I would probably have never watched this film if it were not for a little old lady who often calls to the film archive where I work and asks for movies starring French actor Maurice Ronet (who is her favorite star), and strange choices as Don Sharp's "Rasputin, the Mad Monk" or this Elvis Presley's vehicle. Surprisingly I enjoyed watching it as "zero degree style" as it is, and now I believe that this is one of Presley's best vehicles of the early sixties. It has a formulaic story that does not demand much from viewers, most of the songs are forgettable and corny, and back projection and sound stage decors do not match well with such a magnificently sunny location as Acapulco. But somehow it works: Presley, kid Larry Domasin and leading ladies Ursula Andress and Elsa Cárdenas all seem to enjoy what they are doing (and make fun of themselves, as in the musical number in which Presley finishes a ridiculous song with a matador cape wrapping his head) , and screenwriter Allan Weiss surely knows how to keep us viewers smiling at every new move by orphan Raoul (Domasin) to get trapeze-artist- in-crisis Mike (Presley, that is) back in shape. Richard Thorpe (who also directed "Jailhouse Rock") moves things efficiently until the grand finale in which the trapeze artist sings... "Guadalajara" in Spanish. I could not understand a word, but it was fun to watch "The King" (at his handsomest) trying hard.