A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.A famous DJ in the Ibiza club scene finds the alcohol and drug-fueled party that is his life threatened by the progressive loss of his hearing.
- Awards
- 11 wins & 9 nominations
Geffen Katz-Kaye
- Baby Wilde
- (as Geffen Strummer Kaye)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Kaye is not a fan of dance music, and whenever a scene has him in headphones, he is actually listening to punk rock like Sex Pistols or The Clash.
- GoofsWhen Travis knocks on the Whip's door, he knocks three times but the last knocking sound is heard after he pulls his hand away.
- Quotes
Frankie Wilde: Maybe I should write a book. That might take years though, perhaps a pamphlet or brochure.
Featured review
I was fortunate enough to score a ticket to the 9:45 AM screening of this film at the Toronto Film Festival. It's not usual that I'll be anywhere at eight AM, let alone standing in line, but as a fan of FUBAR, I simply had to see this movie. I'm not going to give anything away, nor will I waste space with a synopsis, but I will tell you that this is one of the best films I have ever seen. Paul Kaye does a remarkable job capturing both the humorous and painful essence of Frankie Wilde, a God-like worshiped DJ hammered with immense fame, beautiful girls, endless drugs and the physical toll of his role in the music scene. I'd never seen Paul in a film before, but after this I'm sure he'll be everywhere and I think that's awesome because his performance was Oscar worthy. Alongside Paul, is Mike Wilmot playing the part of Max Hagard and after his hilarious performance I cannot imagine anyone else in the part. Wilmot nailed it with grace, for he would spit out his lines with such conviction and meticulous comic-timing that he often caused gut-wrenching laughs and applause from the theater crowd.
Actors aside, it's the brain of Michael Dowse that we have to thank for such a film. Shot on a Sony 300 (I think) it has a crisp vivid look that sucks you in from the first frame. For the record, I hate house music, but I found myself so engrossed in the film that my head was bobbing to the beat. I didn't know what to expect after FUBAR, well okay "funny" was what I prepared myself for and it came in waves of hilarity. But it was the charming story, stellar performances and clever dialogue that make this picture stand way above the crowd. Seeing "It's All Gone Pete Tong" was a total cinematic sensory overload. At times I felt like someone was main-lining cocaine and scotch into my forearm while at others it was as if I was getting a warm hug from a loved one. FUBAR rocked and put Micheal Dowse on the map but "It's All Gone Pete Tong" that can, should and will, take over the world. Without blinking I give this 10/10 and encourage you to check it out and see what the hell I'm raving about.
Actors aside, it's the brain of Michael Dowse that we have to thank for such a film. Shot on a Sony 300 (I think) it has a crisp vivid look that sucks you in from the first frame. For the record, I hate house music, but I found myself so engrossed in the film that my head was bobbing to the beat. I didn't know what to expect after FUBAR, well okay "funny" was what I prepared myself for and it came in waves of hilarity. But it was the charming story, stellar performances and clever dialogue that make this picture stand way above the crowd. Seeing "It's All Gone Pete Tong" was a total cinematic sensory overload. At times I felt like someone was main-lining cocaine and scotch into my forearm while at others it was as if I was getting a warm hug from a loved one. FUBAR rocked and put Micheal Dowse on the map but "It's All Gone Pete Tong" that can, should and will, take over the world. Without blinking I give this 10/10 and encourage you to check it out and see what the hell I'm raving about.
- How long is It's All Gone Pete Tong?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $120,620
- Opening weekend US & Canada
- $19,717
- Apr 17, 2005
- Gross worldwide
- $1,635,056
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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