.
- Quotes
Rhea: [to Lizzy at diner] Honey, we're all God's creatures. You see, there came a time when the world became so evil that God made it rain for forty days and forty nights, killing all those who were corrupt. And so it came to be that only two of each creature were left. She started over. And to keep control of the evil that exists here on Earth, she created angels in her image to do her work. We serve the highest purpose. It is up to us to rid the world of these people.
Overall, this was a pretty decent and enjoyable if slightly flawed vampire effort. The main thing about this one is the fact that it tends to take an entirely different take on the genre which is not only wholly original but helps this one immensely by allowing this to take a different route through the story. By making the change occur as a result of a cosmic gift rather than a viral infection to be spread through neck-bites or blood-drinking, there's a different ethereal feel to them and how they go about being involved in the different confrontations takes a rather unusual turn here by keeping the remaining qualities of the creatures intact beyond this one simplistic change. That allows for some great moments in the diner where those powers are put into effect as there's the being impervious to bullets which makes for a fine shoot-out against the hapless officer, the superhuman strength which makes for quite an interesting brawl mid-way through where they get slammed through the surroundings to the point of breaking a normal human to pieces but they survive to continue the fight and even the burning of the skin due to the sunlight so there's the suspense of barricading themselves inside and how long that can work. As well with the plentiful and abundant nudity, these make up for some rather good times but it does have a couple problems with this. The most significant is the fact that the entire film is mostly centered around the diner so it feels way too stagnant and doesn't really seem like it actually does anything here which is quite troubling by letting scenes just go on and on just to eat up time. The fighting between the two is hardly all that original or interesting and these scenes are just maddeningly endless where one wants to exploit their powers and the other is trying to get her under control so they can utilize their powers for the better of their lives, and considering the amount of struggle that went into letting the one get imbued with those vampiric powers that really should've been seen coming quite early on so that kinda takes away from the burgeoning need to have to do that the film is clearly building towards. This does lead to a rather anti-climactic finale since it was clearly set-up from the beginning yet there's nothing really surprising about it, and when combined with the other flaws is a little disappointing.
Rated R: Graphic Language, Continuous Nudity, Graphic Violence and mild drug use.
- kannibalcorpsegrinder
- Oct 14, 2014
- Permalink
Details
Box office
- Budget
- $1,000,000 (estimated)