A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.A naive teenager is sent to rehab camp when her straitlaced parents and friends suspect her of being a lesbian.
- Awards
- 2 wins & 2 nominations
Danielle Rene
- Cheerleader #2
- (as Danielle Reneau)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsWhen the pickup truck is pulling away in the last scene, a larger truck pulling the pickup can be seen through the tree and even hitting branches of the tree.
- Alternate versionsThe version that ran in theaters had the Lion's Gate logo, then the Fine Line logo, and then the credit: "Fine Line Features presents." This wasn't changed in time, as a deal with Fine Line and the film's production company fell through. On the DVD release the Lion's Gate logo appears and then there is a new credit: "Lion's Gate Films presents." No mention of Fine Line appears.
- SoundtracksChick Habit
(Laisse Tomber les Filles)
Music by Serge Gainsbourg
French lyrics by Serge Gainsbourg
English lyrics by April March
Performed by April March
Published by Yé Yé Music (BMI)
©1964 Bagatelle S.A. (transferred to Sidonic Publishing)
Courtesy of Ideal Records
Featured review
This film is a biting and hilarious parody of people who not only force themselves into artificial molds but also feel the to make other people fit the same stereotypical molds. The main attack of the satire is on the delusion that homosexuals can be cured by people who are themselves repressed homosexuals.
Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.
Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.
Details
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $2,205,627
- Opening weekend US & Canada
- $60,410
- Jul 9, 2000
- Gross worldwide
- $2,595,910
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