At Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up involved with two unhappily married O... Read allAt Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up involved with two unhappily married Oxford professors instead.At Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up involved with two unhappily married Oxford professors instead.
- Nominated for 4 BAFTA Awards
- 5 wins & 9 nominations total
- Ted
- (as Maxwell Findlater)
- Stephen & Rosalind's baby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJoseph Losey and Harold Pinter were keen to make a film out of Nicholas Mosley's novel, but knew it would have to be a low-budget, intimate drama and that it would be difficult to find funding for it. Losey was certain that his friend and frequent collaborator Sir Dirk Bogarde would be the best casting for the role of "Stephen." When the famous producer Sam Spiegel expressed an interest in making the film, Losey and Pinter were tempted, because they knew he could find the money for it; but Losey was also cautious, having known and worked with Spiegel before, and also knowing that he liked to dominate his directors and impose himself on them. He was also sure that Spiegel was now only interested in lavish prestige productions. Sure enough, Spiegel insisted on hiring Richard Burton, then the highest-paid and most famous male film star in the world, to play "Stephen," hinting that, with Burton involved, an all-star cast could be obtained, and also making disturbing noises about the film becoming "more commercial". He invited Losey aboard his famous 378-foot yacht to discuss the film, and it was aboard this yacht, in the middle of the Mediterranean, that Spiegel offered Losey one of his special eight-inch cigars, which were prepared exclusively for him and which cost (in 1966) about £12 each (around £175-£200 in 2021 money). Losey, a non-smoker, accepted the cigar, made an elaborate show of piercing and lighting it, took two puffs and then threw it overboard, claiming it was "too dry." Furious, Spiegel immediately withdrew from the project and Losey was left free to make the small-scale film he wanted to make.
- GoofsThe Anna character is meant to be Austrian, but speaks with a (Jacqueline Sassard's native) French accent.
- Quotes
Charley: [reading from learned journal] A statistical analysis of sexual intercourse at Colenso University, Milwaukee showed... that 70% did it in the evening, 29.9% between 2 and 4 in the afternoon and 0.1% during a lecture on Aristotle.
Provost: I'm surprised to hear that Aristotle is on the syllabus in the State of Wisconsin.
- Alternate versionsAccident (1967) was restored by the British Film Institute in 2009 to celebrate the centenary of Joseph Losey.
The story unfolds from there, going back to what led up to this event. Stephen is going through a midlife crisis. He has two children, a pregnant wife, and not quite the success of his friend Charley (Stanley Baker) who has a television show. Stephen finds himself attracted to one of the students he tutors, Anna, but can't quite muster up the courage to approach her. Another student, William (Michael York) is a friend of hers; Stephen can't quite figure out the relationship, even after a night of boozing it up a la Virginia Woolf. Then he finds out something very interesting.
This has to be one of the slowest-moving films on record, filled with those famous Pinter pauses and emotions underneath the surface. And here, they're really underneath. Buried. John Coldstream quotes Michael York in "Dirk Bogarde" about being told "you can't underact," that film is so subtle a medium, the less you do, the better it is. Well, in "Accident," that's been taken to a new art form. York was impressed that while doing the scenes, it didn't come off like they were doing anything until you saw it on film. I don't know what film he saw.
The other problem with this film, and maybe it was just me going into an advanced stage of blindness, which I wasn't aware of, is that the night shots were black. I really couldn't see what was going on.
That all being said, the basic story is certainly a compelling one, of people leading normal, outwardly successful lives, with turgid emotions and unhappiness churning underneath. The scenes after the accident between Sussard and Bogarde are very striking and disturbing, as is the final moment of the film. We are reminded that what's on the surface has nothing to do with what really is in the heart.
"Accident" was a terrible emotional drain on Dirk Bogarde; unfortunately, because of the direction, we don't get to see why. He was a remarkable actor, but like any actor, he's a victim of the director's pacing and concept, not to mention the script he's handed. This could have been much better, right up there with the searing drama of "The Servant." Alas, it isn't.
Details
- Release date
- Country of origin
- Language
- Also known as
- Accident - Zwischenfall in Oxford
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- £272,811 (estimated)
- Gross US & Canada
- $17,161
- Opening weekend US & Canada
- $5,798
- May 25, 2014
- Gross worldwide
- $65,615
- Runtime1 hour 45 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1