User reviews

This inferior sequel based by the characters created by David Selzer and Harvey Bernhard(also producer) concern on a matrimony named Gene(Michael Woods) and Karen York(Faye Grant). They adopt a little girl named Delia from a convent. Gene York about re-elect for congressman and he presides the financing committee. Meanwhile, Delia seems to be around when inexplicable deaths happen. She creates wreak havoc when goes a metaphysical fair, as stores of numerology, therapy, counselling heal,yoga, tarots, among others are destroyed. Karen York hires an eye private(Michael Lerner) to investigate the weird and bizarre events.

This TV sequel displays thrills, chills, creepy events and gory killing. Delia such as Damien seems to dispatch new eerie murder every few minutes of film, happening horrible killings . The chief excitement lies in watching what new and innocent victim can be made by the middling special effects. Furthermore, mediocre protagonists, Faye Grant and Michael Woods, however nice cast secondary, such as Michael Lerner,Madison Mason, Duncan Fraser and the recently deceased Don S Davis, he was an Army captain turned into acting. As always , excellent musical score taken from Omen I and III by the great Jerry Goldsmith. The movie is exclusively for hardcore followers Omen saga. The motion picture is badly directed by Jorge Montesi and Dominique Othenin Girard. Previous and much better versions are the following : The immensely superior original 'Omen'(Gregory Peck, Lee Remick)by Richard Donner; 'Damien'(William Holden, Lee Grant) by Don Taylor; 'Final conflict'(Sam Neil and Tisa Harrow) by Grahame Baker. Rating : Below average.

The fact that I watched this entire movie says something about it...or me. It is not a good movie. Terrible in fact. But terrible in the way that kept my attention in that perverse manner that is akin to watching a tragedy and not being able to look away. It would have made a great MST3K subject!

Most of the things that make a terrible movie enjoyable are here: bad dialogue, inappropriate music, contrived plot sequences, ridiculous pseudoscience. You'll thrill to slo-mo death sequences, the poor victims with mouths agape and waaaaaaaay too much time to contemplate their impending doom, facing the outrageously contrived deliverer of their deaths. Your heart will be warmed by old action scene cliches like when two women struggle for a gun and it goes off, but WHO'S SHOT? Both look at themselves, then the other, then themselves, then (seemingly 15 minutes later), one finally goes down. You'll sing along (in latin of course) with the street carolers that turn into a ghastly death's-choir that, for a moment, threatened to turn the movie into a twisted musical.

So if you believe like I do that as movies get worse they get better, then this might be a decent choice for you. It's not as funny as my current sci-fi schlock favorite, "They Live" featuring Rowdy Roddy Piper, but it's more fun to watch than luke-warm movies like Omen II or III.

I give it 4 out of 10.

After the already disappointing "Final Conflict", the series hits rock-bottom with this very weak fourth entry. At least the third film tried (unsuccessfully) to continue the story of Damien, while this one simply rehashes and copies ideas from the "Omen" (animals are afraid of the Antichrist, the death of one man is very similar to the death of the photographer in the first film). But what looked exciting and creative there looks just dumb here. And the little girl looks simply like a spoiled kid.

Only the Antichrist could have been behind such a disaster. One only hopes that this irony was the motivating force behind the "film"! This movie was so bad, it forced me to register with IMDb, finally, just so I could trash it. What makes this movie all the more tragic is that it had such GREAT source material! I have never seen a movie where all the elements were so grotesquely mediocre as to render the result less than the sum of its parts.

It may seem insignificant, but I'd like to start with the score. As the proud owner of a music degree, I must register my indignation! I was torn between laughter and dry heaves as I listened to what John Scheffer did to Goldsmith's brilliant score; it was far more gruesome than any of the burlesque death scenes, and almost as inadvertently comedic. It was by far the most inappropriate score I've heard since, well, I really can't think of a worse one. Maybe JAWS 4?

As for the plot... I'm sorry. New Age mysticism??? What ever happened to the gritty realism of the original trilogy? In those films (more so in the first two than the third, but still!!) the supernatural was for the most part implied, and it was this subtlety that made the movies so eerily believable. Here we have crystals going black (calling all Skeksis and Mystics!!) and inverted crucifixes galore, even though in certain scenes the crucifux would be perfectly normal but for the camera angle. Gone is the refined psychlogical manipulation tapping the malaise inherent in our collective psyche: in its place a boorish "slap in the face" of recycled cliché and transparent incompetence. Add to that a lead "actress" so unbelievably ANNOYING that you fervently thank the director for those scenes from which she is absent. Never have I seen a little girl so fundamentally irritating since little Stephanie ruined ALL IN THE FAMILY.

Other than that, I have no strong feelings on the subject ;-) Luckily the first three films are sufficiently adroit as to render this train-wreck of wasted celluloid inconsequential or, at the very most, a study in how NOT to make a film. Viewer beware! May induce vomiting if you're lucky.

Ho-hum. Isn't it tiresome when viewers just totally blast a film like there are no redeeming qualities in it whatsoever. To read many of the other user comments, you'd think this was the worst film ever made.

Yes... this TV-movie is certainly not very inspired. Yes, it's a rehash, featuring much of what we've seen before in previous OMEN movies. And, yes, the film isn't above giving us our share of cliches... the hound from hell becomes the kid's protector, after saving her life. The new nanny may not be as innocent as she appears.

However... one has to take such a film in perspective. The series pretty much ran its course with the third one, where Damien had grown and become the U.S. president. So, of course old ground is going to be retread... it's a TV-movie for goodness' sake. (Not that all TV-movies are necessarily junk... DUEL jump-started Steven Spielberg's career... but, chances are, you're not going to get an auteur at the wheel of a TV-movie.)

What you do with a film like this is get in the mood for old, rehashed OMEN-like "thrills." The concept is still strong... a couple has a "Rosemary's Baby," building up one evil incident after another; slowly one or both parents become aware that something's not quite right. Then the terrible and profound conflict of choosing to protect humanity or your own "flesh and blood" (figuratively speaking.... here, the kid was adopted) comes into play. (Reminds me of the television series "Xena" where the same conflict arose with one of the main characters.) Then you just sit back, relax, and see how the film makers went about presenting such watchable drama.

Being a TV-movie, the gore quotient was low, minimizing the impact of the horrible deaths we are accustomed to in this series. Not that gore necessarily translates to chills, but you can't expect to be genuinely scared, generally, especially with a TV-movie. (Very, very few films are genuinely scary; even under the hands of a master, Stanley Kubrick... THE SHINING wasn't all that scary.) However, there were some jarring moments, like the detective (Michael Lerner... a highlight, here) getting into a "CARNIVAL OF SOULS" state of mind where appearances go from normal to the bizarre. (For example, the choir on the street, singing Christmas songs, suddenly becoming something else.) And the acting..? What was wrong with the acting? It's not like the actors weren't competent. The mother played by Faye Grant, for example, came across well enough. Maybe she's not the most extremely talented performer in the world, but she delivered satisfactorily. I found the kid to be a little disappointing, not convincingly menacing enough. However, she was much better than the Skywalker kid in THE PHANTOM MENACE. Sometimes you gotta make allowances for kids. Child actors who are knockouts are rare.

Now, don't get me wrong... I'm not saying low expectations should translate to the enjoyment of any movie. For example, there are entries in the FRIDAY THE 13th that I've found hard to watch, simply because some were totally uninspired. Even though nothing really knocked my socks off with this latest installment of THE OMEN, I wasn't bored, and was entertained overall. There were even some nice touches, like the inverted cross reflection on the dying former nun's hospital room wall, and the wonderfully subtle last shot, utilizing the crosswalks of the graveyard. Too many viewers love to be unfairly critical.

This movie is unworthy of the Omen title. It is so bad that it has actually damaged the classic nature of the first three. It never should have been made, they ought to change the title.

They don't even spell Damien Thorn's NAME correctly!!!! And there are no daggers, the most important element of all the Omen films. Pull it from the shelves and burn it.

honestly, i don't know what's funnier, this horrific remake, or the comments on this board. Masterpiece's review had me in tears, that's so funny. Anyway, this movie is the among the worst movies ever, and certainly the bottom of the barrel for sequels. The "Omen" name on the title made me stop and watch it this morning on HBO, but it's a slap in the face to the other three, especially the original. There are so many classically bad moments, but my favorite is the guy catching fire from the juggler at the psychic fair!! good times ! This movie is to the Omen series what "Scary Movie" is to the entire genre. Avoid unless you're looking for a good laugh.

This is a truly wretched little film. Admittedly the original (un)holy trinity was governed by the law of diminishing returns with the third, "The Final Conflict" degenerating into a ridiculous sub-plot about half-way through the film apparently merely to provide the requisite needlessly convoluted deaths that had by now become the whole raison d'etre for the "Omen" series. But then to foist this jumped-up TV movie (beware purchasers of the Omen box set on DVD - don't be fooled by the widescreen ratio of the transfer, this was and is strictly small-screen stuff) on the back of a series of generally fine demonic chillers was unforgivable, particularly, endorsed as it was, by the exec.producer and producer of the first three movies Mace Neufeld and Harvey Bernhard. I'd give-away the plot if there was any, besides the usual death scenes (hopelessly toned down for TV sensibilities) and some of the worst acting I've seen. All involved in this project down to the catering people should be ashamed this travesty ever made it to the screen, let alone masquerading under the Omen name. If one person is convinced by my review to avoid this mess, I'll feel better for it.

This sequel is a total rehash of the first film. A completely pointless movie. It basically just took every single sceanrio of the first film and they redid it in Omen IV except with a female antichrist this time. It even ends the same way as the first one! The music is too busy and interfering, and because its pretty much a copy of Omen I, it's extremely predictable. It's not a horrible movie, it's not terribly made, there is much worse movies out there, this just had absolutely no point in being made. The Omen remake from 2006 is much worse, even more pointless than this, so I guess it has that. If you someone pointed a gun to your head and you had to choose to watch this sequel or the 2006 reamke, I guess I'd choose this.

I saw the omen when i was 11 on tv. I enjoyed the Trilogy. So when the chance to finally see one at the cinema came around i didnt pass it up. I went in to the cinema knowing that what i was about to see wasnt a cinema release but a made for TV film. However being a fan i couldnt resist. But this Omen movie which i saw at a midnight screening didnt bring chills it brought laughter. Risible Dialogue such as "it is written that if a baby cries during baptism they reject there god". What nonsense.No decent set pieces. Faye Grant so Good in V is wasted with this script from hell. No suprises and no fun. However i did laugh out loud several times at our bad it was.Truly Pathetic.1 out of 10

As with many other pop-culture franchise series, this line just didn't know when to quit. Instead of leaving things as they were perfectly ended, they went on to generate this; the first installment of this franchise to fall sorely short of the mark.

This movie should never have happened. It was not intended for there to have been a fourth movie in this line, and it sure shows. The premise is idiotic and the portrayals were the same.

After the wonderful experience which was The Omen, this was a major disappointment which stank of 70's cheese and horrible acting. It was reminiscent of the Amityville Horror in those aspects, and left a terrible, lingering stench long after it was over.

It rates a 1.4/10 from...

the Fiend :.

Sure, the hidden secret of the story was far-fetched, but little Asia Viera as Delia was magnificent. Such expressive, spiteful eyes. She didn't say anything as she wreaked havoc on detractors. Her venom was justly spent on some wretched characters. I felt sorry for her - she didn't ask to be born that way. Unlike Damien (Omen II and III) she didn't attract a following of flatterers who choose to side with evil. A little coven of "Delians" would have been tasty. There is a strange attraction to evil that few films successfully exploit. When Delia came to enjoy her powers, the film missed out on fully illuminating them. I'd like to see a grown-up Delia taking care of her little brother the Antichrist. Maybe some juicy sibling rivalry...

Although I have given this the same rating as I did for 'Omen III: The Final Conflict' (1981), that is purely for two reasons: the use (or re- use, really) of Jerry Goldsmith's fine scores from both 'The Omen' (1976) and 'The Final Conflict', and one of the film's better death scenes, which closely recalls the runaway train of 'Damien: Omen II' (1978), reminding us that there is something left of the spirit of Damien Thorn.

And that is one of the problems here. Only one fleeting reference is made to the anti-hero of the previous 'Omen' films and the mother character, Karen York (played by Faye Grant) even dares to ask who he was! Wasn't Damien supposed to be a vital figure in both politics and business a mere ten years before? A man aiming for a seat in the Senate and, from there, the Presidency? A key captain of industry and, like his adoptive forefathers, a key adviser to the President of the United States? She is a lawyer, after all, and you'd think that a lawyer would do something like read a newspaper once in a while...

It is implied (although never confirmed) that the new Antichrist, a girl named Delia York (played quite well by Asia Vieira) is the daughter that Damien had with that pesky journalist, Kate Reynolds (Lisa Harrow) from the previous film, and it would, at least, have mildly improved things somewhat to have Harrow reappear or at least get something of a mention. It might even have been a bit of a fun turn-around for the actress to get a Joan Hart-style role here, even if she did ultimately bite the dust!

Dominique Othenin-Girard started work on this film, having recently directed the unoriginal, but still okay 'Halloween 5: The Revenge of Michael Myers' (1989). He left the film during production (again, probably because of artistic differences) and was hurriedly replaced by Jorge Montesi. Being a TV movie at a time when TV movies weren't really anything to shout about anyway, you can't really tell the difference between the work done by the directors. The action sequences (such as the aforementioned death scene) were directed by the so-called 'Devil's Godfather' and 'Omen' producer, Harvey Bernhard.

Basically, this is a remake of the original film, albeit with a few twists and turns along the way. Mainly, the major change is that, while the mother in the original film (Lee Remick) was treated like she would fall apart at any moment, Faye Grant is the investigator here. The idiotic husband, Gene York (Michael Woods), whilst constantly busy on Capitol Hill, has little to do other than give her and Delia the occasional hug and berate Karen for being neurotic. But, in places, Faye Grant's acting is very wooden and obvious, such as when she tells Delia that "That's just not true!" But Damien's lackeys demean her just as much as Damien himself mistreated Lisa Harrow in the previous film.

Well known TV actors Michael Lerner, Don S. Davis and Madison Mason get quite good roles, with Lerner holding the true charisma here as a former crooked cop turned shady private investigator who is hired by Karen York to dig deeper into Delia's history. The film even gets a brief, but reasonably effective version of both Holly and Mrs. Baylock from the original film but, as said, they appear far too briefly and too weirdly to make any true impact on the audience. Other performances are very overdone, especially the nun who gives the Yorks their new baby (Megan Leitch).

One good scene is an early sequence in which Karen and Delia are playing and run across a 'heroic' Rottweiler -- a more plausible introduction for man's best friend into the Yorks' household than in the original 'Omen'! Quite simply, Robert Thorn (Gregory Peck) should have fired the Baylock woman (Billie Whitelaw) on the spot for constantly dragging that demonic mutt back into the house!

Die-hard fans of the 'Omen' franchise may want to give this one a go, but it literally is a film for a rainy day when there is nothing better to do!

Harvey Bernhard and Stanley Mann had penned an adaptation of Gordon McGill's 'Omen IV: Armageddon 2000' back in 1983, but it was rejected for this trashy, uninspired TV movie. In comparison, Bernhard's and Mann's script is godly and suspenseful, with a great look back over the 'Omen' films, and attempts to repair the damage done to the running plot of the franchise in 'The Final Conflict'.

Inverted crosses galore, the aforementioned retread of Goldsmith's score (shockingly mouthed by some demonic carol singers in one scene, ewww!!!), and that one death scene make this intermittently interesting but, if 'The Final Conflict' saw the 'Omen' series run out of steam, then this one left it dead and buried, with only other remakes left to make audiences remember the glory days of the original!

"The Omen" series was a one-hit wonder for the most part and finally hit the brick wall completely with this terrible fourth installment. Damien is dead, but he had a child (Satan's grand-child). After she (the young Asia Vieira) is adopted by two attorneys, the typical odd deaths take place and it appears that the child is the reason for the happenings. A really sorry production that got no studio backing and went directly to video rental shelves and cable television stations. Turkey (0 stars out of 5).

'The Omen 4: The Awakening' is a made-for-television sequel to the original 'The Omen' film. Instead of Satan possessing the body of a little boy, he possesses the body of a little girl adopted by rich parents, who is bullied at school and who ends up getting revenge against those who do her wrong. The film seems to struggle with any horror factor, and a lot of the events that happen are simply silly rather than particularly frightening, and it is difficult to believe that this little girl is Satan, even with all of the events that surround it. I just did not find this film very suspenseful or frightening, particularly when compared to the original.

***SPOILERS*** Like some evil Tinkers-to-Evers-to-Chance double-play combination we have in "Omen IV" the evil seed of the deceased AntiChrist Damien Thorn come back. Terrorizing his parents his schoolmates his neighbors and finally the entire world as a she named Delia York, Asia Vieila. After being given to a "deserving" couple the Yorks Karen & Gene, Fay Grant & Michael Woods,by the Catholic Church's St. Francis orphanage.

Little Delia didn't waste any time making her peasants felt by scratching her mom at a house party. Later Delia almost get killed by a runaway truck only to have herself saved by this "Devil Dog" named Ryder. Going to school Delia takes care of the local bully by getting the big guy to wet himself in front of all his classmates. Later when his father threatens the Yorks with a law suit she has his head sliced off in a self-induced traffic accident! Delia is someone that you never mess with if you know what's good for you.

Meanwhile Dalia's dad Gene becomes a big man in town on his own, or so he thinks, by getting elected to the congress as a champion of the clean air and green trees crowd instead of letting the smog and concrete boys take over the neighborhood with his eye now on he White House itself! Did his bratty and strange daughter Delia have anything to do with Gene York's sudden good fortune?

It's only later when Jo, Ann Hearen, is hired as Delia's nanny that the truth's comes out about her strange and evil powers. Jo a New Age type realizes that Delia is a bit weird, after turning all her white crystals black, and calls her New Age Guru Noah, Jim Byrnes, to come over and check her out. Noah is so upset by what he sees in Delia Kirilian color vibrations ,all black and blue with a little pinch of red, that it flips him out so bad that he almost crashed into Delia's moms car.

Taken on a trip to a psychic festival by Jo Delia turns the entire event into an inferno setting the place, through mental telepathy, on fire and heaving everyone there run for cover including poor Noah who was at the festival and ended up with his leg broken. The and shaken and battered Guru was so shook up by the whole experience that he later checked out of the country to become a hermit in the Tibetan wilderness.

Jo herself is later thrown out, with the help of the sweet and cuddly family pet Ryder, of a second floor window to her death because she knew and talked too much. It's when Karen is again pregnant that she decides, finally, to find out the truth about the real parents of Delia. That's when she,and we in the audience, come face to face with the truth. She's not only the feared AntiChrist of Revelations she's his twin sister! Her brother the AntiChrist himself is about to come on the scene as her kid brother the sill unborn Alexander York!

Three times were more then enough for the AntiChrist coming back to earth to bring about Armageddon. The movie going public were already getting a little tired of of him and his evil adventures. With a fourth really not necessary since Daimen Thorn, the original AntiChrist, had been dead and buried for years. Were put through the usual ringer with no one believing that little Delia is "Thee" AntiChrist until it was almost too late to stop her in her deadly rounds of destroying the entire human race. The movie as bad as it is is also far too long, 97 minutes, for a horror flick that could well have told it's story is as little as 80 minutes.

Having a private eye Earl Knight, Mchael Learner,and later a former Catholic nun sister Yvonne,Megan Lehch,and now faith healer Felichy in the film only to be killed off didn't help the plot either. It only prolonged the suffering of those of us watching the movie. You could see the surprise ending coming almost as soon as the film "Omen IV" began with the bases being cleared for Delia's eventual takeover of the civilized as well as uncivilized world. What was a bit of a surprise was Delia doing it with a little help from friends.

I was fully expecting this made for TV sequel to suck, and in that respect, I was not disappointed: this cheaply made, badly written, poorly acted piece of excrement is tantamount to blasphemy for fans of the Omen series, being devoid of the foreboding atmosphere of the other films, totally bereft of creative kills, and completely lacking in scares. Instead, we get silly shenanigans with new age mystics, an ugly kid sorely in need of a good orthodontist, a score that sounds like it should be accompanying a troupe of circus clowns, as-subtle-as-a-brick images of inverted crosses ad nauseum, and, worst of all, Satanic carol singers.

I have seen it suggested that The Awakening might be an intentionally awful film in an attempt to parody the solemnity of the original trilogy; I highly doubt this, but if this should somehow prove to be be true, then shame on everyone involved for treating the franchise and its fans with such disrespect.

If there is a Hell, then the makers of this rot will certainly have a special place reserved for them somewhere between the eighth and ninth circles (where the fraudulent and treacherous are punished): a sulphuric screening room in which they will be forced to watch their own abomination for all eternity (whilst having broken copies of the DVD roughly inserted up their rectum). Yes.... Omen IV: The Awakening really is that bad.

The first question that springs to mind after watching this rubbish is who on earth gave these idiots the right to use the Omen name on this movie? It is a shambolic , embarrassing, pathetic atempt to carry on the Omen franchise. When the film starts the backing music sounds like it has been lifted straight from a Bugs Bunny Cartoon and from then on the film gets worse! I dont know who wrote the script but i bet they got a E - for it when they took it back to show their teacher! It is difficult after a while to tell if this is a comedy because what happens is so funny and so un true to the original Omen it beggers belief. The acting is laughable , especially from the leading lady Faye Grant. she keeps pulling silly faces or is she finding it difficult not to laugh? It's hard to tell. THE worst sequal i have ever had the misfortune to witness. 1 out of 10.

Omen IV (1991) was a bad made-for-T.V. movie. Since the 80's were over, I guess the executives were experimenting in meth (the drug of choice during the 90's) because there is no other reason to explain this travesty. Why did they even bother making this? A t.v. movie? What were they mulling over when this one came up on the idea board? Did they even think for a second that this movie would catch on as. Perhaps they thought it could make it as a series? We'll never know. But I know one thing. This movie was the major reason why I never bought the Omen trilogy. They should have knocked off a couple of bucks instead of putting out this "extra" disc.

Omen IV is basically a average American family remake of the first film. Instead of a snot nosed punk kid, we get the spooky girl who's a total brat to everyone around her. If the family had stronger parenting skills, then none of the demonic events that have transpired in the past films would have never occurred. These parents need to put their foot down and do some real discipline!

Not recommended, best to avoid at all cost!

I look at Omen 4 think it a remake of the Omen (But a girl instead of a boy ) but just little different.

I kinda like it and watch it all the way to the end. This has some very good scenes which i really liked and the girl you played Delia was really good but not as good as Damien.

The plotDamien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys, Gene & Karen York. When Karen realizes her baby was born under suspicious circumstances, she hires a private investigator to find Delia's real parents. A series of bizarre accidents occur, and Karen begins to suspect everyone of conspiring against her as she unravels the truth about her baby

I really like the ending, it was really good ending i say and for A TV movie it worth watching.

Out of all the the five Omens movies The Omen 1 and 2 are are outstanding both 10/10 Omen 3 it was let down but still good 8/10

The omen 4 is good a movie, did have the some of same kill from the first movie that the only down side for me but i like omen 4 better the Remake

give this movie 5/10

This is the best movie throughout the entire series. Don't believe what the you were just told about it on the other comments believe ME! This movie was fantastic! Sure, it didn't need to be made but it was still a great movie! The only reason why the others hate it so much is not only did it ruined the so-called ending of the Final Conflict, but it didn't involve Damien Thorn. That's why they hate it so much! There is absolutely nothing wrong with the plot and the acting is VERY GOOD! Don't believe those other comments. Believe me PLEASE! Get this movie, watch it, and you'll like it. And trust me, you'll like it a lot! And I mean A lot!

After watching The Omen III, I really thought things could only get better from there on. I was also very happy that there even was an Omen IV, for I didn't want to end the series with number 3 (a movie that will forever be remembered as "Religious Masturbation").

Well congratulation, directors and screenwriters who have done too lousy a job for me to even bother checking their names. You have truly managed to outdo yourselves, The Omen IV is by far worse than III, which makes it the worst part of the worst Horror film series I've ever had the dis- pleasure of watching. Nothing original, almost an exact remake of the first film, only this time Antichrist is a girl, how very feminist and modern! Instead of a priest trying to warn the family, there's a new-age healer! How very pluralistic and religiously-tolerant! The politician father is this time a senator, not an ambassador, how clever! And to top it all - instead of a nanny who's devoted to protect the Antichrist, we've got a nanny who's devoted to protect the Antichrist! I'm blown away!!! As usual, the child is not the least scary. Seriously, Children of the Corn is from a near time, so is Village of the Damned! How come the children there are so much creepier? If at the first film the child was actually cute, in the 2nd - a tragic hero almost likable, and in the third simply a child - in the fourth we get a brat. Nothing more than an annoying, spiteful princess-brat. The only value this film had was that it followed the "rules" set by the first one, therefore giving the audience a sense of familiarity with the events (a cheap consolation reward if you ask me).

I apologize for not being able to be more impartial, but I'm frustrated and disappointed. I've heard so much about "The Omen", so many recommendations and complements for it being groundbreaking when it comes to the Occult-Horror sub-genre. Well great! So it was groundbreaking back at 1976, bravo! Watching it today was still a very unrewarding experience. Sorry for not being born 30 years earlier!

However, as one of the classics, we who value ourselves as Horror fans should give it a try. I did, and it was an unrewarding experience for me personally. For you - it may be different, so don't judge according to this review. My recommendation? When it comes to classics - listen to no one and try them, you owe it to yourselves.